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Architensions 设计研究事务所在2022年科切拉音乐艺术节上推出了新作“游乐园 (The Playground)”，这个全新的艺术装置增强了观众的体验感，并在开放日为帝国马球俱乐部 (Empire Polo Club) 注入了色彩、光线、内涵以及独特的场所感。
Architensions, a design and research office led by Alessandro Orsini and Nick Roseboro and headquartered between Brooklyn and Rome, unveils The Playground, an installation for The Coachella Valley Music and Arts Festival 2022. Augmenting the festival-goers’ experience, the project infuses color, light and meaning, and a unique sense of place and discovery into the Empire Polo Club over two weekends from April 15-17 and April 22-24, 2022.
▽装置全貌 ‘The playground’
装置由四个钢架塔组成，高度从12.8米到17米不等，就如同模块化的脚手架一般支撑着上面的各种形状和材料。游乐园装置以洋红色和黄色作为垂直网格的主色调，地面上的小平台使用蓝绿色，分色膜光谱的色彩用于部分形状的表皮包覆，而其他地方的饰面则使用与主色调相邻近的纯色，从而产生一种鲜明的色彩体验。
The Playground consists of four steel-framed towers ranging in height from 42′ to 56′, like modular scaffolds holding shapes of various forms and materiality. The Playground uses magenta and yellow for the vertical grid and cyan for the piazza, colors derived from spectrum of the dichroic film used for the cladding of some of the shapes, while others are painted in solid colors chosen from the associated adjacencies of the three colors, resulting in an intentionally vibrant color experience.
▽装置成为音乐节观众参与集体互动、表演、放松和玩耍的节点 A node for engaging festival-goers in collective interactions and in performance, relaxation, and play
游乐装置的灵感来自于建筑师康斯坦 (Constant Nieuwenhuys) 所提出的新巴比伦城 (New Babylon)，那是一座充满即兴、机遇和游戏乐趣的城市，为处于生产压力之下的人们提供另一种生活选择。装置上不同的形状代指城市各类休闲空间，比如广场、剧院、公园和游廊，它们垂直排列在多孔网格内，为不同形状的景观提供秩序基础。此项设计唤起了人们熟悉的城市景观，并将游戏回归到其最初的意义：自由的个人时光，即“游乐园”。与赛瑞克·普莱斯 (Cedric Price) 的“游乐宫 (Fun Palace) ”类似，这个网格装置创造了与之相似的新共同点——一个彰显着反对精神的开放空间，它反对科技主导游乐体验带来的孤立感和同质化。
The Playground takes its inspiration from Constant Nieuwenhuys’s New Babylon, a city of improvisation, chances, and play as a critical alternative to the burdens imposed by production. The shapes themselves refer to urban typologies for leisure such as piazzas, theaters, parks, and arcades, albeit vertically arranged within a porous grid that gives an order to the landscape of different shapes. The design evokes a familiar urban landscape, where the significance of play is reverted to its original definition of free personal time, in other words, a playground. Similar to Cedric Price’s Fun Palace, the grids create a new common ground, an open space that opposes the isolation and homogeneity of technologically mediated experiences.
▽装置以洋红色和黄色作为垂直网格的主色调，分色膜用于部分形状的表皮包覆 The Playground uses magenta and yellow for the vertical grid, the dichroic film used for the cladding of some of the shapes
Orsini说：“与阿尔多·罗西 (Aldo Rossi) 的’Il teatro del Mondo’相比，‘游乐园’装置创造了一个类似剧院的环境，人们可以在其中进行某些表演。不借助任何科学技术，只需与空间及其物质性发生交互，就可以获得体验休闲空间的机会。在此过程中，使用者既是观众也是表演者。”
Says Orsini, “In an analogy with Aldo Rossi’s ‘Il teatro del Mondo,’ The Playground creates an environment similar to a theater, in which people can interact in a sort of performance. It provides an opportunity to experience a leisure space without the use of technology, simply by interacting with the space and its materiality. The user is at the same time a spectator and performer.”
