{"id":103294,"date":"2019-05-15T10:41:37","date_gmt":"2019-05-15T02:41:37","guid":{"rendered":"https:\/\/mooool.com\/?p=103294"},"modified":"2019-05-15T10:41:39","modified_gmt":"2019-05-15T02:41:39","slug":"memorial-to-victims-of-violence-by-gaeta-springall-arquitectos","status":"publish","type":"post","link":"https:\/\/mooool.com\/en\/memorial-to-victims-of-violence-by-gaeta-springall-arquitectos.html","title":{"rendered":"Memorial to Victims of Violence in Mexico by Gaeta-Springall Arquitectos"},"content":{"rendered":"

\u672c\u6587\u7531Gaeta-Springall Arquitectos\u6388\u6743mooool\u53d1\u8868\uff0c\u6b22\u8fce\u8f6c\u53d1\uff0c\u7981\u6b62\u4ee5mooool\u7f16\u8f91\u7248\u672c\u8f6c\u8f7d\u3002<\/span><\/span><\/strong>
\n Thanks Gaeta-Springall Arquitectos for authorizing the publication of the project on mooool, Text description provided by Gaeta-Springall Arquitectos.<\/span><\/span><\/strong><\/p>\n

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Gaeta-Springall Arquitectos<\/strong><\/a>\uff1a\u7eaa\u5ff5\u56ed\u4f4d\u4e8e\u58a8\u897f\u54e5\u57ce\u6700\u91cd\u8981\u7684\u67e5\u666e\u5c14\u7279\u4f69\u514b\u516c\u56ed\uff0c\u573a\u5730\u5185\u68ee\u6797\u7684\u4e00\u90e8\u5206\u5c5e\u4e8e\u8054\u90a6\u653f\u5e9c\uff0c\u51e0\u5341\u5e74\u6765\u90fd\u7531\u56fd\u9632\u90e8\u76d1\u7ba1\uff0c\u56e0\u6b64\u7eaa\u5ff5\u56ed\u7684\u5efa\u8bbe\u610f\u5473\u7740\u9700\u8981\u6062\u590d15000\u5e73\u65b9\u7c73\u7684\u516c\u5171\u7a7a\u95f4\u3002<\/p>\n

Gaeta-Springall Arquitectos<\/strong><\/a>:\u00a0The site is in Chapultepec, the most important park of Mexico City. This part of the forest belongs to the Federal Government and was under the custody of the Secretariat of National Defense for many decades, so, first of all, the memorial project means the recuperation of 15,000 square meters of public space.\u00a0<\/a><\/p>\n

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\"\"<\/a>
\u00a9 Sandra Pereznieto<\/figcaption><\/figure>\n

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\u672c\u6848\u4e2d\uff0cGaeta-Springall\u8bbe\u8ba1\u4e8b\u52a1\u6240\u4e3a\u5f53\u4ee3\u58a8\u897f\u54e5\u793e\u4f1a\u6700\u51f8\u663e\u7684\u201c\u66b4\u529b\u201d\u95ee\u9898\u8d4b\u4e88\u4e86\u5b9e\u4f53\u5f62\u5f0f\uff0c\u4e3a\u6b64\u8bbe\u8ba1\u5e08\u5c06\u573a\u5730\u5b9a\u4e49\u4e3a\u4e00\u4e2a\u5f00\u653e\u7684\u9879\u76ee\uff0c\u5411\u57ce\u5e02\u548c\u516c\u4f17\u5f00\u653e\uff1a\u5373\u6210\u4e3a\u5bf9\u57ce\u5e02\u53ca\u5176\u53d7\u4f17\u5b8c\u5168\u5f00\u653e\u7684\u4e00\u4e2a\u7a7a\u95f4\u3002<\/p>\n

In this project, we give material form to one of the most important issues of contemporary Mexican society:\u00a0violence.\u00a0In response to this, we propose an\u00a0open project,\u00a0open\u00a0to the city and\u00a0open\u00a0to appropriation by its citizens: a space that exists in a state of complete openness to the city and its actors.<\/p>\n

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\u25bc\u9ad8\u5927\u7684\u94a2\u5899\u91c7\u7528\u8010\u8150\u8680\u94a2\u5236\u6210<\/strong>\u00a0 The steel walls are made of corrosion\u00a0<\/span>resistant\u00a0steel.<\/span><\/span><\/p>\n

\"\"<\/a>
\u00a9 Sandra Pereznieto<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Gaeta-Springall<\/figcaption><\/figure>\n

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\u25bc\u5899\u4e0e\u6811\u6728\u4e4b\u95f4\u7684\u7a7a\u9699\u63d0\u9192\u6211\u4eec\u8bb0\u4f4f\u90a3\u4e9b\u56e0\u66b4\u529b\u800c\u901d\u53bb\u7684\u4eba\u4eec<\/strong>\u00a0 These voids between the steel walls and the trees evoke the non-presence and the absence of the victims.<\/span><\/p>\n

\"\"<\/a>
\u00a9 Julio Gaeta<\/figcaption><\/figure>\n

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In this manner, the project plays the double role of\u00a0public space\u00a0and\u00a0memorial. Violence is suggested in the proposal in two dimensions: the\u00a0immaterial\u00a0and the\u00a0built. On one hand, the immaterial takes place in the the voids created between the steel walls and the trees. These voids evoke the non-presence and the absence of the victims. On the other hand, the surfaces of the steel walls, rusty or mirroring, show that we can be contained or lost, and that we can add or multiply ourselves. Thus, if we understand violence as destruction, building these seventy walls play as the great antidote to violence. The seventy walls that appear among the trees, set off a dialogue between nature and architecture: forest of trees and forest of walls.<\/p>\n

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