圣洁酒店，希腊圣托里尼 / Kapsimalis Architects

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Thanks Kapsimalis Architects for authorizing the publication of the project on mooool. Text description provided by Kapsimalis Architects.

Kapsimalis Architects：该酒店坐落于伊亚传统村落边缘，考尔德拉火山顶端。项目基地上有一面朝西南的陡峭斜坡，可以一览无余地看到大海和火山；场地内部有废弃的洞穴，可用作储藏室、谷仓和地窖；地块东北角还有一座古老的立体式住宅。

Kapsimalis Architects：The hotel is located on the edge of the traditional village of Oia, at the top of the Caldera volcanic rocks. The plot has a steep ground slope, southwest orientation and unobstructed views to the sea and the volcano. Inside the plot there were ruined caves, used as storage areas, barn and cellars, and an old cubistic residence on its north-east corner.

该项目的设计目标是重建现有的旧建筑，并增加新的洞穴式酒店房间，打造酒店建筑群。因此，酒店中共有16个房间和一个小的接待处、一个餐厅、一个公共游泳池和一个水疗馆，这些空间在建筑群的六个不同高度层次上逐渐连接。

The purpose of the project was the reconstruction of the existing old buildings and the addition of new cave hotel rooms, for the formation of the hotel complex. As a result, the hotel consists of a small reception, sixteen rooms, a restaurant, a common pool area and a spa-gym. These spaces are articulated gradually on the six levels of the complex.

酒店入口、接待处和室外休息区都位于上层，可以穿过主要的村庄步行到达。外部的中央楼梯连接了中间三层空间，从上层直通餐厅和无边界泳池区，包括酒店房间及其私人庭院和泳池。最低层空间包括水疗接待、小型健身房、按摩室、浴室、桑拿房、卫生间、储物区和悬崖边上的私人休闲庭院。

The hotel entrance, which can be reached through the main village pedestrian, is on the upper level where the reception and an outdoor lounge area are located too. Α central exterior staircase leads from the upper level to the level of the restaurant and the infinity pool area, connecting the intermediate three levels which comprise the hotel rooms and their private yards and pools. The lowest level includes a spa reception, a small gym, massage rooms, hammam, sauna booths, w/c, storage areas and a private relaxation yard on the edge of the cliffs.

设计提案的主要目标有两个，一是对旧的现有建筑进行纯粹的恢复，二是建设新的洞穴酒店客房和公共空间，重塑具有现代特色的立体形态的古老村落，同时延续火山口的景观地形。

The main objective of the proposal is a) the unalloyed restoration of the old existing buildings and b) the construction of the new cave hotel rooms and common spaces as a contemporary and distinct recasting of the cubistic morphology of the old settlement but at the same time as a discrete continuation of the caldera’s landscape terrain.

新的洞穴酒店空间保留了洞穴屋的结构形式、几何形状、人体尺度、材料和传统的白色调，其平面地形和开口朝向设计，使得每间客房都能将旁边的海景尽收眼底。遵循现场的自然立面曲线的线条而设计的建筑立面，仿佛一面面与周围环境相融的折线挡土墙。上述合成层的重叠构成了建筑的最终形态及其强烈的动态感。外部中央楼梯模拟建筑“主体”中的“裂缝”，从酒店入口向下延伸到最低层，引导客人来到独立的私人和公共酒店区域。

The form of the new cave hotel spaces retains the cave-house structure, the geometric shapes, the human scale, the materiality and the white color of the traditional motif. However, their floor plan typology and openings rotate, framing the sea view. Respectively, their facades follow the crooked lines of the existing natural elevation curves, like folding retaining walls that gently fit into the surrounding environment. The overlap of the above synthetic layers shapes the building’s final form and its intense dynamics. The downward movement of the central exterior staircase from the hotel entrance to the lowest part of the plot simulates a ‘’crack’’ in the buildings’ ‘body’, which directs movements and guests to the individual private and common hotel areas.

▼依地形而建的酒店，使每间客房都能将海景尽收眼底 Their floor plan typology and openings rotate, framing the sea view.

▼外部中央楼梯模拟建筑“主体”中的“裂缝”，从酒店入口向下延伸到最低层，引导客人来到独立的私人和公共酒店区域 The downward movement of the central exterior staircase from the hotel entrance to the lowest part of the plot simulates a ‘’crack’’ in the buildings’ ‘body’, which directs movements and guests to the individual private and common hotel areas.

▼酒店客房庭院 The private relaxation yard of hotel room.

▼日落时分的酒店 The hotel at dusk

▼酒店夜景 The hotel night view

酒店的室内设计遵循Cycladic建筑主义简朴简约的风格。洞穴内部空间满足“完全白色”的基调，辅以微亮的金色和绿色，再通过自由建造的独立有机曲线家具提供并增强了其雕塑的可塑性。新洞穴酒店的特色是“蓝色生活”，以生动的色彩美学，抽象地融入地中海南部的国际度假胜地，再通过统一的几何线条，将室内的形态体量与外部建筑形式联系起来。

The interior design of the hotel, follows an austere and minimal approach based on the Cycladic architecture norms. The existing caves’ interior space meets a ‘total white’ mood, with mimimum touches of iridescent gold and green colors, while free built curves and free standing amorphous furniture bring out and enhance its sculptural plasticity. The new cave hotel spaces are characterised by a ” la vie en bleu ”, mediteranee, vivid-color aesthetic, with abstract references to the cosmopolitan resorts of the Mediterranean South, more geometrical though, correlating the shapes and volumes of the interior with the forms of the exterior synthesis.

▼简约的洞穴式酒店客房 The caves hotel room