{"id":508493,"date":"2024-06-28T10:19:36","date_gmt":"2024-06-28T02:19:36","guid":{"rendered":"https:\/\/mooool.com\/double-garden-by-possibilism-design-studio.html"},"modified":"2024-06-28T10:20:25","modified_gmt":"2024-06-28T02:20:25","slug":"double-garden-by-possibilism-design-studio","status":"publish","type":"post","link":"https:\/\/mooool.com\/en\/double-garden-by-possibilism-design-studio.html","title":{"rendered":"DOUBLE GARDEN by Possibilism Design Studio"},"content":{"rendered":"

\u672c\u6587\u7531 \u6216\u7136\u666f\u89c2 \u6388\u6743mooool\u53d1\u8868\uff0c\u6b22\u8fce\u8f6c\u53d1\uff0c\u7981\u6b62\u4ee5mooool\u7f16\u8f91\u7248\u672c\u8f6c\u8f7d\u3002<\/span><\/span><\/strong>
\n Thanks Possibilism Design Studio for authorizing the publication of the project on mooool, Text description provided by Possibilism Design Studio.<\/span><\/span><\/strong><\/p>\n

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\u6216\u7136\u666f\u89c2<\/a><\/strong>\uff1a2023\u4e0a\u6d77\u57ce\u5e02\u7a7a\u95f4\u827a\u672f\u5b63\uff08SUSAS\uff09\u7684\u4e3b\u9898\u4e3a\u201c\u5171\u6816\u201d, \u805a\u7126\u201c\u4eba\u4e0e\u81ea\u7136\u548c\u8c10\u5171\u751f\u201d\u7684\u57ce\u5e02\u53d1\u5c55\u7406\u5ff5\u3002\u4e3b\u9898\u7684\u82f1\u6587\u8868\u8fbeMETro-BIOSIS\u5c06\u751f\u7269\u754c\u8868\u8fbe\u6709\u673a\u201c\u5171\u6816\u201d\u3001\u7269\u79cd\u201c\u5171\u751f\u201d\u5173\u7cfb\u7684metabiosis\u524d\u7f00meta\u6539\u4e3ametro\uff0c\u8868\u8fbe\u4e86\u5c55\u89c8\u7acb\u8db3\u4e8e\u90fd\u5e02(metropolis)\u7684\u89c2\u5bdf\u601d\u8003\u3002\u57ce\u5e02\u7a7a\u95f4\u827a\u672f\u5b63\u4ee5\u827a\u672f\u4e8b\u4ef6\u7684\u7279\u6b8a\u805a\u5408\u5c55\u793a\u673a\u5236\uff0c\u5728\u77ed\u671f\u5185\u96c6\u4e2d\u5448\u73b0\u4e00\u6279\u56f4\u7ed5\u7279\u5b9a\u57ce\u5e02\u751f\u6d3b\u7406\u5ff5\u53ca\u53d1\u5c55\u65b9\u5411\u7684\u516c\u5171\u7a7a\u95f4\uff0c\u9f13\u52b1\u5e02\u6c11\u53c2\u4e0e\u3001\u4f53\u9a8c\uff0c\u6fc0\u53d1\u4e0d\u540c\u89d2\u5ea6\u7684\u4e13\u4e1a\u4e0e\u5927\u4f17\u8ba8\u8bba\uff0c\u4ee5\u591a\u5143\u7684\u53ef\u89e6\u53ef\u611f\u7684\u6837\u672c\u63a8\u8fdb\u5bf9\u57ce\u5e02\u8bfe\u9898\u7684\u8ba4\u77e5\u3001\u63a2\u7d22\u3001\u7406\u89e3\u3001\u56de\u5e94\u548c\u516c\u4f17\u53c2\u4e0e\u3002<\/p>\n

\u4f5c\u4e3a\u4e3b\u9898\u6f14\u7ece\u533a\u7684\u53c2\u5c55\u9879\u76ee\uff0c\u6625\u7533\u6e2f\u4e34\u65f6\u7eff\u5730\u7684\u57fa\u5e95\u662f\u6ee8\u6c34\u5de5\u4e1a\u9057\u5740\uff0c\u9700\u8981\u4fdd\u7559\u7684\u90e8\u5206\u4f7f\u7528\u529f\u80fd\u662f\u670d\u52a1\u5f90\u6c47\u897f\u5cb8\u5730\u533a\u7684\u4e34\u65f6\u82d7\u5703\uff0c\u751f\u5883\u8fd1\u4e8e\u6ee8\u6c34\u8352\u91ce\uff0c\u800c\u5468\u56f4\u5219\u662f\u5c45\u6c11\u533a\u3002\u6211\u4eec\u7684\u4efb\u52a1\u4e66\u662f\u5728\u9650\u5b9a\u7684\u57ce\u5e02\u573a\u5730\u6761\u4ef6\u4e0b\u56de\u5e94\u4f55\u4e3a\u201c\u5171\u6816\u201d\u3001\u5982\u4f55\u201c\u5171\u6816\u201d\uff0c\u81ea\u62df\u7684\u5de5\u4f5c\u76ee\u6807\u5219\u662f15\u5206\u949f\u751f\u6d3b\u5708\u4e2d\u7684\u793e\u533a\u516c\u56ed\u201c\u590d\u56ed\u201d\u2014\u2014\u517c\u5177\u751f\u6001\u4fee\u590d\u3001\u571f\u5730\u590d\u5408\u4f7f\u7528\u4e4b\u610f\u3002<\/p>\n

