甪直旭辉·和风花园 / 奥雅设计 L&A Design

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奥雅设计:   站在场地中间，习惯性地分析优劣势，寻找地域特色，研究城市肌理、色彩、风格。这是围绕“问题”的思维程序的展开方式。然而，设计只是为了解决问题吗？解决场地条件带来的挑战和难题是基础，设计追求的是一个更高层次的审美。这更加广阔的追求有时无法依靠既有的方法论获得。方法论指明的是一条稳妥的路，在面对独一无二的场地时，灵感更多地来自于偶然性。比如，在风中摇曳的枝杈、雨后泥泞中的一滩水，稀松平常又诠释着时间的概念，让你联想到艺术品，于是有了“艺术馆”的想法。

L&A design:  As usual, when standing on the project site, we are used to analyzing its strengths and weaknesses, seeking for its local features, also researching its urban texture, city colors and life styles. It is a conditioned mode of thinking centered by some “problems”.Nevertheless, is the “design” itself just to solve the “problems”?Despite of the primary aim to solve existed problems on the site, the “design” itself is actually a tour to pursue a higher level of aesthetics, and it could not be achieved by the existing methodologies. It is true that methodologies could lead the “design” to a smoother way, but it may also be a stereotyped way. More often, unique design inspirations come by chance when you are facing to a site with unparalleled challenges.The design of this project is really a typical example. By chance, it is just inspired by swaying branches in the wind and a puddle of rainwater in the mud. So common the phenomena are! Yet, they well express the drifting time by their forms, also remind us designers well of the artworks. Thereupon, it comes the design concept of “art museum”.

T={t∈(-∞,+ ∞)}∩{△t>0}不是所有人都能看懂时间公理的表达式，但是每个人都知道时间是无尽永前的。时刻无限多、刻刻不同；树枝的姿态、光影的明暗、猫的跑跳或躺卧，无一不阐述着时间的本性。任何空间点都必然出现在当前时刻。谁又会在意空间与时间的基本哲学关系呢？

T = (t∈ (-∞, + ∞)) ∩ {△ t> 0} It is a formula of time axiom hardly understood by everyone. However, everyone knows that time is drifting infinitely and every minute is different for us. It is the abstract nature of time, while it is vividly expressed by the swaying branches, light and shadows playing in the puddle of rainwater, the running or lying cats, etc.. Each spatial point pattern is inevitably the unique one at its right moment.But do you pay special attention on it? Do you care about the basic philosophical relationship between space and time?

在有限的场地当中，切割、扭转、糅合，创造出更加复杂的空间序列，时间变得具有弹性，这才是更加有趣的地方。哲学是人类理性的最高表现形式，艺术则诉诸感情，是哲学思想的直观表达。艺术是否可以阐释所有的哲学观点？至少，在时空这个话题上，艺术可以。

In the limited space of the project site, more complex spatial sequences are created by cutting, twisting, and integrating, meanwhile, the abstract nature of time is vividly expressed and becomes a concrete and flexible object. It is just the distinctive highlight in this project. Philosophy is the top expression of human’s rational thoughts, but art is, on the contrary, related to emotional feelings, and is a direct expression of philosophical thoughts. Could art express or interpret all the philosophical views? At least, in this project, on the topic of time and space, it could.

这是一个漂亮得太过容易的时代。人们追求悦目悦耳的感受，不经意落入标准化的桎梏、又无奈差异的缺失。明星、电影、广告，建筑设计、景观设计也不例外，总能让人眼前一亮，转瞬又觉得略显单薄、似曾相识。“当你一看这个东西就是‘做出来的好看’，它就会像舞台布景一样，好看但不动人。”柳亦春说有一些东西，天生就是会感人的。如果设计的愿景是感人、而不是美，那会产生怎样的结果？

It is an era of fast food. Everything could be produced at a speed of fast-food cooking, so is beauty. People are now habitually pursuing the so-called beauty superficially pleasing to the eye and to the ear. As a result, social aesthetic standard are being shackled, leaving the public aesthetically fatigued in many fields, such as celebrity shaping, movie producing, advertising, also architectural and landscape design. Always, they may impress the public at the very moment, but their brilliance must fade in a flash.“Just as the stage setting, all the ‘man-made beauty’ looks eye-catching at first sight, but without any long-lasting appreciations from the public.” Yet, Liu Yichun, one of the famous architects in China, once said, there are some beauty could get human touched inherently.What will happen if our design aims at getting people touched, not just simply making beauty?

