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Thanks Gilles Brusset for authorizing the publication of the project on mooool, Text description provided by Gilles Brusset.

 

Gilles Brusset:“褶皱的童年”是一个雕塑景观,延伸和纪念一片名为Boudines的土地。它共占地2200 m²,其景观形式体现了一种形成侏罗山地形(侏罗褶皱)景观的力量。

Gilles Brusset:The Fold’s childhood is a sculpture-landscape, monumental and elongated in the land of the place called Boudines. It takes part to a surface of soil of 2200m². Its forms are an interpretation of the force that spawned landscapes of the Jura massif (Jura folds).

 

© Binocle

 

两种形式系统的交汇:在梅林公园的正交景观和Boudines学院的立面附近,该雕塑景观以曲线和体量的形式浮现,故意忽视了主导梅林公园的既存景观,呼应白板理论。在现代“激进”的城市中,该艺术项目记录的不同形式,在这个标准的城市背景下显得与众不同。

Meeting of 2 formal systems: In the orthogonal landscape of Meyrin-park and near the flat facades of the École des Boudines, sculpture-landscape emerges in curves and volumes. It is a response to the principle of tabula rasa, to the deliberate ignorance of the pre-existing landscape that presided over the realization of Meyrin-park. Within the modern “radical” city, the artistic project inscribes a set of differentiated forms, extraordinary in the context of the orthonormal city.

 

© Laurent Barlier
© Laurent Barlier
© Binocle

 

地形的回归:该雕塑在Boudines学院外部空间的地面上自由发展其动态起伏,摆脱了梅林公园规整的直线形式。

The return of the topographical plot: The formal system of sculpture freely develops its dynamic undulations in the ground of the exterior spaces of the École des Boudines, freed from the relentless formal system of the straight lines of Meyrin-park.

 

© PY Brunaud
© Binocle

 

空间和时间的游戏:从高处往下看,“褶皱的童年”就像一幅画,令人联想到侏罗山褶皱起伏的风景。它们是一组形状,可以移动、也可以用于调整节奏。褶皱的空间性为孩子们提供了曲线的物理体验,并在褶皱地面的空间中分出各种不同的空间。从近到远,从曲线的褶皱到建筑地平线的延长线,孩子的身体和眼睛找到了关联,与梅林公园的无垠天空、山谷之外的日内瓦和侏罗山丘形成了新的联系。

Games of space and time: From the heights, one can see the Fold’s childhood as a picture evocative of the folded and undulating landscapes of the Jura, a model imaginary site of the mountains lying. It is a set of shapes that can also be traveled, paced. The spatiality of the fold offers the children a physical experience of the curve and a variety of situation differentiated in the space of the pleated floor. From the near to the far, from the fold of the curve to the stretched line of the architectural horizon, the bodies and the eyes of the children find articulations, enter into a new relation with the immensity of the sky of MEYRIN-PARC, Beyond the valley of Geneva and the massifs of the Jura.

 

© PY Brunaud
© PY Brunaud
© PY Brunaud

 

“褶皱的童年”是一座纪念性雕塑,也是侏罗山(褶皱浮雕)地形的理想模型。斜坡、丘陵和山谷的演替、矿质土与植被土的界面、径流路径,这些都是地理概念,通过塑性表达它们变得容易理解。该雕塑景观创造了一个纵横交错的空间,给孩子们提供了一种灵敏教学方法、曲线的物理体验以及体验在褶皱地带的空间中形成的各种情况。一系列的山丘和弯曲勾勒出一个被包围的地平线。孩子们所处的地形带给他们对空间的有形的理解,这都要归功于高程地标和在高度在40到140厘米的地平线,这些地平线由褶皱山丘的形状柔和地显现出来,它们的脊线高度给幼儿提供了身高基准,以便他们在成长过程中根据空间来衡量自己。游戏、家具、沙盒、草地运动或柔软的土壤等经典元素被想象中的地形景观所取代。它统一了广泛运动中的各种儿童游戏。

“L’enfance du pli” is a monumental sculpture which is also an ideal model of the topography of the Jura massifs (folded relief). The succession of slopes, hills and valleys, the interfaces between the mineral soil and the vegetal soil, the runoff paths are all notions of geography rendered apprehensible by means of their plastic expression. Sculpture-landscape produces a crisscross spatiality that offers children a sensitive pedagogy, a physical experience of the curve and a variety of situations differentiated in the space of the pleated ground. The series of hills and curvatures outline an enveloping horizon. The topography in which the children evolve gives a tangible reading of the space thanks to the altimetric landmarks and lines of horizons at their height (40 to 140 cm) drawn by the soft emergence of the shapes of the folded hills. The levels of their crest lines give young children benchmarks of heights to measure themselves against the space as they grow. The classic elements of games, furniture, sandboxes, grassed land movements or flexible soil are replaced by the imaginary geography of sculpture-landscape. In a broad movement, it unifies the variety of children’s games.

 

© PY Brunaud
© PY Brunaud
© PY Brunaud

 

艺术和景观——褶皱的童年是在梅林公园的田野上雕刻的艺术品。它位于公园与建筑之间,建筑与景观之间,质疑着艺术在公共空间和景观中作为艺术作品的地位。利用景观设计师的工具进行设计,该作品含蓄地提出了一个涉及到景观设计师职业创作的问题:景观设计师是否就是艺术家?

Art and landscape – The fold’s childhood is a work of art carved in the field of Meyrin-park. Located between the park and the buildings, between architecture and landscape, it questions the status of art in public space and landscape as a work of art. Designed with the tools of the landscaper, the work implicitly poses the question of the part of creation that can involve the profession of landscaper. Is the landscape architect an artist?

 

© PY Brunaud

概念来源 Concept

© Gilles Brusset
© Gilles Brusset

设计手稿 Sketch

© Gilles Brusset

效果图 Perspective

© Gilles Brusset

详细设计图 Plans

© Gilles Brusset
© Gilles Brusset

模型图 Model

© Gilles Brusset

 

 

项目名称:褶皱的童年
地点:瑞士
景观艺术:Gilles Brusset
实施时间:2017
项目面积:2250m²
企业执行:JACQUET PAYSAGE
造价:220 000 FCH
材料:沥青+草、太阳能灯

Project name: The fold’s childhood
Location: Meyrin, Switzerland
Landscape Artist: Gilles Brusset
Implementation period: 2017
Dimensional Datum: 2250m²
Enterprises Executor: JACQUET PAYSAGE
Cost: 220 000 FCH
Materials: bituminous asphalt + grass 、solar lights

 

更多 Read more about: Gilles Brusset 


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