Possibilism Design Studio<\/strong><\/a>: The theme of the 2023 Shanghai Urban Space Art Season (SUSAS) is ” METro-BIOSIS “, focusing on the urban development concept of “harmonious coexistence between man and nature”. METro-BIOSIS, the English expression of the theme has a twist play with ‘metabiosis’ in the biological world, addressing the observations and explorations within and beyond a metropolis. With a special aggregation and display mechanism of art events, SUSAS presents a number of public spaces around specific urban life concepts and development directions in a short period of time, encouraging citizens to participate and experience, stimulating professional and public discussions from different perspectives, and promoting awareness, exploration, understanding, response and public participation of urban issues with diverse tangible and sensible samples.<\/p>\n

As an exhibition project in the theme interpretation area, the base of the temporary green space of Chunshen Port is a waterfront industrial site, and part of the function that needs to be retained is to serve as the temporary nursery garden of the West Bank of Xuhui, with a habitat close to the waterfront wilderness and a residential area around it. Our mission is to respond to what ” METro-BIOSIS ” is and how to achieve ” METro-BIOSIS ” under the limited urban site conditions, and the self-proposed work goal is to make a community park in the 15-minute living circle, which evolves both ecological restoration and composite land use.<\/p>\n

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\u25bd2023\/09\/23 \u573a\u5730\u9e1f\u77b0 Aerial view of the site<\/span><\/p>\n

\"\"<\/a>
\u00a9\u7530\u65b9\u65b9<\/figcaption><\/figure>\n

\u25bd\u573a\u5730\u539f\u8c8c Site appearance-up<\/span><\/p>\n

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\u00a9PDS<\/figcaption><\/figure>\n

\u25bd\u8bbe\u8ba1\u65b9\u6848 Design scheme<\/span><\/p>\n

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\u00a9PDS<\/figcaption><\/figure>\n

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Syntax of Landscape<\/strong><\/p>\n

\u521d\u6b21\u8e0f\u52d8\u8fd9\u7247\u88ab\u620f\u79f0\u4e3a\u201c\u690d\u7269\u7597\u517b\u9662\u201d\u7684\u573a\u5730\u65f6\uff0c\u62ac\u5934\u4e54\u6728\u8471\u830f\uff0c\u4f4e\u5934\u91ce\u8349\u8513\u751f\uff0c\u4e00\u4e2a\u4e2a\u5c0f\u6811\u5751\u662f\u82d7\u6728\u79fb\u5165\u642c\u51fa\u7684\u5370\u8bb0\uff0c\u5317\u90e8\u516d\u9053\u7247\u5899\u662f\u660e\u786e\u7684\u5de5\u4e1a\u5806\u573a\u9057\u5b58\uff0c\u6bcf\u7247\u5899\u7684\u808c\u7406\u5404\u6709\u5dee\u5f02\uff0c\u897f\u7aef\u4e24\u7247\u5899\u5317\u5411\u5c3d\u7aef\u5f00\u53e3\u6709\u6846\u666f\u6548\u679c\uff0c\u4f7f\u7528\u8005\u8bf4\u90a3\u662f\u201c\u57ce\u5e02\u4e4b\u7a97\u201d\u2026\u2026\u573a\u5730\u9605\u8bfb\u4e0e\u6fc0\u6d3b\u7684\u8fc7\u7a0b\uff0c\u5373\u662fPeter Latz\u63d0\u51fa\u7684Syntax of Landscape\u63a2\u7d22\uff0c\u4e0d\u4ec5\u8981\u9605\u8bfb\u770b\u5f97\u89c1\u7684\u4e1c\u897f\uff0c\u8fd8\u8981\u89e3\u8bfb\u9690\u85cf\u5728\u540e\u5de5\u4e1a\u573a\u5730\u65f6\u95f4\u6027\u80cc\u540e\u7684\u8bed\u6784\uff1a\u5b83\u7684\u5386\u53f2\u6587\u8109\u548c\u56e0\u65f6\u95f4\u6d41\u901d\u800c\u5f62\u6210\u7684\u6709\u8da3\u53d8\u5316\uff0c\u5b83\u7684\u591c\u95f4\u706f\u5149\u4f53\u7cfb\uff0c\u8fdc\u5904\u53ef\u4ee5\u671b\u89c1\u7684\u98ce\u666f\uff0c\u5899\u4e0e\u5899\u4e4b\u95f4\u7684\u89c2\u666f\uff0c\u9010\u6e10\u6269\u53ca\u897f\u5cb8\u5176\u5b83\u7247\u533a\u7684\u7a7a\u95f4\u7ed3\u6784\u3002\u6846\u666f\u3001\u7247\u5899\u8fd9\u6837\u7684\u7ed3\u6784\u6027\u5143\u7d20\u56fa\u7136\u4fbf\u4e8e\u8bb0\u5fc6\uff0c\u9e1f\u9e23\u3001\u98ce\u5439\u6811\u53f6\u53d1\u51fa\u7684\u58f0\u54cd\u3001\u9f50\u6574\u7684\u82d7\u6728\u4ee5\u53ca\u672a\u7ecf\u4eba\u529b\u4ecb\u5165\u7684\u6742\u7136\u4e0d\u9a6f\u4e5f\u662f\u53ef\u611f\u77e5\u7684\u91cd\u8981\u7279\u8d28\u3002\u8fd9\u4e9b\u90fd\u662f\u6211\u4eec\u9605\u8bfb\u548c\u7406\u89e3\u7684\u5bf9\u8c61\uff0c\u6bcf\u4e00\u6b21\u9605\u8bfb\u90fd\u4f1a\u6709\u4e0d\u540c\u7684\u7406\u89e3\u3002<\/p>\n