有人说，“感人”无法设计；有人说，自我感动很可笑；有人说，他饱含着激情和向往，付诸心血和汗水。然而，比激情更容易打动人心的是克制，克制自我实现的愿望。设计的出发点是TA——空间真正的使用者。TA的喜好和习惯，TA的热情和向往，这不是讨好迎合，而是一份走心的礼物。

Some people do not believe beauty that get human touched could be designed, and others think that to make such beauty seems ridiculous, while, ambitious designers would like to have a try with their great passion. However, the most important factor to design such a unique beauty is not the desire to achieve self-fulfillment, but the target users’ experience on the design, on the space, and on the beauty. What do they prefer? What do they need? That’s the point! It will help designers to create the exact beauty get target users touched.

景观是什么？景观，是一个美丽而难以说清的概念。人们往往把景观局限于自然空间，而它同时也是一个文化空间。它具有足够的包容性，以及将自然和文化融合为空间产物的能力。因此，景观设计追求的是超越图像化空间的表达，而是可以透过社会媒介来创造与改造物质世界的一种结果。景观设计要跳脱行云流水的小情绪，需要更加有力量感的表达。比如雕塑般的墙体，干净利落地切割空间；又或许，墙就是一座雕塑，传达出当代人坚毅冷静的处事态度。自然的生命力不用花团锦簇来鲜明，一棵树，独自站立，好像舞台上独白的主角，足矣。

What is landscape?It seems hard to get a precise definition on it, such a beautiful concept. Landscape space is often regarded as a natural space, but actually, it is also a cultural space. Landscape is a wide-ranging concept that could well integrate natural and cultural elements into one space. Hence, what the landscape design pursues is not the expression beyond visualized space, but a way to create and transform the physical world by social media. Landscape design should not be restricted to gardening, planting, green space constructing. It may refers to some more powerful design languages or expressions, such as a sculptural wall, a clear-cut space, or just a wall-like sculpture, to convey the firm and calm attitude from people nowadays. On the contrary, the natural plants have their own vitality, and they do not need much man-made beauty to do some over-decoration. It may be better to make the natural world go on its own way.

我们不想就某个具体项目来谈设计手法，而是希望更深层地探讨空间逻辑、设计本质以及美。从思考开始，却要实实在在地落地，不用繁复的装饰，用最简单直接的方式表现力量感；拒绝以“网红”作为出发点，然而真正美好的事物，往往是符合大部分人的喜好的。一切看似偶然，却是基于对场所精神的理解——没有人的场所是没有灵魂的，因为场所精神是人与空间的关系。在此，特别感谢甲方对奥雅设计的信任与支持，双方共同探讨、努力推进，让我们的大胆想象得以实现。

We don’t want to discuss the design methods for a specific project in detail. What we are actually eager to explore in this project is the logic of space, the nature of design, and the true beauty.Also, it is a sense of power that we designers would like to convey in this project in a direct way of minimalism, without any complicated decorative elements. We don’t want to cater to the public deliberately with any “influencer marketing”. But the true beauty often easily achieve the most of preference from the public. It seems that the design concept of this project came out by chance. But it is actually based on the well understanding of the site, of the beauty essence on the site – mysteriously charming relation between human and space.Last but not least, we would like to express our sincere appreciation to our client. Thank you for your great support to encouraging us to advance our bold design concept for this project.

▼概念示意图 diagram of concept 

▼项目位置示意图 diagram of location 

项目名称:  旭辉 · 和风花园
项目地点:  苏州 甪直
项目类型:  住宅
占地面积:  12367.3㎡
建筑面积:  1087.6㎡
景观面积:  4648㎡
完成年份:  2019年9月
客户名称:  苏州和明置业有限公司
景观设计:  奥雅设计 上海公司 项目六组
建筑设计:  上海霍普建筑设计有限公司
室内设计:  杭州孙文建筑装饰设计有限公司
景观施工:  上海美地园林有限公司

采编:  Christine
摄影:  石川
视觉:  叶根
策划:  Haipei 、春妈 、Christine
模特:  弯仔、段喜峰、 Christine

Project Name:  CIFI • Breeze Garden in Luzhi
Project Location:  Luzhi, Suzhou
Project Type:  Residential
Project Size:  12,367.3㎡
Built-up Area:  1,087.6㎡
Landscape Area:  4,648㎡
Year completed: September 2019
Project Client:  Suzhou HeMing Real Estate Co., Ltd.
Landscape Architecture:  Project Team VI, Shanghai Branch, L&A Design Group
Architectural Design:  Shanghai HYP-ARCH Architectural Design Consultant Co.,Ltd.
Interior Design:  Hangzhou S.U.N Design Co., Ltd.
Landscape Construction:  Shanghai MeiDi Gardening Co., Ltd.

Editing:  Christine
Photographing:  Shi Chuan
Visual Design:  Ye Gen
Planning:  Haipei, Jensen, Christine
Models:  Wanwan, Duan Xifeng, Christine

更多read more about:  奥雅设计 L&A design