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Thanks to TUNG DESIGN for authorizing the publication of the project on mooool, Text description and photos provided by TUNG DESIGN .
意棠设计：“深奧、迷幻、无尽”
「深奥曲折」与「往复无尽」是设计九华园之初的蓄意与奥义，亦是核心空间美学与空间布局手法。通过路径曲折空间穿插，空间藏露、路径环绕功能，层次叠加、视线引导，在有限面积内，制造无限深远、循环不尽、步移景异的心理与视觉感受，避免一览无余，营造「山重水复、柳暗花明」的含蓄意情绪变化。
「以曲为美、以藏为深、以环为无尽」在有限宅园里，延长时间、扩展空间、强化层次、制造悬念，达成「咫尺山林、多方胜景、言有尽而意无穷」的东方居住美学高度。
TUNG DESIGN：Depth, Labyrinth, Infinity
“Depth and meandering” and “cyclical infinity” were the premeditated intent and esoteric essence in the design of Nine Flower Garden · Wall Street Work Valley Corporate Club, and they also constitute the core spatial aesthetic and the fundamental technique of spatial composition. By means of meandering paths and interpenetrating spaces, the concealment and revelation of volumes, circulation routes that envelop functions, layered superimposition, and the careful guidance of sightlines, the design generates—within a limited area—a psychological and visual experience of boundless depth, ceaseless cyclical infinity, and ever-shifting scenery with every step. This approach deliberately avoids revealing everything at a single glance, instead cultivating a restrained emotional progression akin to “mountains beyond mountains, waters beyond waters, then shadowy willows and bright blossoms.”
“Taking meandering as beauty, concealment as depth, and circularity as infinity”—within the confines of this residential garden, such principles prolong the perception of time, expand the experience of space, intensify spatial layering, and create a sustained sense of suspense. In so doing, the design attains the pinnacle of Eastern residential aesthetics: “a forested mountain within a foot’s span, manifold exquisite views, and a resonance that lingers far beyond the spoken word.”
▽项目视频
宅园序
会所坐落于南宁华尔街工谷写字楼顶，为建筑、景观、室内一体化改造项目。项目改造设计两层楼+顶层屋顶，依托原有梁柱交织天井与方格空间，融合“九宫飞星”设计理念，一室一院、一间一园、移步换景，构筑宅园一体的空中私享会所。
Preface to the Residential Garden
The club is situated atop the Wall Street Work Valley office tower in Nanning. It is an integrated renovation project encompassing architecture, landscape, and interior design. The renovation spans two floors plus the rooftop level, building upon the existing fabric of interlaced beams and columns, light wells, and gridded spaces. By incorporating the design concept of the “Nine Palaces and Flying Stars,” each room opens onto a courtyard, each chamber embraces a garden, and the scenery shifts with every step. In this way, an elevated private club is created that embodies the seamless integration of residence and garden—a true aerial residential garden.
▽园林里的“深奥、迷幻、无尽”
【初次见面场地，仰望天空，不同的大梁像“九宫格”交织于蓝天，瞬间如见浩瀚宇宙之九星。于是有了九景九院之幻意，设计布局源自于“九宫飞星”，也叫九曲星。这便是“九华园”的起点。我们的设计初心很简单：“把房子放在花园里，每个空间有自己的院子”。既要有家人围坐的共享天地，也要有独酌观云的私密角落；既用院落引导空气流动，应对南方气候，也让“气”在空间里循环——这是生活的“气运”，也是主人淡泊从容的心境。】——设计师庞美赋
“Upon first setting foot on the site and looking up at the sky, I saw the great beams intersecting against the blue like a nine-palace grid, and in that instant it was as if I beheld the nine stars of the vast cosmos. Thus arose the visionary idea of nine scenes and nine courtyards. The layout originates from the concept of the ‘Nine Palaces and Flying Stars,’ also known as the Nine Curved Stars. This was the starting point of Nine Flower Garden.