First visit of the site with the sobriquet of “plant convalescent home” unfolded a spectrum of views. There were lush trees if looking up, overgrown weeds if looking down, small tree pits tracing the seedlings moving in and out, and six pieces of walls in the north. Those walls were palpable remains of an industrial storage yard, and the texture of each wall was different, and the north-facing openings of two walls at the west end framed urban skyline in the vicinity, thus earned a nickname, ‘window of city’ … The process of reading and activating the site is the Syntax of Landscape, as Peter Latz would call it, which is not only to read what is visible, but also to decipher the syntax hidden behind the temporality of the post-industrial site: its historical context and interesting changes during the course of time, its nighttime lighting system, the scenery that can be seen in the distance, views between the walls, expanding to the spatial structure of other areas on the West Bank. While structural elements such as framed views and pieces of walls are easy to remember, birdsongs, the rustling of leaves blown by the wind, neat seedlings, and untamed wilderness are also important qualities that can be perceived. These are all objects that we read and understand, and each reading might lead to different understandings.<\/p>\n

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\u25bd\u573a\u5730\u8e0f\u52d8 Site reconnaissance<\/span><\/p>\n

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\u00a9PDS<\/figcaption><\/figure>\n
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\u00a9PDS<\/figcaption><\/figure>\n
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\u00a9PDS<\/figcaption><\/figure>\n

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\u5c0f\u7ec6\u8282\u4e2d\u9690\u85cf\u7684\u8b66\u793a Hidden warnings in minute details<\/strong><\/p>\n

