{"id":436277,"date":"2023-08-29T14:30:59","date_gmt":"2023-08-29T06:30:59","guid":{"rendered":"https:\/\/mooool.com\/?p=436277"},"modified":"2023-08-29T09:39:18","modified_gmt":"2023-08-29T01:39:18","slug":"selenite-dreams-by-bureau","status":"publish","type":"post","link":"https:\/\/mooool.com\/en\/selenite-dreams-by-bureau.html","title":{"rendered":"Selenite Dreams by BUREAU"},"content":{"rendered":"

\u672c\u6587\u7531 BUREAU \u6388\u6743mooool\u53d1\u8868\uff0c\u6b22\u8fce\u8f6c\u53d1\uff0c\u7981\u6b62\u4ee5mooool\u7f16\u8f91\u7248\u672c\u8f6c\u8f7d\u3002<\/span><\/span><\/strong>
\n Thanks BUREAU for authorizing the publication of the project on mooool, Text description provided by BUREAU.<\/span><\/span><\/strong><\/p>\n

 <\/p>\n

BUREAU<\/strong><\/a>\uff1aPlaster\uff08\u77f3\u818f\uff09\uff0c\u662f\u77f3\u818f\u7684\u63d0\u53d6\u7269\uff0c\u4e3b\u8981\u6210\u4e3a\u662f\u4e8c\u6c34\u786b\u9178\u9499\uff0c\u5b83\u5f88\u597d\u5730\u4f53\u73b0\u4e86 BUREAU \u516c\u53f8\u5bf9\u4e8e\u5efa\u7b51\u7684\u603b\u4f53\u6001\u5ea6\u3002\u5982\u679c\u6211\u4eec\u6309\u7167 Jill Stoner \u7684\u8457\u4f5c\u300a\u8fc8\u5411\u5c0f\u5efa\u7b51\u300b\uff08Towards a minor architecture\uff09\u5c06\u81ea\u5df1\u5b9a\u4e49\u4e3a\u5c0f\u5efa\u7b51\u5e08\uff0c\u90a3\u4e48\u4f7f\u7528\u88ab\u8ba4\u4e3a\u662f\u5c0f\u6750\u6599\u7684\u6750\u6599\u8fdb\u884c\u521b\u4f5c\u4f3c\u4e4e\u975e\u5e38\u5408\u9002\u3002\u5728\u4e16\u754c\u5404\u5730\u4f17\u591a\u7684\u201c\u77f3\u818f\u827a\u672f\u9986\u201d\u4e2d\uff0c\u77f3\u818f\u88ab\u7528\u6765\u9884\u793a\uff08\u5c55\u793a\uff09\u5927\u5e08\u4f5c\u54c1\uff0c\u5236\u4f5c\u7279\u5b9a\u96d5\u5851\u7684\u8c61\u5f81\u6027\u6b63\u6a21\uff0c\u6c38\u8fdc\u201c\u523b\u5728\u77f3\u5934\u4e0a\u201d\u3002\u77f3\u818f\u4f3c\u4e4e\u66f4\u5177\u5ef6\u5c55\u6027\u3001\u5f39\u6027\u548c\u8106\u5f31\u6027\u3002<\/span><\/p>\n

BUREAU<\/strong><\/a>: Plaster, the extracted form of gypsum, essentially composed of calcium sulphate dihydrate, appears as a good figuration of the BUREAU\u2019s general attitude towards architecture. If we were to define ourselves as minor architects, following Jill Stoner\u2019s book \u00abTowards a minor architecture\u00bb, working with what is considered a minor material seems quite d’\u00e0-propos. It is one that has been utilised to prefigure and anticipate master pieces in the numerous \u201cgal\u00e9ries des pl\u00e2tres\u201d around the world, fabricating figurative positive moulds of definite sculptures, forever \u201cgraved in stone\u201d. The plaster seems more malleable, elastic, fragile.<\/p>\n

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\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n