Our original design intent was simple: ‘Place the house in the garden, and give every space its own courtyard.’ There had to be a shared realm where the family could gather together, as well as a secluded corner for drinking alone while gazing at the clouds. The courtyards not only channel natural ventilation in response to the southern climate, but also allow ‘qi’ to circulate throughout the spaces—this is the ‘qi flow’ of life, and it also embodies the dweller’s tranquil and unhurried state of mind.” — Pang Meifu, Lead Designer
▽【场地原貌】原始柱梁交织成 “九宫”，是设计最本真的灵感来源
▽营造初期
设计以“人”为本，“回归自然”展开空间营造，打通建筑及室内外空间场景，实现人与自然深度互动。考虑一是动线层次，从入口至会所内部，窄巷、阔院交替转换，营造沉浸式游园氛围；二是视野把控，小空间借开窗、借景造开阔视野，室内观庭院绿植、庭院远眺天际，通透纳景。设计以新旧材质碰撞塑造层次：质朴实木、手工陶艺搭配现代金属与玻璃，原生粗粝梁柱辅以柔和软装，不刻意统一风格，只求感官和谐。
The design takes “people” as its foundation and “returning to nature” as its guiding principle in shaping the space, breaking down the boundaries between architecture and the indoor and outdoor settings to achieve a deep interaction between people and nature. The first consideration is the layering of circulation: from the entrance to the interior of the club, narrow lanes and expansive courtyards alternate, creating an immersive garden-strolling atmosphere. The second is the management of sightlines: small spaces borrow views and employ window openings to create a sense of expansiveness, where one can observe courtyard greenery from indoors and gaze into the distant skyline from the courtyards, allowing transparency to draw in the scenery. The design uses the interplay of old and new materials to build layers: textured solid wood and handcrafted ceramics are paired with modern metal and glass, while the raw, rough beams and columns are complemented by soft furnishings. There is no deliberate effort to unify the styles—only a pursuit of sensory harmony.
▽设计师手绘手稿——“房子在花园里”
▽模型分析过程稿——“森林里的盒子”
/SPACES 01/ 深奧，入奥疏源，通前达后
茶室露台景观区
设计以光映水庭，以自然入茶室，将现代建筑材质与东方造景手法在夜色中融合。浅水景搭配石质涌泉景观小品形成灵动水态，软化硬质建筑边界；地灯与庭院灯营造层次化照明，暖光与室内灯光透过玻璃格栅相互渗透。竹、芭蕉等绿植分层种植，在灯光映照下形成丰富的光影层次。
Tea Room Terrace Landscape Area
The design illuminates the water court with light, draws nature into the tea room, and merges modern architectural materials with Eastern landscaping techniques within the ambience of night. A shallow water feature paired with a stone spring ornament creates a dynamic play of water, softening the hard architectural edges. Ground lights and garden lights are orchestrated to produce layered illumination, with warm light and interior lighting interpenetrating through the glass grilles. Bamboo, plantain, and other greenery are planted in tiers, forming rich strata of light and shadow under the glow of the lamps.
▽茶室露台视频
室内采用通透设计，最大化引入自然采光，与户外露台景观无缝衔接；露台区域以原生绿植、简约铺装构建半开放休闲场域，成为室内外过渡的“缓冲带”。在这里，品茗与观景相融，喧嚣被隔绝。
The interior employs an open, transparent design to maximize the influx of natural daylight, seamlessly connecting with the outdoor terrace landscape. The terrace area, with its native greenery and understated paving, forms a semi-open leisure space that functions as a buffer zone mediating between indoors and outdoors. Here, the enjoyment of tea and the appreciation of scenery merge into one, while all clamour is kept at bay.
通往茶室的过道景观区，采用“一步一景”的设计手法，通过植被层次与光影变化，营造沉浸式行走体验，引导使用者自然步入茶室的静谧氛围。
In the passage landscape area leading to the tea room, the design technique of “a scene at every step” is adopted. Through layered vegetation and the shifting interplay of light and shadow, an immersive walking experience is created, gently guiding visitors into the serene atmosphere of the tea room.
设计让建筑与自然共生，通过玻璃天窗、金属格栅引入天光形成光影层次；选取竹、芭蕉等绿植搭配水景置石打造微缩庭院，软化建筑硬质边界；廊道串联功能区，实现硬质建筑与软质景观的渗透融合，营造步移景异的立体游园体验。
The design fosters a symbiosis between architecture and nature. Glass skylights and metal grilles channel daylight to weave layers of light and shadow. Bamboo, plantain, and other greenery are carefully placed alongside water features and rocks to craft miniature courtyards, softening the hard boundaries of the building. Corridors link the functional zones, enabling the permeation and fusion of hard architecture with soft landscape, and giving rise to a three-dimensional garden experience of ever-shifting scenery with every step.
