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BBGK ：对世界的好奇心以及探索未知的渴望已深植于我们游牧民族的基因之中。通过探索新的地方，我们不仅踏上了一段环球之旅，也开启了一段自我探索之旅——而我们所收集的记忆逐渐成为我们身份中不可或缺的一部分。
BBGK ：This house was meant to be a refuge – a place to return to, a space for preserving mementos and memories from distant journeys.It was with this request that the travelers approached architect Wojciech Kotecki, co-founder of BBGK Architekci, and architect Katarzyna Mach. The result was the Sadowski House – “a home of one’s own”: deeply personal, slightly introverted, yet open to its surroundings. A single-storey dwelling organized entirely on the ground level, nestled among pine trees. Hidden beneath a wide-spanning roof of tent-like geometry. Designed so that its inhabitants would always remain together.Curiosity about the world and the urge to explore the unknown are written into our nomadic DNA. By discovering new places, we embark not only on a journey across the globe but also into ourselves – and the memories we gather gradually become an integral part of our identity.
Sadowskis夫妇是一对充满激情且经验丰富的旅行者，他们对遥远甚至极端的目的地有着特别的迷恋——沙漠、极地以及其他的偏远地区。经过多年的探索，他们决定建造属于自己的家——一个可以回归的地方，一个庇护所，一个保存记忆以及从遥远旅程中精心收集的纪念品的空间。为了实现这一愿景，他们找到了 BBGK 建筑事务所的联合创始人Wojciech Kotecki和建筑师Katarzyna Mach。于是，Sadowskis住宅应运而生：一个极具个人色彩的“自己的家”，在某种程度上有些内向，但又完全向自然环境敞开。
The Sadowskis, a couple of passionate and seasoned travelers, hold a special fascination for distant, and sometimes extreme, destinations – deserts, polar regions, and other remote landscapes. After years of exploration, they decided to build a home of their own – a place to return to, a shelter, a space for preserving memories and their carefully collected trove of souvenirs from faraway journeys. To bring this vision to life, they turned to architect Wojciech Kotecki, co-founder of BBGK Architekci, and architect Katarzyna Mach. Thus, the Sadowski House came into being: a profoundly personal “home of one’s own,” somewhat introverted yet fully open to its natural surroundings.
这座房子建在一片树木繁茂的土地上，周围是松树。在旅行中，Sadowskis夫妇注意到，在各种各样的甚至极端的条件下，人们都能建造出简单却高效实用的住所。他们对那种只有一个共享空间、被穹顶遮蔽的原型房屋产生了浓厚的兴趣：比如帐篷、蒙古包或者冰屋。也许正是这种亲密无间——这是传统集体生活的一大特点——最强烈地触动了他们这对一直共同生活、分享爱好和兴趣的夫妻，如今他们渴望打造“属于自己的天地”。
The house was built on a wooded plot, among pine trees. During their travels, the Sadowskis observed how, in diverse and often extreme conditions, people create simple yet highly efficient dwellings. They became fascinated with the archetype of one shared space sheltered beneath a dome: like a tipi, a yurt, or an igloo. Perhaps it was this closeness and intimacy – so characteristic of traditional communal living – that resonated most strongly with them as a couple who had always shared life, passions, and interests, and who were now guided by the need to create “their place on earth.”