 <\/p>\n

\u77f3\u818f\u7684\u540c\u4e49\u8bcd\u662f\u7852\u5316\u77f3\uff0c\u8fd9\u79cd\u77ff\u7269\u5145\u6ee1\u4e86\u8bb8\u591a\u5947\u5999\u7684\u6545\u4e8b\uff0c\u56e0\u6b64\u5b83\u8fd8\u5177\u6709\u5f15\u53d1\u795e\u8bdd\u9050\u60f3\u7684\u80fd\u529b\u3002<\/span>\u8fd9\u79cd\u770b\u4f3c\u5e73\u6de1\u65e0\u5947\u7684\u5efa\u7b51\u6750\u6599\u9690\u85cf\u7740\u4e30\u5bcc\u591a\u5f69\u7684\u751f\u6d3b\uff0c\u5b83\u662f Rodin \u548c\u5176\u4ed6\u8bb8\u591a\u4eba\u7684\u57fa\u672c\u4f34\u4fa3\uff0c\u662f\u6c34\u6676\uff0c\u4e5f\u662f\u8d85\u8d8a\u4e16\u754c\u548c\u795e\u8bdd\u8f68\u9053\u7684\u7cbe\u795e\u666f\u8c61\u3002\u5728\u53e6\u4e00\u79cd\u5f62\u5f0f\u4e2d\uff0c\u8fd9\u79cd\u6750\u6599\u88ab\u7528\u4e8e\u6cbb\u7597\u9aa8\u6298\u3001\u8f6f\u7ec4\u7ec7\u635f\u4f24\u3001\u9aa8\u79d1\u75be\u75c5\u548c\u708e\u75c7\uff0c\u4f7f\u8eab\u4f53\u53d7\u4f24\u90e8\u4f4d\u5f97\u5230\u5b89\u5b81\u548c\u4f11\u606f\u3002<\/p>\n

It also possesses the ability to trigger mythological reveries as gypsum\u2019s synonym is selenite, a mineral that has filled many wonderous stories. La Cueva de los Cristales in Naica, Chihuahua, Mexico, materializes the dreamy spheres of Selene, goddess of the moon. The seemingly banal construction material hides many facets of a rich life, weather as a fundamental discrete companion of Rodin and so many others, as a crystal or as a mental scape beyond the world and in mythological orbits. In yet another form, the material is used for bone fractures, soft tissue injuries, orthopedic diseases and inflammatory processes, to bring peace and rest to wounded parts of the body.<\/p>\n

 <\/p>\n

\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n

 <\/p>\n

1939 \u5e74\uff0cSalvador Dal\u00ed\u00a0\u53c2\u52a0\u4e86\u201c\u660e\u65e5\u4e16\u754c\u201d\u535a\u89c8\u4f1a\uff0c\u8fd9\u662f\u4e00\u4e2a\u4ee5\u672a\u6765\u4e3a\u4e3b\u9898\u7684\u4e16\u754c\u535a\u89c8\u4f1a\uff0c\u53c2\u5c55\u8005\u5305\u62ec SOM\u3001Norman Bel Geddes \u4ee5\u53ca\u5f53\u65f6\u7684\u5176\u4ed6\u73b0\u4ee3\u4e3b\u4e49\u8005\u548c\u7a7a\u60f3\u5bb6\u3002Dal\u00ed\u00a0\u4ee5\u8d85\u73b0\u5b9e\u4e3b\u4e49\u7684\u57fa\u8c03\u6fc0\u8d77\u4e86\u90a3\u4e9b\u5148\u950b\u6d3e\u6f14\u5458\u7684\u6d41\u7ebf\u578b\u672a\u6765\u4e3b\u4e49\u9884\u89c1\uff0c\u4ed6\u7528\u4e00\u79cd\u7c7b\u4f3c\u77f3\u818f\u7684\u5efa\u7b51\u98ce\u683c\u5b9e\u73b0\u4e86\u8fd9\u4e00\u70b9\uff0c\u4ece\u800c\u9884\u793a\u7740\u88c5\u7f6e\u827a\u672f\u3001Gesamtkunstwerk \u4f5c\u54c1\u5c06\u5728 20 \u4e16\u7eaa\u7684\u827a\u672f\u754c\u5927\u884c\u5176\u9053\u3002\u4ed6\u7684\u4f5c\u54c1\u300a\u4e00\u4e2a\u72ec\u89d2\u517d\u5c55\u9986\u300b\uff0c\u81ea\u7531\u5730\u91cd\u73b0\u4e86 Botticelli \u7684\u7ef4\u7eb3\u65af\u753b\u4f5c\uff0c\u5e76\u5c06\u5176\u8f6c\u5316\u4e3a\u4e00\u79cd\u4e09\u7ef4\u7684\u6574\u4f53\u4f53\u9a8c\u3002\u5728\u793e\u4f1a\u4e3b\u4e49\u4e4c\u6258\u90a6\u548c\u58c1\u7eb8\u4e4b\u7236 William Morris \u7684\u5efa\u8bae\u4e0b\uff0c\u8fd9\u5ea7\u5efa\u7b51\u88ab\u642c\u5230\u4e86\u7ebd\u7ea6\u3002<\/p>\n

