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Zinialand Design：On the first arrival, the mountains and houses gradually disappeared in the clouds. The rainy weather shrouds a gray color on the mountains. At the same time, the site also has many challenges. The mountain has low vegetation coverage and merely covered by grasses.The weather changes allow us to understand the character of the mountain. The mountains are still and the shape of the water changes. Sometimes the mountains are covered with fog. But when the sun shines, the clouds float on the top of the mountain with rain droplets. The natural system of the mountain is a reciprocating cycle and the “Yunshui (Cloud and Water)” has become an important concept derived from our site attributes.We hope to build our projects as the urban layout of the mountain city. The humanistic settlement based on the spiritual character of the mountain offers a sense of stability in life. Here is a land that replaces the hustle and bustle of silence where the mountain wind, cloud, water, and grass forest returns. The project interprets a natural pure land with modern seclusion aesthetics.
▼重庆南山，山的自然体系 The Natural System of the Mountains
藏匿山间的故事 ，从山而来，回归山去 The story hidden in the mountains comes from the mountains and goes back to the mountains
In ancient times, Liu Zongyuan heard the sound of water through the bamboo forest. He cut bamboo to make his road and accidentally saw the clear water pool, which became a wonderful encounter between the mountains. Nowadays, the design of the Nanshan is the same. The shimmering inspiration was cultivated to a supreme design. From the end of 2018, we stepped into the Nanshan Mountains. The divine mountain inspired our design. After many modifications, we finally chose the idea “come from the mountains and return to the mountains.”
▼项目景观动线 Project circulation
▼ 场地“云水”曲线构成 The curves of “cloud and water”
自然美学“云水”随山融入到设计肌理 The natural aesthetics of “cloud and water” is integrated into the design texture with the mountains
We deliberately extract the natural system of the mountain, and the changing scenes of “cloud, water, fog, forest” in the mountains as the main elements of the site, and integrate the natural aesthetics of the ecology into the texture of the design.
The mountain has its unique natural aesthetics. It belongs to the sky and constantly piles up to form the scenery of white clouds and peaks. It loves music, hanging on the waterfall and listening to the beautiful sounds. It watches the sunrise and sunset and the water changes. It wears a thin cloud and moisturizes the heavy green of the mountains.
山间漂浮着柔软的云 Soft clouds are floating among the mountains
云，由无数颗微小水滴凝聚而成，来自山林，最终又回归山林，这是自然循环的重要一节。我们截取云在空中变幻的一帧，通过参数化的方式，将云的飘渺自然凝固再现 ，让片刻白云凝聚形成山林入口富有标识度的印象门头 “水石祥云”。
With the time of information homogenization, people are easily lost in urban forests. The designers hope to visualize the various changes in the mountains and waters through the visual language and encourage visitors to be in the natural spaces. Through experience the scales of space, and with nature, mountains, clouds, etc., people can regain the return and imagination of the mountain life.
The cloud, which is made up of numerous tiny droplets of water, comes from the mountains and eventually returns to the mountains. This is an important part of natural circulation.Clouds, the frosted white，Using parameterization, the ethereal cloud is naturally solidified and reproduced，We selected moments of cloud changes in the air, allowing the image of white clouds to form the impressive crown of the entrance.
▼ 入口水石祥云 Shuichi Xiangyun
▼ “水石祥云”参数化模型 Parametric model
▼入口门头搭建过程 Construction processes
云雾浸润一片水杉林 The sequoia groves immerse in the cloudy fog
At the beginning of the design, we have tried to continue the narrative structure of the valley. In the sky-covered corridor, it is like the exploration experience of the canyon. However, it loses the natural beauty of the original ecology of Nanshan. We do not want to give up this unique aesthetic treasure and finally chose to open the landscape space and made Nanshan Mountain Forest a design scene.
The departure of the cloud is the pledge of the mountains. The heavy missing feelings of the mountains lead the clouds back. Then, it lands in the forest and nourishes the woods, flowers, and soil, forming a misty foggy forest.
▼ 拨开云雾，行云而去 Floating away with the clouds
▼行在山林间 Walking among the forest
Floating away with the clouds, the upright cedar forest finally presents. For plant selection, we keep the straight cedar as the main body of the plant soft scene. Everything grows and stretches upwards, healing the land and creating vitality.
