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Thanks to sauermartins for authorizing the publication of the project on mooool, Text descriptions and photos provided by sauermartins.
sauermartins：该设计通过多重对比体现建筑的二元性：失稳与平衡，当代与历史，墙之限制与圆之容纳，空间的内与外、开放与封闭，以及，当下时代的重量与轻盈之探索。
sauermartins：A manifestation of duality expressed by the constant superposition of contrasts: instability and balance, contemporary and historical, a wall that limits and a circle that receives, the space, at once, interior and exterior, the open and the closed, signalizes, at the same time, the weight and lightness of our time.
该构筑既是同心节的象征，也是对我们所生活的场所、城市和某些特定的、挑战性时刻的反思。
As a symbol of the concentric festival, the pavilion proposes a reflection on the place, the urban and the specific and challenging moment we live in.
即使位于洛格罗尼奥历史中心的边缘处，依然能充分突显广场及其现有雕塑和树木，与周边的特定环境建立起联系。
Located at the edge of the historic center of the city of logroño, the intervention recognizes the square, the existing sculpture and tree, establishing a connection to this specific context.
同心亭由两个相互补充的几何结构组成：一面墙和一个圆，近似“特定场所”的装置实验，仅通过几个元素，便完全改变了这个公共空间。
Composed of two geometric pieces that complement each other – a wall and a circle -, the pavilion approaches a ‘site-specific’ installation, that completely transforms, through few elements, the experimentation of this public space.
圆圈就像一个极好的集合点，帮助形成一个以树为焦点的全新中心空间。同时，圆的一端固定在石头上，圆不落地，好似冉冉升起又好似漂浮在广场上方。
The circle acts as a meeting point par excellence, configuring, in this case, a new space of centrality, having the tree as a focal point. anchored to a stone, the circle does not touch the ground; it rises and floats above the square.
与此同时，有一面墙时而拦截时而支撑着圆圈。这种既有开口又有屏障的设计，可利用连续不透明的斜墙表面作为沃克雕塑的背景，以及在开放的末端为结构创造通透性。
The wall, in turn, intercepts and supports the circle. its design configures both an opening and a barrier. the continuous, opaque surface of the diagonal wall sets up a background for the walkers’ sculpture, while the open ends provide permeability to the structure.
此次的干预考虑到了公众迎宾和接待，包括中庭和剧院空间。以及，通过融合广场，触发了新的城市关系，吸引人们走过此地，与新构筑产生互动。
The scale of the intervention allows for the welcoming and reception of the public; functioning as an atrium, a theater. by involving the square, it provokes the rediscovery of urban relations, an invitation to walk through the place and interact with the pavilion.
这是一次关于路径和历史记忆的全新视角叙述。
A narrative of paths, of a historical memory and of new perspectives.
这一构筑设计兼有脆弱与不朽，以简单的姿态重新定义空间的可能性，探索出当代建筑的新转变，也构建出一种短暂而强大的装置。
The fragile and monumental presence of the pavilion brings up, in simple gestures, the possibility of defining the space, revealing a transformation and producing a powerful and ephemeral movement.
该设计在专业和流行的乡土建筑之间建立联系的最大重点在于将建造工艺归还给工匠，由此通过项目建立与历史、记忆和行动的联系。
The importance of generating a link between the work and popular vernacular architecture aims to return the craft of construction to the artisans, by project being an opportunity to establish connections to history, memory and action.
▽场地平面 Site Plan
▽构筑物平面 Plan
▽其他设计图纸 Drawings
▽轴测图 Axonometric
项目名称：同心亭
地点：西班牙里奥哈
年份：2021年
主要建筑师：cássio sauer, elisa t martins [sauermartins] + mauricio mendez
团队：tomás culleton, antonio cornely
结构咨询：rodrigo affonso
建筑工程：gerardo gorris, kuma estructuras
主要供应商：garnica
摄影师：josemas cutillas, cássio sauer
Project name: Pabellón concéntrico
Location: logroño, la rioja, spain
Year: 2021
Lead architects: cássio sauer, elisa t martins [ sauermartins ] + mauricio mendez
Team: tomás culleton, antonio cornely
Structural consulting: rodrigo affonso
Construction work: gerardo gorris, kuma estructuras
Main supplier: garnica
Photographer: josemas cutillas, cássio sauer
“设计利用简单的结构充分展现建筑复杂的矛盾与冲突。”
审稿编辑：Via Wang
更多 Read more about: sauermartins
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