In 1939, Salvador Dal\u00ed participated to the World of the Tomorrow, a world\u2019s fair that featured the future, with prospective designs from SOM, Norman Bel Geddes and other modernists and visionaries of the time. Dal\u00ed provoked the streamline futuristic foresight of those avant-garde actors with a surrealist tone and he made it so with a plaster-like architecture anticipating thus installation art, Gesamtkunstwerk works that would largely populate the 20th century art world. His intervention, an oneiric pavilion, freely reenacts Botticelli\u2019s painting of Venus and transforms it into a three-dimensional and total experience. It constituted minor major piece of architecture that found its way to New York with the advice of no other than William Morris, father of socialist utopias and wallpapers.<\/p>\n

 <\/p>\n

\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n

 <\/p>\n

\u89c4\u6a21\u5c0f\u5f97\u591a\u7684\u77f3\u818f\u548c\u5176\u4ed6\u76f8\u5f53\u7410\u788e\u7684\u5386\u53f2\u73af\u5883\u4e0e\u5f53\u4ee3\u516c\u8ba4\u7684\u73b0\u4ee3\u4e3b\u4e49\u4f01\u4e1a\u8bbe\u8ba1\u7684\u8c6a\u534e\u73af\u5883\u5f62\u6210\u9c9c\u660e\u5bf9\u6bd4\uff1aBjarke Ingels Group\u3002\u5c3c\u5a1c-\u62dc\u5c14\uff08Nina Beier\uff09\u3001\u62c9\u8482\u6cd5-\u57c3\u67e5\u8d6b\uff08Latifa Echakhch\uff09\u3001\u62c9\u6590\u5c14-\u8d6b\u592b\u8482\uff08Raphael Hefti\uff09\u3001\u5965\u5229\u7ef4\u5c14-\u62c9\u91cc\u5947\uff08Olivier Laric\uff09\u548c\u514b\u91cc\u65af\u6258\u591a\u6d1b\u65af-\u5e15\u7eb3\u7ea6\u6258\uff08Christodoulos Panayiotou\uff09\u7b49\u4eba\u7684\u827a\u672f\u4f5c\u54c1\u5728\u5c55\u89c8\u4e2d\u88ab\u5c55\u793a\u5728\u4e00\u4e2a\u6d1e\u7a74\u4e2d\uff0c\u89c2\u4f17\u53ef\u4ee5\u6f5c\u5165\u4e00\u4e2a\u770b\u4f3c\u4e0d\u660e\u786e\u7684\u767d\u8272\u6d1e\u7a74\u4e2d\u8fdb\u884c\u89c2\u8d4f\u3002\u4e3a\u4e86\u6fc0\u53d1\u8fd9\u79cd\u4f53\u9a8c\uff0c\u73b0\u6709\u7a7a\u95f4\u88ab\u5b8c\u5168\u6539\u9020\u5230\u77f3\u818f\u5899\u548c\u7a79\u9876\u540e\u65b9\uff0c\u8ba9\u53c2\u89c2\u8005\u4e0e\u827a\u672f\u4f5c\u54c1\u8fd1\u8ddd\u79bb\u63a5\u89e6\u3002\u4f5c\u4e3a\u5bf9Dal\u00ed\u00a0\u865a\u5984\u827a\u672f\u7684\u56de\u5e94\uff0c\u901a\u5e38\u4e3a\u767d\u8272\u7acb\u65b9\u4f53\u72b6\u6001\u7684\u77f3\u818f\u5899\u4f3c\u4e4e\u7565\u5fae\u201c\u878d\u5316\u201d\uff0c\u5728\u7a7a\u95f4\u8fde\u7eed\u6027\u6216\u53d8\u5316\u8fc7\u7a0b\u4e2d\u4ea7\u751f\u4e86\u4e0d\u6e05\u6670\u7684\u8fb9\u7f18\u3002<\/p>\n