Latz\u66fe\u8bf4\uff1a\u201c\u65e2\u8981\u5c3d\u53ef\u80fd\u5730\u5229\u7528\u73b0\u6709\u6587\u8109\u4e2d\u51fa\u73b0\u7684\u81ea\u7136\u5143\u7d20\uff0c\u53c8\u8981\u8003\u8651\u73b0\u5b58\u7684\u73af\u5883\u56e0\u7d20\u3002\u6709\u65f6\u5f88\u5c0f\u7684\u7ec6\u8282\u4e5f\u4f1a\u662f\u51b3\u5b9a\u6027\u7684\u2026\u2026\u201d\u503c\u5f97\u4e00\u8868\u7684\u201c\u5f88\u5c0f\u7684\u7ec6\u8282\u201d\u662f\u573a\u5730\u7fa4\u843d\u6f14\u66ff\u7684\u8352\u91ce\u4e4b\u7f8e\u80cc\u540e\u4e25\u91cd\u7684\u5165\u4fb5\u690d\u7269\u8bae\u9898\uff0c\u201c\u4fee\u590d\u201d\u7684\u5de5\u4f5c\u4e3b\u9898\u4e5f\u968f\u4e4b\u6d6e\u73b0\u3002\u8e0f\u52d8\u7b2c\u4e00\u5929\uff0c\u6211\u4eec\u5728\u573a\u5730\u5185\u53d1\u73b0\u4e86\u300a\u4e2d\u56fd\u5916\u6765\u5165\u4fb5\u7269\u79cd\u540d\u5355\u300b\u7b2c\u4e8c\u6279\u540d\u5355\uff082010\uff09\u4e2d\u7684\u52a0\u62ff\u5927\u4e00\u679d\u9ec4\u82b1\uff0c\u4e0e\u539f\u751f\u7684\u82a6\u82c7\u4ea4\u7ec7\u5728\u4e00\u8d77\uff0c\u60ca\u5413\u4e4b\u4f59\uff0c\u8b66\u793a\u6211\u4eec\u4e0e\u76f8\u5173\u534f\u4f5c\u56e2\u961f\u5171\u540c\u5b66\u4e60\u300a\u5165\u4fb5\u7269\u79cd\u540d\u5355\u300b\u3002\u5176\u540e\uff0c\u6211\u4eec\u53c8\u8fa8\u8bc6\u51fa\u7b2c\u4e09\u6279\u540d\u5355(2014)\u4e2d\u7684\u4e09\u53f6\u9b3c\u9488\u8349\u3001\u7b2c\u56db\u6279\u540d\u5355(2016)\u4e2d\u7684\u5927\u72fc\u6777\u8349\u3002\u52a0\u62ff\u5927\u4e00\u679d\u9ec4\u82b1\u3001\u4e09\u53f6\u9b3c\u9488\u8349\uff0c\u4e5f\u51fa\u73b0\u57282023\u5e741\u6708\u6b63\u5f0f\u65bd\u884c\u7684\u300a\u91cd\u70b9\u7ba1\u7406\u5916\u6765\u5165\u4fb5\u7269\u79cd\u540d\u5f55\u300b\u4e2d\u3002\u5b83\u4eec\u65e2\u6709\u5316\u611f\u4f5c\u7528\uff0c\u53c8\u6709\u5f3a\u608d\u7684\u7e41\u6b96\u80fd\u529b\u3002\u52a0\u62ff\u5927\u4e00\u679d\u9ec4\u82b1\u662f\u591a\u5e74\u751f\u8349\u672c\u690d\u7269\uff0c\u4ee5\u79cd\u5b50\u548c\u6839\u72b6\u830e\u7e41\u6b96\uff0c\u7ed3\u679c\u91cf\u5927\uff0c\u7626\u679c\u6781\u5c0f\u8fd8\u5177\u5907\u51a0\u6bdb\uff0c\u6781\u6613\u4f20\u64ad\uff1b\u6839\u72b6\u830e\u53d1\u8fbe\uff0c\u80fd\u591f\u6a2a\u8d70\u8513\u5ef6\uff0c\u94f2\u9664\u690d\u682a\u65f6\u5982\u4e0d\u80fd\u5c06\u5730\u4e0b\u6839\u72b6\u830e\u5f7b\u5e95\u6e05\u9664\u5e72\u51c0\uff0c\u5176\u4e0a\u7684\u9876\u82bd\u5373\u53ef\u53d1\u80b2\u6210\u65b0\u7684\u690d\u682a\u3002\u4e09\u53f6\u9b3c\u9488\u8349\u548c\u5927\u72fc\u6777\u8349\u90fd\u5c5e\u9b3c\u9488\u8349\u5c5e\u690d\u7269\uff0c\u5b83\u4eec\u7684\u79cd\u5b50\u9876\u7aef\u6709\u4e09\u56db\u679a\u8292\u523a\uff0c\u4e00\u65e6\u6709\u4eba\u6216\u52a8\u7269\u7ecf\u8fc7\uff0c\u5c31\u4f1a\u6302\u5728\u8863\u88f3\u3001\u76ae\u6bdb\u4e0a\uff0c\u6563\u64ad\u6548\u7387\u751a\u9ad8\u3002\u5efa\u8bbe\u671f\u65e9\u4e8e\u52a0\u62ff\u5927\u4e00\u679d\u9ec4\u82b1\u7684\u82b1\u671f\uff0c\u800c\u4e09\u53f6\u9b3c\u9488\u8349\u4e0e\u5927\u72fc\u6777\u8349\u5c1a\u672a\u7ed3\u679c\uff0c\u6b63\u662f\u6e05\u7406\u7684\u65f6\u673a\u3002\u6211\u4eec\u66fe\u8ba1\u5212\u5168\u9762\u6e05\u9664\u5165\u4fb5\u7269\u79cd\u540e\u8fdb\u884c\u6492\u64ad\u4fee\u590d\uff0c\u5de5\u7a0b\u7684\u7e41\u590d\u7a0b\u5ea6\u8d85\u8fc7\u4e86\u9884\u4f30\u3002\u5165\u4fb5\u7269\u79cd\u6df7\u6742\u4e8e\u573a\u5730\u7fa4\u843d\u4e2d\uff0c\u4e3a\u4e86\u4fdd\u7559\u573a\u5730\u5185\u91ce\u751f\u7684\u672c\u571f\u690d\u7269\uff0c\u65e0\u6cd5\u76f4\u63a5\u5927\u9762\u79ef\u94f2\u9664\uff0c\u6211\u4eec\u4e0e\u65bd\u5de5\u56e2\u961f\u96c6\u4e2d\u4eba\u529b\uff0c\u9010\u7247\u53cd\u590d\u8fa8\u8bc6\uff0c\u4e00\u682a\u682a\u65a9\u8349\u9664\u6839\uff0c\u5148\u540e\u6e05\u7406\u4e86\u4e94\u6b21\uff0c\u5e76\u6301\u7eed\u5728\u517b\u62a4\u8fc7\u7a0b\u4e2d\u4fdd\u6301\u76d1\u6d4b\u9891\u5ea6\uff0c\u4e00\u7ecf\u53d1\u73b0\uff0c\u7acb\u5373\u6e05\u7406\u3002<\/p>\n