中庭景观区
此处融合现代建筑与中式造景的空中庭院，以清水混凝土的硬朗几何结构为骨架，深褐色实木立柱与金属网格格栅交织出通透的隔断层次；庭院内引水成池，水面映着天光，芭蕉、蕨类等绿植错落生长，柔化了建筑的冷硬质感。挑空的玻璃天窗让自然光线斜洒，在砼墙、木柱与水景间形成明暗交错的光影，将传统中式庭院的“曲径通幽”与现代建筑的开阔通透相融，打造出闹中取静的空中自然秘境。
Atrium Landscape Area
Here, an elevated courtyard merges modern architecture with Chinese landscaping. The rigid geometry of fair-faced concrete serves as the skeleton, while dark brown solid wood columns and metal mesh grilles interweave to create permeable layers of partition. Within the courtyard, water is channeled into a pond, its surface reflecting the skylight. Plantain, ferns, and other greenery grow in an artfully staggered arrangement, softening the cold, hard texture of the architecture. A suspended glass skylight allows natural light to slant inward, casting an interplay of light and shadow upon the concrete walls, wooden columns, and water feature. In this way, the traditional Chinese garden ideal of “a winding path leading to tranquil seclusion” merges with the openness and transparency of modern architecture, crafting an elevated natural sanctuary that offers serenity amidst the urban bustle.
作为从公共动线到核心中庭的过渡性空间，电梯间设计以“自然肌理的现代转译”与“光影叙事的空间引导”为核心，实现了从硬质建筑界面到柔化自然庭院的无缝衔接，成为整个空间序列中极具仪式感的“序章”。
As a transitional space from the public circulation to the core atrium, the elevator lobby is designed with two core principles: “a modern translation of natural textures” and “spatial guidance through a narrative of light and shadow.” It achieves a seamless transition from the hard architectural interface to the softened natural courtyard, serving as a highly ceremonial “prelude” within the entire spatial sequence.
设计以藤编曲面造型作为顶墙主要饰面，天然藤编的温润纹理中和了电梯金属面板、混凝土结构的冷硬特质，用传统工艺呼应中式造园“以柔克刚”的审美内核；用金属方格格栅作为空间界定，通透的几何线条与藤编有机纹理形成刚柔对比，达成现代设计与传统工艺的对话。同时，格栅结合间接照明打造“格栅漏影”的东方意境，动态光影既丰富了视觉层次，又铺垫了中庭景观的设计主线。
The design employs a rattan-woven curved surface as the primary finish for the ceiling and walls. The warm, gentle texture of natural rattan weaving neutralizes the cold, hard qualities of the elevator’s metal panels and concrete structure, echoing, through traditional craftsmanship, the Chinese garden aesthetic core of “overcoming hardness with softness.” Metal square grilles are used for spatial definition; their transparent geometric lines create a contrast of rigidity and softness with the organic texture of the rattan, enabling a dialogue between modern design and traditional craft. At the same time, the grilles are integrated with indirect lighting to evoke the Eastern poetic imagery of “shadows filtering through the lattice.” The dynamic light and shadow not only enrich the visual layering but also prelude the design motif of the atrium landscape.
/SPACES 02/迷幻，光影留白，藏露幻境
院落中庭区
将中式院落的围合与通透感转译到室内，通过结构、光影、水景与动线的融合，打造出富有东方意境的沉浸式空间。
The Courtyard Atrium
The sense of enclosure and transparency characteristic of the Chinese courtyard is translated into the interior. Through the fusion of structure, light and shadow, water features, and circulation, an immersive space imbued with Eastern poetic resonance is created.
设计以清水混凝土框架搭建中庭基底，粗犷老木柱阵列替代传统木构柱廊，砼木穿插咬合，实现现代结构与传统木构美学的对话；挑空天窗与侧窗引入天光，光线经框架、格栅折射形成动态光影，复刻了传统院落“朝晖夕阴”的光影意境。
用镜面水“借景”，让室内庭园看起来更开阔；在走廊尽头设“对景”，如一方小水景、一座石灯笼，让每一步都有“景随步动”的惊喜。这种“笔墨留余”的处理，让空间不拥挤，也给人留下想象的余地。
A fair-faced concrete framework establishes the atrium’s foundation. An array of rugged old timber columns replaces the traditional wooden colonnade, with concrete and timber interlacing and interlocking to enable a dialogue between modern structure and traditional timber aesthetics. A suspended skylight and side windows channel daylight inward; light refracted through the framework and grilles generates dynamic shadow play, recreating the traditional courtyard’s atmospheric light of “morning radiance and evening shade.”
