本文由 Studio Arthur Casas 授权mooool发表,欢迎转发,禁止以mooool编辑版本转载。
Thanks Studio Arthur Casas for authorizing the publication of the project on mooool, Text description provided by Studio Arthur Casas.
Studio Arthur Casas:这栋位于巴西圣保罗 Pacaembu 社区的住宅是为一对夫妇而设计,意在将其打造成为与家人朋友聚会的空间,同时容纳下一套完整的休闲娱乐基础设施。
Studio Arthur Casas: This house in the Pacaembu neighborhood, in São Paulo, Brazil, was designed for a couple, in order to be configured as a meeting space with family and friends, housing a complete leisure and well-being infrastructure.
![](https://i.mooool.com/img/2024/03/037.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/040.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/034.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/038.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/090.jpg?x-oss-process=style%2Ffull)
住宅位于两条中间坡度相距 7 米的街道之间,楼梯和电梯将高层和低层连接起来,解决了地形高差的问题。在这种地形条件下, 周边住区和林地景观的视线优势便作为项目整体布局的立足点,尽管这栋住宅面积较大,但由于它建造在土地之上,周围景观又好似天然林地,所以外观上看起来并不宏伟。
The project is organized between two streets, whose slope is 7 meters apart. The terrain slope is solved by connecting the levels by stairs and elevator. This topographical situation made it possible to take advantage of the view of the residential and wooded neighborhood as a starting point for the layout of the program. Another advantage was the discretion of the house when seen from the street: despite being large in area, it does not seem grandiose due to its location on the land and its surrounding landscaping, which resembles a native forest.
![](https://i.mooool.com/img/2024/03/174-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/184.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/165.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/171.jpg?x-oss-process=style%2Ffull)
一层是与花园和鱼池相连的美食区;二层是客厅、餐厅、壁炉空间和雪茄储藏室,这些社交区域与带有泳池的户外阳台融为一体;三层是卧室和私人卧房。
On the ground floor are the living room, dining room, space for a fireplace and cigar store – the social areas being integrated into the veranda with the swimming pool; on a lower level, there is the gourmet area, which is connected to the garden and the lake with fishes; and on the upper level, there are bedrooms and a intimate bedroom.
![](https://i.mooool.com/img/2024/03/192.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/113.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/024-f7w.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/030-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/023-1.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/047.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/042.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/044.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/273.jpg?x-oss-process=style%2Ffull)
在泳池区,地面上有一系列发光的玻璃盖板,可以通过它们看到楼下的走廊,走廊两侧是毛石混凝土墙,自然光透过精心布置的玻璃天窗投射下来。通过位于起居室和用餐区的楼梯可以进入走廊,向前行进最终到达美食区和湖景花园。屋顶上,太阳能电池板与绿色屋顶相邻,充分考虑了项目的可持续性。
In the swimming pool area, illuminated planes covered by glass make up the floor, announcing through transparency what happens underground. There, a corridor surrounded by cyclopean concrete walls, molded in loco with stones, gains natural light through strategically placed skylights. Access is possible by a staircase located in the living and dining area, which gives access to the tunnel and has as its final destination the gourmet space and garden with a lake. On the roof, solar panels are placed next to a green roof, keeping in mind the sustainability of the project.
![](https://i.mooool.com/img/2024/03/110.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/111-bqo.jpg?x-oss-process=style%2Ffull)
▽泳池区地面上有一系列发光的玻璃盖板 In the pool area, illuminated planes covered by glass make up the floor
![](https://i.mooool.com/img/2024/03/211.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/213.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/117-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/260.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/114-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/122.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/156.jpg?x-oss-process=style%2Ffull)
房屋饰面和涂料采用以沙色为主的中性色调,并结合混凝土和木材突出质感。外立面和内部覆层上的毛石混凝土是用石块在当地制作的,这在项目实施过程中其实是个挑战,因为需要制作多个原型,直到呈现出理想的色彩效果和石块分配效果,最后就像在水泥上印章一样一块一块地嵌入放置进去。至于外墙上的木质翻门,由于悬挑较大,在施工过程中同样需要留意,确保房屋混凝土立面的宽阔外观。
The finishes and coatings have a neutral palette with shades of sand variation. The combination of made in loco concrete and wood stands out as a design element. The cyclopean concrete, seen on the façade and on the internal coatings, was molded in loco with stones, a challenge in the execution of the project, since several prototypes were necessary until, finally, reaching the ideal pigmentation and the allocation of the stones, placed one by one. , like rubber stamps on cement. As for the wood used in the execution of the façade’s overhead doors, due to the large overhang, they demanded equal attention during execution, in order to guarantee a broad look of the concrete front.
![](https://i.mooool.com/img/2024/03/020-dqr.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/021-2.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/028.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/031-1.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/019-mh7.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/051-h55.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/055-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/265.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/222.jpg?x-oss-process=style%2Ffull)
▽房屋外墙上的木质翻门 The facade’s overhead wood doors
![](https://i.mooool.com/img/2024/03/205.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/208.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/209.jpg?x-oss-process=style%2Ffull)
房屋主要采用间接照明,尽量减少天花板上的人工光源,同时大量引入自然光。光与影的游戏在通高的入口处就已开始显露,太阳光从天花板上一个巨大的斜切口穿透而下,产生了一种绝妙的场景效果。
The lighting is indirect, seeking to have as few points as possible on the ceiling, and the entrance of natural light, quite abundant. The light and shadow game is noticed right at the double-height entrance, where a huge angled cutout in the ceiling creates a scenographic effect due to the penetration of the sun’s rays.