A much smaller scale and other rather trivial historical circumstances confronts the modest plaster to a luxurious context designed by a recognized modernist corporate practice of our time: Bjarke Ingels Group. In an exhibition dedicated to the very presence of materials and its transformation, the art pieces of Nina Beier, Latifa Echakhch, Raphael Hefti, Olivier Laric and Christodoulos Panayiotou (among others), are found in a cave condition that the viewer discovers by diving into a seemingly undefined white grotto. To stimulate the experience, the existing space is totally transformed to behind the plaster walls and vaults, bringing the visitor into close contact with the art pieces. The usual white cube condition seems to have slightly melted as an echo to Dali\u2019s delusive art, producing unclear edges in a spatial continuum or topological deformation.<\/p>\n

 <\/p>\n

\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n

 <\/p>\n

\u4ee5\u6b21\u8981\u6a21\u5f0f\u8fdb\u884c\u5efa\u7b51\u5b9e\u8df5\u201c\u9700\u8981\u5bf9\u5bfc\u81f4\u5176\u4e0d\u65ad\u590d\u5236\u7684\u6743\u529b\u7ed3\u6784\u8fdb\u884c\u90e8\u5206\u89e3\u6784\u201d\uff08Jill Stoner\uff09\u3002\u5728\u8fd9\u6837\u7684\u80cc\u666f\u4e0b\uff0c\u5bf9\u4e8e\u8fd9\u6837\u4e00\u4e2a\u51c6\u5fae\u578b\u5e72\u9884\u9879\u76ee\u6765\u8bf4\uff0c\u8fd9\u53ef\u80fd\u662f\u4e00\u4e2a\u76f8\u5f53\u5b8f\u4f1f\u7684\u8bae\u7a0b\u3002<\/p>\n

Practising architecture in minor mode \u201crequires a partial deconstruction of the structures of power that lead to their incessant reproduction\u201d (Jill Stoner). Given the context, might be a quite (or too?) ambitious agenda for such a quasi-miniature intervention.<\/p>\n

 <\/p>\n

\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 Dylan Perrenoud<\/figcaption><\/figure>\n

 <\/p>\n

\u25bd\u8bbe\u8ba1\u56fe\u7eb8 Design drawings<\/span><\/p>\n

\"\"<\/a>
\u00a9 BUREAU<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 BUREAU<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 BUREAU<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9 BUREAU<\/figcaption><\/figure>\n
<\/div>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\u9879\u76ee\u540d\u79f0\uff1aSELENITE DREAMS
\n\u5730\u70b9\uff1a\u745e\u58eb \u5e03\u62c9\u82cf\u7231\u5f7c\u7f8e\u672f\u9986\uff08CH\uff09
\n\u9879\u76ee\u7c7b\u578b\uff1a\u5c55\u89c8\u8bbe\u8ba1
\n\u9762\u79ef\uff1a24\u5e73\u65b9\u7c73
\n\u72b6\u6001\uff1a\u5df2\u5b8c\u6210\uff0c2022\u5e74
\n\u9879\u76ee\u8bbe\u8ba1\uff1aBUREAU\uff08Daniel Zamarbide\u3001Carine Pimenta\u3001Galliane Zamarbid\uff09
\n\u7f51\u7ad9\uff1awww.BUREAU.ac
\n\u793e\u4ea4\u5e73\u53f0\uff1a@Daniel_Zamarbide
\n\u6982\u5ff5\u8bbe\u8ba1\uff1aDaniel Zamarbide\u3001Carine Pimenta\u3001Jolan Haidinger
\n\u9879\u76ee\u6267\u884c\uff1aCarine Pimenta\uff08\u9879\u76ee\u7ecf\u7406\uff09\u3001Jolan Haidinger\u3001La\u00ebtitia Chauveau\u3001Malak Abdelhady
\n\u65bd\u5de5\u76d1\u7406\uff1aDaniel Zamarbide\u3001Galliane Zamarbide
\n\u56fe\u7eb8\uff1aMalak Abdelhady\u3001Rui Da Silva
\n\u6444\u5f71\uff1aDylan Perrenoud<\/p>\n

Project Name: SELENITE DREAMS
\nLocation: Mus\u00e9e Atelier Audemars Piguet, Brassus, Switzerland (CH)
\nProgram: Exhibition design
\nArea: 24 m2
\nStatus: Completed, 2022
\nProject: BUREAU (Daniel Zamarbide, Carine Pimenta, Galliane Zamarbide) | www.bureau.ac | @daniel_zamarbide
\nConcept design: Daniel Zamarbide, Carine Pimenta, Jolan Haidinger
\nProject execution: Carine Pimenta (project manager), Jolan Haidinger, La\u00ebtitia Chauveau, Malak Abdelhady
\nConstruction supervision: Daniel Zamarbide, Galliane Zamarbide
\nPublication drawings: Malak Abdelhady, Rui Da Silva
\nPhotography: Dylan Perrenoud<\/p>\n