这个想法成为了该项目的起点。这是一座单层住宅，所有空间都位于地面，被一个类似帐篷的宽阔屋顶所覆盖——设计初衷是让居住者始终与伴侣与自然紧密相伴。Sadowskis一家希望他们的房子能与周围的自然环境保持开放，扎根于大地。因此采用了玻璃结构，模糊了室内外的界限。在房子的中心，建筑师设计了一个带有内部花园的中庭和一个可伸缩的玻璃屋顶，让居民在屋内也能享受露天的天空。从东西两侧，两个半庭院切入建筑体，将绿意引入深处。应业主的要求，还增设了一扇 22 米长的全景滑动窗，将起居空间朝向森林敞开，使房子与花园融为一体。可移动的墙壁和可开启的屋顶让光线和空间能够自然地相互交融，同时还能实现自然通风——就像在帐篷里一样。随着空气的流动，风将森林的声音和气味带入屋内。
This idea became the starting point for the project. A single-storey home, organized entirely at ground level, concealed beneath an expansive roof of tent-like geometry – designed so that its inhabitants would always be together. The Sadowskis wished for their house to remain open to the surrounding nature, rooted close to the earth. Hence the glazed structure that blurs the boundary between interior and exterior. At its center, the architects designed an atrium with an inner garden and a retractable glass roof, enabling the residents to dwell inside the house while simultaneously under the open sky. From the east and west, two semi-courtyards cut into the volume, drawing greenery deep inside. At the owners’ request, a panoramic 22-meter-long sliding window was added, opening the living space toward the forest and fusing the house with the garden. Movable walls and the opening roof allow for a seamless interplay of light and space, while also creating natural ventilation – functioning much like in a tipi. With the circulating air, the wind brings inside the sounds and scents of the forest.
为契合业主的愿景，这座建筑、室内空间和花园被构想为一个统一的整体。这得益于与景观设计师Marta Tomasiak以及室内建筑师Monika Bronikowska和Adam Bronikowski的紧密合作。同样重要的是，Sadowskis夫妇自始至终积极参与概念的塑造。因此，该项目不仅满足了居住者的实际需求，更体现了他们的个性。宽敞明亮的室内空间采用了自然、温暖的材料——木材、石材、陶瓷、绿植和赤陶，而中庭里种植的异国植物与整体环境相得益彰，营造出热带现代主义的美学氛围。这座位于华沙森林中的宁静居所，将居住者带入了南方的氛围之中。
In keeping with the owners’ vision, the building, interiors, and garden were conceived as a single, cohesive whole. This was made possible thanks to close collaboration with landscape architect Marta Tomasiak, and interior architects Monika Bronikowska and Adam Bronikowski. Equally important was the involvement of the Sadowskis themselves, who actively participated in shaping the concept from the very beginning. As a result, the project not only responds to the practical needs of its inhabitants but above all reflects their personalities. Spacious, light-filled interiors feature natural, warm materials – wood, stone, ceramics, greenery, and terracotta – while the atriums host exotic plants that, combined with the rest, evoke the aesthetics of tropical modernism. This quiet retreat in a Warsaw forest transports its inhabitants into the atmosphere of the South.
未来的房主们在挑选材料和家具方面也发挥了积极作用。比如，他们在一个旅行中发现了瓦尔斯石英岩，这种石材仅在瑞士的瓦尔斯山谷一处开采。客厅里为女主人的三角钢琴预留了一个特殊的位置。众多来自旅行者私人收藏的物件——画作、雕塑、小雕像——进一步塑造了这座房子的氛围，它们讲述着遥远地方的故事。这些物件邀请访客进入萨多斯基一家的世界：一个珍视情感意义甚于物质价值的个人物品的庇护所。这些物件与主人紧密相连，共同塑造了一个“正在形成中的家”。
The future homeowners also played an active role in selecting materials and furnishings. One such example is Vals quartzite, discovered by them during a journey, a stone quarried only in one location worldwide – the Vals valley in Switzerland. In the living room, a special place is reserved for the hostess’s grand piano. The atmosphere of the house is further shaped by numerous objects from the travelers’ private collection – paintings, sculptures, figurines – that tell stories of distant places. They invite visitors into the world of the Sadowskis: a sanctuary of personal artifacts valued less for their material worth than for their emotional significance. Inseparably tied to their owners, these objects co-create a “home in progress”: a dwelling designed to evolve alongside the calm rhythm of journeys and returns, of collecting mementos and memories, and of the ever-growing greenery that envelops it from all sides.
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