![](https://i.mooool.com/img/2024/03/132.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/134.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/136.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/032-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/033.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/010-1.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/012-1.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/016-3fz.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/018-1.jpg?x-oss-process=style%2Ffull)
▽太阳光从天花板上巨大的斜切口穿透而下 The penetration of the sun’s rays from a huge angled cutout in the ceiling
![](https://i.mooool.com/img/2024/03/084.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/072.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/053.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/061-kye-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/100.jpg?x-oss-process=style%2Ffull)
室内空间设计在业主的鼎力支持和参与下完成,装饰元素的色调与乡村石材和木材饰面相似,但在细节上采用了绿色和橙色大理石。家具材料以天然亚麻布、皮革、麂皮绒、毛圈花式线型棉织物和羊毛为特色,色调较为素雅,其中一些天然石材以赤土色调为主,一些家具则以墨绿色调为主。
The interior project had great support and participation from the clients. It is made up of elements in tones similar to the rustic stone and wood finishes, but marked by green and orange marble details. The composition of the materiality of the furniture features natural linen, leather, suede, bouclé-type cotton fabrics and wool – all in more sober tones, leaving the highlight for some points of natural stone in terracotta tone, and some pieces in dark green tones.
![](https://i.mooool.com/img/2024/03/115-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/026-1.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/137.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/138.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/140.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/142.jpg?x-oss-process=style%2Ffull)
在家具的选择上,既有塞尔吉奥·罗德里格斯(Sergio Rodrigues)设计的一对“Tonico”扶手椅等复古家具,也有 Arthur Casas 设计的“Fusca”沙发和“Copacabana”餐具柜等现代家具。还有由建筑师设计的其他作品,如“Tiles”咖啡桌、“Pistão”边桌、“Jet Set”扶手椅、“Max” 餐椅、“Pan Am”沙发、“Ettore”边桌、“Grampo”灯具、“Jaky”桌子和 “Lurdes”书桌。Arthur Casas还专门为这栋房屋设计了一对床头柜以及台灯等其他物品。
The choice of furniture blends vintage pieces, such as the pair of Tonico armchairs, by Sergio Rodrigues, and contemporary pieces signed by Arthur Casas, such as the Fusca sofas and the Copacabana sideboard. Are also integrated other pieces designed by the architect, such as the Tiles coffee tables, the Pistão side tables, the Jet Set armchair, the Max dining chairs, the Pan Am sofa, the Ettore side table, the Grampo lamps, the Jaky table with director chairs and Lurdes desk. Casas also designed a pair of bedside tables especially for the project, as well as lamps and other items.
![](https://i.mooool.com/img/2024/03/237.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/248-scaled.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/152.jpg?x-oss-process=style%2Ffull)
![](https://i.mooool.com/img/2024/03/149-scaled.jpg?x-oss-process=style%2Ffull)
项目名称:Pacaembu住宅
竣工年份:2023年
规模:住宅/1467,32 m²
项目地点:巴西圣保罗
景观/建筑公司:Studio Arthur Casas
公司网站:https://www.arthurcasas.com/
联系邮箱:press@arthurcasas.com
首席建筑师:Arthur Casas
设计团队:Arthur Casas[主创]、Nara Telles[联合主创兼建筑经理]、Rafael Palombo[联合主创及装修经理]、Fabiola Andrade[装修协调员]、Ligia Damin[协调员]
客户:保密
合作者:Nicholas Theo, Eduardo Mikowski, Fernanda Altemari, Augusto Mattos, Amanda Tamburus, Ana Maria Pedreschi, Beatriz Camasmie, Amanda Tamburus, Ana Maria Pedreschi, Augusto Godoi
图片来源:Fernando Guerra
摄影师网站:https://ultimasreportagens.com/
Project Name: Pacaembu House
Completion Year: 2023
Scale: Residential/ 1467,32 m²
Project Location:São Paulo, Brazil
Landscape/Architecture Firm: Studio Arthur Casas
Website: https://www.arthurcasas.com/
Contact e-mail: press@arthurcasas.com
Lead Architects: Arthur Casas
Design Team: Arthur Casas [Author], Nara Telles [Co-Author and Architecture manager], Rafael Palombo [Co-Author and Decoration manager], Fabiola Andrade [Decoration coordinator], Ligia Damin [Coordinator]
Clients: Confidential
Collaborators: Nicholas Theo, Eduardo Mikowski, Fernanda Altemari, Augusto Mattos, Amanda Tamburus, Ana Maria Pedreschi, Beatriz Camasmie, Amanda Tamburus, Ana Maria Pedreschi, Augusto Godoi
Photo Credits: Fernando Guerra
Photographer’s Website: https://ultimasreportagens.com/
“ 住宅提倡间接的、自然的环境采光,屋内上演着一场光与影的游戏。”
审稿编辑:阿毛
更多 Read more about:Studio Arthur Casas
0 Comments