{"id":167869,"date":"2020-06-01T11:55:22","date_gmt":"2020-06-01T03:55:22","guid":{"rendered":"https:\/\/mooool.com\/xian-xipai-era-of-china-railway-construction-guangzhou-by-s-p-i-design-co-ltd.html"},"modified":"2020-08-10T11:26:04","modified_gmt":"2020-08-10T03:26:04","slug":"xian-xipai-era-of-china-railway-construction-guangzhou-by-s-p-i-design-co-ltd","status":"publish","type":"post","link":"https:\/\/mooool.com\/en\/xian-xipai-era-of-china-railway-construction-guangzhou-by-s-p-i-design-co-ltd.html","title":{"rendered":"Xi’an XiPai era of China Railway Construction by Guangzhou S. P. I Design Co., Ltd."},"content":{"rendered":"

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\n Thanks Guangzhou S. P. I Design Co., Ltd. for authorizing the publication of the project on mooool, Text description provided by Guangzhou S. P. I Design Co., Ltd. .<\/span><\/span><\/strong><\/p>\n

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Guangzhou S. P. I Design Co., Ltd<\/strong><\/a>: \u00a0Liang Sicheng mentioned in \u2018The History of Chinese Architecture\u2019- \u2018a city in an ancient oriental country… If it completely loses the artistic identity, it will be painful in terms of cultural expression and outlook…\u2019 . In this information age,the flow of information explosion has flooded ancient and classical culture. Chinese inner feelings of landscape have become the \u2018Necessity\u2019 of contemporary spiritual life.Wen zhenheng of the late Ming dynasty expressed the human settlement concept of \u2018living between mountains and rivers is the highest\u2019 in his book \u2018Superfluous Things\u2019. By returning to the local culture of the site itself, recalling the essence of Chinese culture, taking the spiritual needs of the residents in the landscape space as the starting point, responding to the call of the traditional landscape human settlement culture, what we need to do is to create the value of landscape-eternal spirit and culture.<\/p>\n

Xi’an is not only a city passing through time, but also a city of \u2018Chinese poetic enlightenment\u2019. It breeds the poem anthology of \u2018Jianjia\u2019 of Zhou Dynasty.As the design concept of the project, \u2018the Garden of Happiness\u2019 in The Book of Songs is adopted with the vast lawn, the sound of cranes warble in all the fields, the fish diving into the abyss and jumping on the beach, and the massive mountain peak; It is not only the garden of happiness that we yearn for, but also the ideal country for us Chinese to live among the mountains and rivers.<\/p>\n

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The “Feng” and “Ya” in the Book of Songs tell about the \u2018order\u2019 of social life at that time, expressing the order of life and the its form of art. Based on the understanding of the nature and tonality of the site, we shape the life style with book temperament and an elegant hazy space form.<\/p>\n

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Hazy, is the ambiguous form of space, it brings the desire and surprise of exploration.<\/p>\n

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In the main entrance with the form of \u2018calm\u2019, without detailed taste, under the transformation of space, the emotional joy can be triggered in a flash.The city interface is just like the portal of time and space, which leads to the Xanadu and brings me into the Long Scroll of Pine Courtyard. Under the seven Taishan pines, which stand for \u2018The Seven Sages\u2019, I received the pleasure endowed by the space of poem and painting.<\/p>\n

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Emotion triggers the internal sense of cultural belonging because of the creation of a pool of \u2018spring water\u2019 and \u2018exclusive pines\u2019.<\/p>\n

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Landscape with mountain and water is the aesthetics of Chinese life. In the game with geometric lines, artistic conception painting is an important carrier of the inner landscape complex of Chinese people. When the silent painting is triggered by the backyard space of \u2018mountains and rivers\u2019 with vision, hearing, smell, touch, taste, and other real feeling of perception, the spirit of the venue can be reproduced.<\/p>\n

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\u25bc\u8bbe\u8ba1\u63a8\u6f14Design deduce<\/span>
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\u25bc\u5c71\u6c34\u76d2\u5b50\u5355\u4f53\u65bd\u5de5\u5de5\u827aSingle construction technology of Shanshui box<\/span><\/p>\n