Latz once said: “It is necessary to make the most of the natural elements that appear in the existing context, but also to take into account the existing environmental factors. Sometimes the minute details can be decisive…” the “minute details” worth mentioning are the serious issue of invasive plants behind the wilderness beauty of the succession of the colonies, and the theme of “restoration” emerges alongside. During the first visit, we found Canadian goldenrods intertwined with the native reeds on site. Canadian goldenrod (Solidago canadensis L.) is on the second “List of Invasive Alien Species in China” (2010). Such a discovery frightened us, and warned us to study the “Lists of Invasive Species” with relevant collaborative teams. Subsequently, we identified the Bidens pilosa L. in the third List (2014) and the Bidens frondosa L. in the fourth List (2016). Canadian goldenrod, as well as Bidens pilosa L., also appears in the List of Invasive Alien Species under Key Management, which was officially put into operation in January 2023. They both have allelopathic effects and strong reproductive abilities. Canadian goldenrod is a perennial herbaceous plant that reproduces by seeds and rhizomes, and bears large amount of fruits, with very small achenes and crown hairs, which are easy to spread, plus, the rhizomes are well developed and can spread horizontally. If the underground rhizomes cannot be completely removed, the apical buds on it can develop into new plants. Bidens pilosa L. and Bidens frondosa L. are both beggarticks, and there are three or four thorns on the top of their seeds, which would cling to clothes and fur once people or animals pass by, and the dispersal efficiency is very high. The construction period was earlier than the flowering period of the Canadian goldenrod, and Bidens pilosa L., as well as Bidens frondosa L. have not yet borne fruit, so it was right the time to clean up. We had planned to completely remove the invasive species and carry out the replanting restoration afterwards, but the project was much more complex than expected. Mixed in the colony on site with native plants, invasive species cannot be directly eradicated in a large area. The construction team and us concentrated manpower to identify the plants repeatedly lot by lot, cutting off the grass and pulling up the roots. Such clearing operations took place five times, and we continue to maintain the monitoring frequency in the maintenance process, once found, immediately cleared.<\/p>\n

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\u25bd\u573a\u5730\u53d1\u73b0\u7684\u975e\u4eba\u4e3a\u79cd\u690d\u7684\u90e8\u4efd\u690d\u7269 Non-human cultivated parts of plants found on the site<\/span><\/p>\n

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\u00a9PDS<\/figcaption><\/figure>\n

\u25bd\u573a\u5730\u690d\u7269\u539f\u8c8c Original plant appearance of the site<\/span><\/p>\n

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\u00a9PDS<\/figcaption><\/figure>\n

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With the project and the reading of the site habitat gradually clarified, we realized that invasive species may be a common problem faced by this kind of urbanized idle wasteland, which destroys biodiversity and interferes with community succession, and high-intensity human intervention and control may be needed. <\/span> In other words, invasive species mark the warning red line touched by the issue of “symbiosis”, and popularizing knowledge about invasive species is also a response to what “symbiosis” is and how to “cohabit”. <\/span> During the exhibition, we set up science exhibition boards in the venue to encourage the public to inform relevant institutions when they find invasive plants, and explained and discussed relevant content in the “Habitat Garden and Nature Education Experience Camp” jointly organized with Urban Wilderness Studio and Shanghai Yangpu Beautiful Nostalgia Culture Promotion Center.<\/span><\/p>\n