虽然装置塔是静止的，也不能居住其中，但它的色彩和形状却能让参加音乐节的人们在视觉上与其产生互动。装置材料与阳光发生反应，分色膜将色彩光斑投射到地面和观众身上，而镜膜放大了视野并反射周围环境。装置塔的高度、位置和网格架容许动态阴影投射在塔架之间的空地上，整体来看如同一个由各种形状组成的人造宇宙，同时也象征着许多物理空间。中间的天桥定义了过渡空间，地面上的长凳与装置塔相连，形成了类似“广场”的覆盖区，为人们提供了一个可以休息或观看的地方。
While the towers are static and cannot be inhabited, the colors and shapes invite festival-goers to interact with them visually. The materials react with the sun—the dichroic film projects colors on the ground and the people, while the mirror film amplifies the perspectives and reflects the surroundings. The height, positioning, and grid of the towers allow for dynamic shadows to be cast on the ground amongst them, in totality comprising a manufactured universe of shapes that symbolize many physical places at once. Sky bridges define the interstitial space, and benches at ground level connect the towers and form the footprint of the “piazza”, as well as provide a place to rest or to be a spectator.
▽蓝绿色的长凳与装置塔相连，形成了类似“广场”的覆盖区 The cyan benches at ground level connect the towers and form the footprint of the “piazza
从本质上讲，“游乐园”装置为观众提供了重整精神的空间，并以一种与商业或数字技术无关的方式重新发现了休闲的意义。在如今这个科技以媒介图像替代真实生活体验感的时代，装置呈现出动态的、闭合的物质氛围，人们可以将它作为现实世界中人际互动的空间。它还体现了建立垂直城市的愿景，几十年来的横向扩张已经框定了某种类型的休闲行为和分离式的郊区化发展，它希望能够尝试改善我们的环境，以激发促进物质互动与集体性的可能。
At heart, The Playground provides its audience a space to re-align the spirit, and to re-discover leisure in a way that is not inherently attached to commerce or digital interpolation. In an age when technology substitutes for real-life experiences through mediated images, the project presents a physical atmosphere that is both dynamic and enveloping, that people can use as a space to interact with one another in the real world. It also proposes a vertical city in a place where decades of horizontal sprawl have defined a certain type of leisure and suburban growth defined by apartness, instead experimenting with the possibilities of improving our environment to foster physical interaction and collectivity.
与其他塔楼作为城市奢华典范的当代功能不同，“游乐园”装置将塔架作为有趣的场所，以及一个可以促进合作以及行动自由的框架。Roseboro说：“这个装置是城市的一份子，是让音乐节观众参与集体互动、表演、放松和玩耍的节点。”
In contrast to the contemporary function of the tower as an urban luxury paradigm, The Playground proposes the tower instead as a site of fun, and a framework for promoting collaboration and freedom of movement. “The Playground is a fragment of a city,” says Roseboro, “a node for engaging festival-goers in collective interactions and in performance, relaxation, and play.”
▽平面图 Plan
材料：钢架、木材、分色膜、镜膜、聚碳酸酯板
设计团队：Alessandro Orsini, Nick Roseboro, Anna Laura Pinto, Gerald Rubia, Jihye Son
尺寸：57.6 m x 34.1 m, 塔高12.8 m至17 m
面积：1,966 m2
项目年份：2019-2022
项目地点：美国 加利福尼亚州 印第奥
客户：Goldenvoice
Materials: steel frame, wood, dichroic film, mirror film, polycarbonate sheets
Team: Alessandro Orsini, Nick Roseboro, Anna Laura Pinto, Gerald Rubia, Jihye Son
Dimensions: 189’ x 112’ (57.6 m x 34.1 m), tower heights ranging from 42’ to 56’ (12.8 m to 17 m)
Area: 21,168 sf / 1,966 m2
Project Year: 2019-2022
Location: Indio, California, USA
Client: Goldenvoice
“不同材料带来的色彩和光线效果为音乐节增添活力感，连接塔架的地面长凳正好为不断释放身体能量的观众提供一个休息之地。”
审稿编辑：Hongyu
更多 Read more about：Architensions
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