▼没有太多植物标准配比，场地内580棵高大水杉，低矮的狗尾草与紫色的鼠尾草此起彼伏，整体犹如一片律动的山野丛林，与纯粹的硬景形成冲突的戏剧化美感 There are not many standard planting design in the site.The 580 tall metasequoia trees, low green bristlegrass and purple sage rise up and down, just like a rhythmic natural jungle, which forms the dramatic contrast with the hardscape
▼ 藏入南山的深绿，我们希望“山林”的植物是返璞于自然的原生感，通过山林粗犷的野对话竖向硬景的柔 The dark green hidden in Nanshan ，Mountain we hope that the “mountain forest” plants are the original sense of returning nature and the softness of the hard vertical scene contrasts with the rough wild mountains
汇聚山涧的蓝 Gathering the blue of the mountain stream
The beauty of the mountains is derived from hidden lives. The features of the mountains landscape are still present on our site. The height difference increases from the preset entrance and forms a high point at the buildings. The explorers pass the Baiyun forest, turn around and approach the top, and suddenly run into the Yuntai Yaochi, which is a surprise. The waterscape built along the mountain features forms a curve of flow. The clear water of the mountains gathers here, and the action experience of the up-and-down direction, with pure blue and white, presents the holy deity of the mountains.
▼ 云台瑶池Yuntai Yaochi
The project site is backed by the Nanshan Mountain and is set between the building and the mountain. The distance from the entrance to the building is short, and the maximum height difference is about 12 meters.We sort out the spatial context. For the consideration of the landscape, we choose to lie on the mountain, avoiding too much large-scale landscape design to block the sight of the tour and making nature become the visual subject of the distant vision to maximize the experience of the mountain landscape tour.
▼ 场地剖面，地势最高差约12米 Site profile, the highest difference in terrain about 12 meters
▼ 山间天然的平台，利用高差，打造高差 The natural platform in the mountain that utilizes the height difference to make one
▼ 顺势而起 ，打造山居景观游览的体验 Take advantage of the trend the mountain landscape tour
山涧的色彩构成 The color of the valley
As landscape architects, we try to integrate the color composition of “Yunshui” into space and use the pure color method as a medium to convey the color attraction of the “Yunshui Shanju” to the people who come and go.For the waterscape, to highlight the clear and transparent feeling of the pool water and to avoid the gap between the stone joint in the initial stage of the construction, we chose to change the coating method of the bottom of the waterscape to spray. While saving economic costs, it perfectly presents the visual color of the design concept, presenting the blue-white beauty of the ideal Yuntai Yaochi.
▼ 聚料喷涂的颜色确定及过程 Color determination and process of coating
▼ 呈现效果 Final effect
The paving stone reflects the mixing effect of the Yunshui elements through the graphic design elements. The white sesame stones echo the blue color of the pool, forming a special blue-white curve effect.
At the beginning of the journey, the LED landscape combined with the water curtain forms the first impression of the pedestrian walkway, creating a sense of technology, the future, and changing spaces. It breaks the silence of the pool, creates the sci-fi life, and finds the truth between the mountains among the illusory changes.
云水山居，安定从容的栖居地 Peaceful and comfortable habitat
Chongqing Nanshan Project is our further interpretation of the “Yunshui Shanju”. Walking in the mountains does not mean isolation and loneliness. It means to join nature and the mountains, coming from the mountains, going back to the mountains, and forming a soft and tenacious spirit. This may be a peaceful and comfortable habitat. Perhaps we should look at it outside the boundary. Here is more what we want to express.
Location: Nanshan, Chongqing, China
Landscape design: Zinialand Design
Concept design team: Hengzhi Liu, Fangfang Ma, Jin Xie, Hengzhi Cai, Tianran Wang, Xiaobo Li, Yue Lu, Yue Hou
Construction drawing design team: Kunyi Yang, Wei Zhang, Chuan Wei, Wei Ren, Bo Liu
Construction drawing visualization design: Chuanlong Xu
Planting design: Ji Zhu, Ziwei Cheng
Digital auxiliary design: Hengzhi Liu, Xiang Liao, Yang Zhang
Cloud gate construction: Dichen Sculpture
Photography: Holi Landscape Photography
Area: 12000 ㎡
Design time: 2018.11
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