 <\/p>\n

\u25bdSUSAS\u671f\u95f4\u4e3e\u529e”\u751f\u5883\u82b1\u56ed\u4e0e\u81ea\u7136\u6559\u80b2\u4f53\u9a8c\u8425” “Habitat Garden and Nature Education Experience Camp” held during SUSAS<\/span><\/p>\n

\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n

 <\/p>\n

\u6709\u68af\u5ea6\u7684\u7684\u751f\u5883\u8425\u9020 Gradient habitat creation<\/strong><\/p>\n

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In the site reading, we also focus on the topic of “cohabitation” in the future-oriented part of the temporal framework of post-industrial sites, and further focus on two related sub-projects: the temporary opening and transformation of urban land acquisition and storage land and the global localization of post-industrial heritage. Due to the standardization of industrial processes, the appearance of industrial sites tends to converge, is there a feasible direction for regional exploration of post-industrial sites? In the 20th century Shanghai factories, do our common garden fragments such as flower beds, pine and bamboo, and moon cave doors still have significance beyond form?<\/p>\n

 <\/p>\n

\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n

 <\/p>\n

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Combining these two questions, we divided the urban interface of the temporary green space, and explored a gradient habitat creation strategy with the collaborators on the ecological function of the site. On the urban scale of the art season’s theme interpretation area, the venue is located on the west side of Longteng Avenue on the west bank of Xuhui, and at the urban interface, we use a simple action – the small undulating “Road of the Brave” at the entrance cuts diagonally from the urban sidewalk, attracting passing children to turn into the small garden in surprise. The West Bund Corridor is part of the city’s riverside blue-green corridor, and the community park located here can be an ecological stepping stone habitat node, which is conducive to promoting biodiversity conservation and improving the stability of the ecological network. On a larger regional scale, Jiangnan Gardens has always been a place for dialogue between man and nature, in response to different conditions, the literature and wilderness are clumsy, each has its own place – the towering trees in the temporary nursery, the wilderness, a little tidying, although I dare not say “the ancient realm”, there is always a natural fun. Our ecological strategy is to re-understand and organize the characteristics of the site within the overall design framework, in addition to intervening with invasive plants, we also reduce the use of ornamental grasses, and retain the green bristlegrass (Setaria viridis\u00a0(L.) P. Beauv.) and reeds\uff08Phragmites australis\u00a0(Cav.) Trin. ex Steud\uff09of the site. Considering the closeness of the community park, it does not blindly pursue comprehensive habitat restoration, but uses a light-intervention collaborative strategy to delineate three gradients of habitat creation: retaining the site community and reusing on-site stones and decayed wood, supplementing and spreading native plants to leave room for growth, and at the same time, it also accommodates the ornamental effect of horticultural species in a certain area, and explores the adjustment of the natural process of the community in the waterfront living environment to “cohabit” with the artificial habitat. According to the survey, the non-human-planted community species in the site included Euphorbia hypericifolia\u00a0L., Vigna minima\u00a0(Roxb.) Ohwi & H. Ohashi, Melilotus officinalis\u00a0(L.) Pall., Humulus scandens\u00a0(Lour.) Merr., Eleusine indica\u00a0(L.) Gaertn., Phragmites australis\u00a0(Cav.) Trin. ex Steud, Setaria viridis\u00a0(L.) P. Beauv., Cyperus glomeratus\u00a0L., Euphorbia lathyris\u00a0L., Setaria pumila\u00a0(Poir.) Roem. & Schult., Xanthium strumarium\u00a0L., Datura stramonium\u00a0L., Erigeron philadelphicus\u00a0L., Sesbania cannabina\u00a0(Retz.) Pers. and Ipomoea triloba\u00a0L.. As for the native plants, we have demarcated a specific sowing area in the site, and listed ten planting varieties such as Vicia sativa\u00a0L., Torilis scabra\u00a0(Thunb.) DC., Rumex acetosa\u00a0L., Leonurus japonicus\u00a0Houtt., Thlaspi arvense\u00a0L., Belamcanda chinensis\u00a0(L.) Redout\u00e9, Platycodon grandiflorus\u00a0(Jacq.) A.DC., Aster indicus\u00a0L., Orychophragmus violaceus\u00a0(L.) O. E. Schulz, and Persicaria orientalis\u00a0(L.) Spach, some of which are provided by the Urban Wilderness Studio. At the ornamental end of the habitat spectrum, Shanghai Yuanlu Landscape Engineering Co., Ltd. selected and supplemented horticultural varieties of Ruellia brittoniana Leonard, Ruellia simplex\u00a0C. Wright ‘\u00a0Katie’s Dwarf\u00a0‘, Salvia uliginosa\u00a0Benth., Nandina domestica ‘Firepower’, Miscanthus sinensis ‘Gracillimus’, Iris germanica\u00a0L., Eupatorium cannabinum\u00a0L., Imperata cylindrica ‘Rubra’, Gaura lindheimeri\u00a0Engelm. & A.Gray, Acorus gramineus \u2018\u00a0Ogan\u2019, Salvia\u00a0‘Mystic Spires Blue’, Salvia japonica\u00a0Thunb., Nandina domestica\u00a0‘Firepower’, Hosta plantaginea\u00a0(Lam.) Aschers., Salvia leucantha, Gypsophila paniculata\u00a0L., Pennisetum alopecuroidescv.\u2018Little Bunny\u2019, Rhododendron\u00a0‘Encore’, Salvia splendens\u00a0Ker Gawl., Cornus alba\u00a0L., Salvia greggii\u00a0A.Gray, Cupressus glabra\u00a0‘Blue Ice’, Muhlenbergia capillaris, Euonymus alatus \u2018Compactus\u2019, Echinacea purpurea, Cortaderia selloana ‘Pumila’, Vitex agnus-castus\u00a0L., Nephrolepis cordifolia\u00a0(L.) C. Presl, Rhododendron simsii &R.spp., Cenchrus setaceus ‘Rubrum’, Rhododendron simsii Planch, Rhododendron \u00d7 pulchrum\u00a0Sweet, design and implement flower landscape.<\/p>\n

