万华麓湖C17样板岛-青鸾屿 / A.t.e.l.i.e.r . R 若文工作室

本文由 A.t.e.l.i.e.r . R 若文工作室 授权mooool发表，欢迎转发，禁止以mooool编辑版本转载。
Thanks Wen Studio for authorizing the publication of the project on mooool, Text description provided by Wen Studio.

A.t.e.l.i.e.r . R 若文工作室：继C16、C26之后，同一片熟悉的湖域，一个全然陌生的环境，我们迎来了麓湖全新的样板岛系列。

惊喜之余，新的挑战持续发生…

此次我们想传递:“自然回归至理性，让痕迹感以其最舒适的状态呈现，创造出新的感官肌能。”
当「自然小岛」与「艺术相遇」

我们期待：”精心设计的失控美学”在这里，色彩随季节肆意碰撞，却又被光线精准调和；艺术从泥土中自然生长，又与周围的风景悄然对话；感官在风情中层层叠加，每一次凝望都是新的抵达。

Wen Studio: Following C16 and C26, we return to the same familiar waters—yet enter a world entirely unknown. Here, Luxelakes unveils its all-new Model Island series.

This time, we want to convey: “Nature returns to rationality, allowing the sense of trace to present itself in its most comfortable state and creating new sensory functions.”

Where Nature Island Meets Art

《大地艺术，小岛森林》是我们整体的思考方向。

如何将三个不同产品系的样板间统一既独立，同时结合水、陆交通动线，以及三个季节的开放时段，呈现统一的画面效果，是需要攻克的第一课题。

The first challenge to tackle is how to unify three distinct product-line show units—each maintaining its own identity—while integrating them with water and land circulation routes, as well as three seasonal opening periods, into a single cohesive visual narrative.

▽水陆分工的小岛地图

▽“漂浮”感的手稿

▽项目思考的写写画画

根据场地特性，将整个板块进行归纳，小岛畔亲水，马道旁穿林，花园里见景，石头间藏山，营造出：“小岛畔、马道旁、花园里、石头涧”四种不同空间感受。

小岛畔 | 波光荡漾里，流淌的是清新。水把阳光揉碎成万千片粼粼的亮，每一片都带着风的凉意。
马道旁 | 登岛的第一眼，是满目的绿意。水杉把天空举得很高，又把阳光筛得很细，风穿过林梢的时候，整座岛都在轻轻呼吸。

花园里 | 不同的花园，都有一份惊喜等你相遇。
石头涧 | 喧嚣被隔离在身后，时间在这里被放慢。

Based on the site’s characteristics, the entire island sector is categorized as follows: by the islet, one feels the intimacy of water; along the bridle path, one passes through the woods; in the garden, one encounters the scenery; and among the rocks, one discovers the hidden mountain. This yields four distinct spatial experiences—By the Islet, Along the Bridle Path, In the Garden, and Amid the Rocks.

环绕小岛的临湖步道很长，夏日的炎热促使情绪在高温中不断膨胀，踏入场地内部，我们希望制造一场极致的感官反差：“不是渐进的过渡，而是瞬间的凝固。”

在万物绽放的盛夏，我们造了一座关于“温度”的花园。

冰川花园诞生了。

The lakeside walkway encircling the small island stretches long, and the scorching summer heat causes emotions to swell continuously under the high temperatures. Upon stepping inside the site, we aim to create an extreme sensory contrast.
In the height of summer, when all things bloom, we built a garden about ‘temperature’.
The Glacier Garden was born.

▽湖畔步道

▽情绪转角

▽“冰川”浮岛

▽“冰川”一角

▽“冰川”之镜

<GLACIER> 冰川花园

在 C17，水有四种状态：水（液体）、雾（气体）、冰（固体）、霜（晶体），层层递进，相互幻化，共同构成一座“漂浮感的花园”。

At C17, water is not a single state, but four: water (liquid), mist (gas), ice (solid), and frost (crystal)—progressing layer by layer, transforming into one another, together forming a glacial garden floating amidst the biting cold.

▽冰片形态，是这样的

▽“冰川”的形态，是这样的

水为基底，雾为介质，冰为边界，霜为笔触，四种形态交替、叠加：漂浮、轻盈、凛冽、幻化，共同引领 C17 的整体画面。

Water as foundation, mist as medium, ice as boundary, frost as brushstroke—four states, alternating and layering: Floating, Ethereal, Piercing, Transcendent. Together, they shape the visual language of C17.

▽“漂浮、轻盈、凛冽、幻化”呈现效果

漂浮|Floating

以大面积水体构建基底，道路通过剥离水面，形成“浮岛”的空间关系。

植物以形态、质地、色彩使其在视觉上融入水雾环境，硬景的“实”与植物的“虚”形成柔性界面，呈现出轻盈感，水体、建筑、植物三者之间不再有明确边界，而是相互渗透、共同悬浮。

Plants integrate visually into the misty environment through their form, texture, and color, creating a soft interface where the “solidity” of hardscape meets the “ethereal” quality of vegetation. Water, architecture, and plants no longer possess distinct boundaries; instead, they interpenetrate and collectively hover in a state of shared suspension.