 <\/p>\n

\n

\u201c <\/span><\/span><\/strong><\/span><\/span>\u770b\u4f3c\u5e73\u6de1\u65e0\u5947\u7684\u5efa\u7b51\u6750\u6599\u80cc\u540e\u9690\u85cf\u7740\u4e30\u5bcc\u591a\u5f69\u7684\u751f\u6d3b<\/span>\u3002<\/span><\/span>\u201d<\/span><\/strong><\/p>\n

\u5ba1\u7a3f\u7f16\u8f91\uff1aSIM<\/span><\/p>\n

\u66f4\u591a Read more about\uff1aBUREAU<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u672c\u6587\u7531 BUREAU \u6388\u6743mooool\u53d1\u8868\uff0c\u6b22\u8fce\u8f6c\u53d1\uff0c\u7981\u6b62\u4ee5mooool\u7f16\u8f91\u7248\u672c\u8f6c\u8f7d\u3002 Thanks BUREAU for authorizing the publication of the project on mooool, Text description provided by BUREAU.   BUREAU\uff1aPlaster\uff08\u77f3\u818f\uff09\uff0c\u662f\u77f3\u818f\u7684\u63d0\u53d6\u7269\uff0c\u4e3b\u8981\u6210\u4e3a\u662f\u4e8c\u6c34\u786b\u9178\u9499\uff0c\u5b83\u5f88\u597d\u5730\u4f53\u73b0\u4e86 BUREAU \u516c\u53f8\u5bf9\u4e8e\u5efa\u7b51\u7684\u603b\u4f53\u6001\u5ea6\u3002\u5982\u679c\u6211\u4eec\u6309\u7167 Jill Stoner \u7684\u8457\u4f5c\u300a\u8fc8\u5411\u5c0f\u5efa\u7b51\u300b\uff08Towards a minor architecture\uff09\u5c06\u81ea\u5df1\u5b9a\u4e49\u4e3a\u5c0f\u5efa\u7b51\u5e08\uff0c\u90a3\u4e48\u4f7f\u7528\u88ab\u8ba4\u4e3a\u662f\u5c0f\u6750\u6599\u7684\u6750\u6599\u8fdb\u884c\u521b\u4f5c\u4f3c\u4e4e\u975e\u5e38\u5408\u9002\u3002\u5728\u4e16\u754c\u5404\u5730\u4f17\u591a\u7684\u201c\u77f3\u818f\u827a\u672f\u9986\u201d\u4e2d\uff0c\u77f3\u818f\u88ab\u7528\u6765\u9884\u793a\uff08\u5c55\u793a\uff09\u5927\u5e08\u4f5c\u54c1\uff0c\u5236\u4f5c\u7279\u5b9a\u96d5\u5851\u7684\u8c61\u5f81\u6027\u6b63\u6a21\uff0c\u6c38\u8fdc\u201c\u523b\u5728\u77f3\u5934\u4e0a\u201d\u3002\u77f3\u818f\u4f3c\u4e4e\u66f4\u5177\u5ef6\u5c55\u6027\u3001\u5f39\u6027\u548c\u8106\u5f31\u6027\u3002 BUREAU: Plaster, the extracted form of gypsum, essentially composed of calcium sulphate dihydrate, appears as a good figuration of the BUREAU\u2019s general attitude towards architecture. If…<\/p>\n","protected":false},"author":18620,"featured_media":421301,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[523],"tags":[],"photographer":[],"space":[23326,683],"position":[743],"developer":[],"designer":[22881],"_links":{"self":[{"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/posts\/436277"}],"collection":[{"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/users\/18620"}],"replies":[{"embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/comments?post=436277"}],"version-history":[{"count":0,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/posts\/436277\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/media\/421301"}],"wp:attachment":[{"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/media?parent=436277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/categories?post=436277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/tags?post=436277"},{"taxonomy":"photographer","embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/photographer?post=436277"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/space?post=436277"},{"taxonomy":"position","embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/position?post=436277"},{"taxonomy":"developer","embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/developer?post=436277"},{"taxonomy":"designer","embeddable":true,"href":"https:\/\/mooool.com\/en\/wp-json\/wp\/v2\/designer?post=436277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}