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\u25bd\u5927\u5c0f\u670b\u53cb\u7684\u5171\u540c\u53c2\u4e0e\u53ca\u8425\u5efa The participation and construction of small and large friends<\/span><\/p>\n

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\u9020\u56ed\u201c\u56e0\u201d\u4e0e\u201c\u501f\u201d Gardening “cause” and “borrowing”<\/strong><\/p>\n

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“There is no grid for constructing a garden, and there is a reason for borrowing scenery” is the first sentence of the last volume of the 17th-century gardening document “Yuanye”. <\/span> “Cause” is generally concerned with the possibility of adapting to the conditions of the site, while “borrowing” has another attitude of transcendence.<\/span><\/p>\n

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Mr. Chen Congzhou advocated that “the garden must be separated” (“Continuing to Say the Garden”), “the separation is deep” (“The Garden (4)”), “the more separated, the bigger I feel, the more changes there are, and the limited area creates infinite space” (“The Garden”). <\/span> The six north-south walls in the north of the site have completed the framework of “the garden must be separated” and “the big garden encompasses the small garden”, which also hints at the juxtaposition of five groups of east-west similar to the “corridors” of classical gardens. <\/span> The “Window of the City” is already full of interest in borrowing, attracting the scenery of high-rise buildings and expanding the depth of vision. <\/span> In the design, we introduced an east-west zigzag garden road to establish a north-south twin pattern of the site, so that the temporary green space of Chunshen Port became a “complex garden” in the formal sense. <\/span> In addition to the reserved vegetation and the reserved area for replanting native plants, most areas outside the garden path are paved with gravel, and if the trees are removed, the gravel can be partially resurfaced to maintain the overall feeling.<\/span><\/p>\n

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\u25bd2023susas\u5171\u521b\u5899\u7ed8 2023susas create wall painting<\/span><\/p>\n

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“Yuanye” regards borrowing scenery as “the most important thing in the forest garden”, “such as borrowing from afar, borrowing from neighbors, borrowing from above, borrowing from below, borrowing from time to time”. <\/span> Mr. Chen further proposed that “there is a scene outside the garden that is wonderful in ‘borrowing’, and there is a scene outside the scene in the ‘time'” (“Speaking of the Garden”). <\/span> The exhibition period of the art season is “time”, and the space production and co-creation mechanism of the art season is an unavoidable “time”. <\/span> Through the organization of parent-child wall painting activities, the third plain wall from Dongqi was transformed into a childlike natural scroll during the art season. <\/span> Thanks to the creative support of the Suzhou Garden Museum, representative flower windows from five famous gardens in the south of the Yangtze River, including the Humble Administrator’s Garden, the Coupling Garden, the Canglang Pavilion, the Yu Garden, and the Master of Nets Garden, are projected on the murals painted by children at night. <\/span> Xue Zhijian, director of the Garden Museum, described the night scene of the flowered windows of the Fuyuan as “the shared light of the city in the south of the Yangtze River”, and behind the multi-semantic and charming light and shadow drama is the grand tradition of the lantern night tour, and it is also the off-scene scene of the art season.<\/span><\/p>\n

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\u00a9PDS<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n

 <\/p>\n

\u4ea4\u6d41\u4e0e\u201c\u5171\u6816\u201d Communication and “cohabitation”<\/strong><\/p>\n