▽研究如何将场地漂起来

▽实际呈现效果，有了最初想要的样子

大面水体为基底，道路与建筑浮于之上，像悬浮的冰面。转角的小翘角突破冰片的水平带，形成冰锥体，创造出一些趣味性。

A vast expanse of water serves as the base, with roads and buildings floating above it like suspended ice sheets. Small upturned corners at the intersections break through the horizontal plane of the ice, forming ice cones that introduce moments of playful intrigue.

幻化|Transcendent

镜面、水面、湖面三者交替，给予新的视角语汇。

镜面，让真实与虚幻在此交界；水面，作为视线通廊，倒影消解构筑厚重感，纵向延伸让场地被拉长放大；湖面的波纹则划破了场地的秩序。

脚下的真实与倒影的虚拟，形成一个连续的“幻化”系统。

Mirrors mark the boundary where reality and illusion converge; water surfaces serve as visual corridors, their reflections dissolving the heaviness of structures while vertical extension elongates and amplifies the site; ripples across the lake disrupt the established order of the grounds.

▽镜面、水面、湖面三者交替

▽虚实之间

以大面冷轧镜钢施以边界，幻化凛冽冰川，以水面留白烘抬，银妆素裹铺撒植物花境，似为永恒冰川封存。

A vast expanse of cold-rolled mirror steel defines the boundary, transforming into a glacial expanse of austere ice; the water surface, left in deliberate void, elevates and frames this vision, while silver-clad plant borders are scattered like a frozen floral realm, as though sealed within eternal ice forevermore.

▽幻化的冰川手稿

▽“冰川”雕塑

镜面材质让雕塑不再是一个封闭的实体，它从留白中“生长”出来，成为倒映周围环境的容器——打破了等高的边界体系，形成凝固的冰与飞落的水。

自身的边界被倒影溶解，投射出的场景，会随着天空的颜色、植物的状态、人行的视角不断变化，成为幻景的一部分。

The mirrored material transforms the sculpture from a closed, solid entity into something that “grows” out of the blank space, becoming a vessel that reflects its surroundings—the sky, the water, the plants, and the people passing by.

轻盈| Ethereal

对植物画面的控制，从色彩、质感、形态、品种四个维度出发，契合“寒冷”的视觉，以银灰色为主，清透、克制搭建质感，建立“轻盈”的植物语言。

Planting design is controlled across four dimensions—color, texture, form, and species—to align with a “cold” visual language. Silver-gray serves as the dominant tone, with a clear, restrained quality establishing the texture, expressed through a “light” botanical vocabulary.

▽设计阶段，手搓如何在夏季感受“冬天”

蓝叶柳枝稷、蓝冰麦搭建银灰主调，禾叶大戟、木茼蒿的白色小花+细碎叶片，制造雾状、漂浮的轻盈感。北美腹水草、白花醉鱼草穗状或圆锥状白花，增加冷色调的垂直动态。

Panicum virgatum ‘Heavy Metal’ and Elymus magellanicus establish the silver-gray keynote. The tiny white flowers and delicate leaves of Euphorbia graminea and Argyranthemum frutescens create a misty, floating lightness. Veronicastrum virginicum and Buddleja davidii ‘White Profusion’ contribute spiked or panicle-shaped white blossoms, adding cool-toned vertical movement.

▽不同镜面下的植物视角

地面同样被纳入“轻盈”的表达体系。

铺装以层叠交替的方式介入，与植物的漂浮感上下呼应，营造出整体统一的 “片羽感”。

The paving intervenes in a layered, alternating manner, echoing the floating quality of the plants from below, together creating a cohesive sense of “lightness” throughout.

凛冽|Piercing

寒冷被提炼成感官精度。

简洁的空间线条，体现克制、纯粹；浅色材质凸显凉感，镜钢幻化冰川凛冽，构建虚实意象。

Clean spatial lines embody restraint and purity; light-toned materials accentuate a sense of coolness, while mirror steel transforms into the austere chill of glacial ice, constructing an interplay of the tangible and the ethereal.

银灰主调，低饱和，传阅清透克制的视觉。内庭的纯粹感和园艺感，是“克制”的诠释。

A silver-gray palette in low saturation conveys a visual language of clarity and restraint. The purity and horticultural sensibility of the inner courtyard embody the very essence of ‘restraint’.

每位参与者都将在艺术表达与设计逻辑中平衡自己!最后感谢所有参与者的这份热爱与付出!

当我们阅读至此时，C23样板岛已悄然走来!

期待这个盛夏~~~

Finally, we extend our heartfelt gratitude to all participants for their passion and dedication.As we reach this point, the C17 Showroom Island has quietly drawn near!
Looking forward to the height of summer…

项目名称：万华麓湖青鸾屿C17样板岛
委托业主：成都万华新城发展股份有限公司
景观设计：A.t.e.l.i.e.r. R若文工作室
花境单位：成都惠美花境园艺工程有限责任公司
施工单位：重庆吉盛生态园林绿化有限公司
雕塑深化及施工：广州万瑜雕塑有限公司、成都市华韵达城市空间环境雕塑艺术有限公司
景观软装：成都禾止装饰设计有限公司
标识深化及施工：成都远信通环境工程有限公司
项目地址：成都 麓湖生态城
开放时间：2026.05
景观面积：6400㎡
摄影团队：Holi、Roven
撰稿：TT