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Jiangnan Garden is not only a place for dialogue between man and nature, but also a place for people to communicate with each other. <\/span> We have co-organized a number of parent-child activities with the Suzhou Garden Museum to “sow a touch of color for the garden”, including a small class on understanding garden windows, sowing native plants and painting plain walls, etc.; <\/span> Demonstration and practice of native plant planting, as well as nature interpretation and plant science signage production. <\/span> Ten daytime nature education and wall painting activities in two months, coupled with the projection of garden windows at night, will drive the participation and daily recreation experience of all ages in the 15-minute living circle. <\/span> “Symbiosis” can be the juxtaposition of function and perspective, “symbiosis” can be the combination of habitat and use, and “symbiosis” can be the collaboration between the profession and the public. <\/span> Due to the integration of ecology and humanities, the temporary green space of Chunshengang has become a “complex garden”, which is not only a post-industrial landscape, but also a future-oriented Jiangnan garden.<\/span><\/p>\n

 <\/p>\n

\u25bd2023susas\u5171\u521b\u5899\u7ed8-\u7ae5\u8da3\u76ce\u7136\u7684\u81ea\u7136\u5929\u5730\u957f\u5377 2023susas create wall painting – childlike fun of the natural world long volume<\/span><\/p>\n

\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n
\"\"<\/a>
\u00a9PDS<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\u6750\u8d28\u89c4\u683c\uff1a\u73b0\u573a\u4fdd\u7559\u690d\u7269\u3001\u4e61\u571f\u690d\u7269\u79cd\u7c7d\u3001\u4e61\u571f\u690d\u7269\u3001\u56ed\u827a\u690d\u7269\u3001\u7ec6\u6c99\u3001\u73b0\u573a\u4fdd\u7559\u5899\u3001\u6df7\u51dd\u571f\u3001\u7816\u3001\u7ea7\u914d\u788e\u77f3\u3001\u6d82\u6599\u3001\u706f\u5177\u3001\u56ed\u6797\u6444\u5f71\u56fe\u50cf
\n\u521b\u4f5c\u5e74\u4efd\uff1a2023<\/p>\n

\u53c2\u5c55\u4eba
\n\u90ed\u6021\u59a6\u3001\u5b59\u7530\/\u6216\u7136\u666f\u89c2
\nKUO Yi-Fong, SUN Tian\/Possibilism Design Studio
\n\u859b\u5fd7\u575a\/\u82cf\u5dde\u5e02\u56ed\u6797\u535a\u7269\u9986
\nXUE Zhijian\/Museum of Suzhou Gardens<\/p>\n

\u7167\u660e\u987e\u95ee\uff1a\u5218\u5b8f\u5251
\n\u516c\u4f17\u6d3b\u52a8\u7b56\u5212\uff1a\u9648\u5b87\u3001\u6768\u7ae0\u7433\u3001\u5f20\u552f\u3001\u90ed\u598d\u3001\u795d\u65b0\u5448\/\u6216\u7136\u666f\u89c2\uff0c\u5f20\u4f73\u4e50\/\u82cf\u5dde\u5e02\u56ed\u6797\u535a\u7269\u9986\uff0c\u90ed\u9676\u7136\/\u57ce\u5e02\u8352\u91ce\u5de5\u4f5c\u5ba4\uff0c\u4e0a\u6d77\u6768\u6d66\u533a\u7f8e\u4e3d\u4e61\u6101\u6587\u5316\u4fc3\u8fdb\u4e2d\u5fc3<\/p>\n

Material specifications: on-site preserved plants, native plant seeds, native plants, horticultural plants, fine sand, on-site preserved walls, concrete, bricks, graded gravel, paints, lamps, garden photography images
\nYear of creation: 2023<\/p>\n

Exhibitors
\nKUO Yi-Fong, SUN Tian\/Possibilism Design Studio
\nXUE Zhijian\/Museum of Suzhou Gardens<\/p>\n

Lighting Consultant: Liu Hongjian
\nPublic Event Planning: Chen Yu, Yang Zhanglin, Zhang Wei, Guo Yan, Zhu Xincheng\/Contingent Landscape, Zhang Jiale\/Suzhou Garden Museum, Guo Taoran\/Urban Wilderness Studio, Shanghai Yangpu District Beautiful Nostalgia Culture Promotion Center<\/p>\n

 <\/p>\n


\n

\u201c<\/span> <\/span><\/strong><\/span>\u8425\u5efa\u793e\u533a15\u5206\u949f\u751f\u6d3b\u5708\u91cc\u7684\u5171\u6816\u4e50\u56ed\u3002\u201d<\/span><\/strong><\/span><\/span><\/p>\n

\u5ba1\u7a3f\u7f16\u8f91\uff1aMaggie<\/span><\/p>\n

\u66f4\u591a \u00a0Read more about: \u6216\u7136\u666f\u89c2<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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