A mirror-like water surface is employed for “borrowed scenery,” making the indoor garden appear more expansive. At the ends of corridors, “focal views” are arranged—such as a small water feature or a stone lantern—ensuring that every step brings the quiet delight of “scenery shifting with every step.” This approach of compositional restraint, of leaving space for the imagination, prevents the space from feeling crowded and leaves room for reverie.
中庭引活水造曲水景观，水面倒映天光木柱、水声消解空间压抑，呼应中式“临水造景”手法；木柱廊与中庭交错布局，形成“隔而不断”的空间层次，动线遵循中式院落“起承转合”的节奏，让室内行走成为移步换景的游园体验。
Flowing water is introduced into the atrium to form a meandering water landscape. The water surface reflects the skylight and timber columns, while the sound of water dissolves any sense of spatial oppression, echoing the Chinese technique of “creating scenery by the water.” The wooden colonnade and the atrium are laid out in an interwoven pattern, producing a spatial layering that is “separated yet uninterrupted.” The circulation follows the rhythm of a Chinese courtyard’s “qi-cheng-zhuan-he” (opening, development, transition, and conclusion), transforming a walk indoors into a garden-strolling experience where each shift in position yields a new view.
会客厅兼顾日常休闲与接待功能，天井设计引入顶部采光，让公共区域更显开阔明亮。设计上将东方造园手法转化为具体空间策略，兼顾会客实用性与环境体验感。整面落地玻璃幕墙引入室外竹林景观，斜天窗引自然天光，光影与暖光嵌入式筒灯形成层次照明。
The lounge balances daily relaxation with reception functions. A light well design brings overhead daylight into the space, making the public area feel more open and bright. Eastern garden-making techniques are translated into concrete spatial strategies, balancing the practicality of hosting guests with an immersive environmental experience. A full-height glass curtain wall draws the outdoor bamboo grove scenery inside, while an angled skylight captures natural daylight; light and shadow intermingle with warm recessed downlights to create layered illumination.
会客区摆放实木茶桌与牛皮沙发适配社交需求，木质格栅隔断分隔会客区与廊道，既保私密性又留通透感；墙面老木饰板与书法原作点缀细节，廊道衔接中庭让动线向自然景观延伸，实现实用功能与东方美学的融合。
In the seating area, a solid wood tea table and leather sofas are placed to suit social needs. Wooden lattice partitions separate the lounge from the corridor, ensuring privacy while preserving a sense of transparency. Aged timber paneling on the walls and original calligraphy pieces enrich the details, and the corridor connects to the atrium, extending the circulation toward the natural landscape. Thus, practical function and Eastern aesthetics are seamlessly fused.
餐厅以老木柱与金属格栅构建空间围合，大面积落地玻璃替代传统墙体，让室内视线可穿透至中庭水景绿植；实木餐桌椅延续木质肌理，混凝土顶面做极简处理。中庭打造浅水景与微缩绿植景观，置石、苔藓与芭蕉搭配营造中式禅意，既分隔空间又保留视觉通透。
The dining room employs old timber columns and metal grilles to define its spatial enclosure. Large expanses of floor-to-ceiling glass replace conventional walls, allowing sightlines to penetrate through to the water feature and greenery in the atrium. Solid wood dining tables and chairs carry forward the timber texture, while the concrete ceiling is rendered with stark minimalism. In the atrium, a shallow water feature and miniature landscaped greenery are created; the arrangement of rocks, moss, and plantain evokes a Chinese Zen-like serenity, separating the spaces while preserving visual permeability.
廊道以木梁做顶、石材铺地，串联餐厅与中庭形成“步移景异”的动线；暖光嵌入式照明与自然天光交织，让用餐场景被光影与绿意包裹，让食客沉浸式感受东方庭院的美学意境。
A corridor, topped with timber beams and paved with stone, links the dining room with the atrium, forming a circulation path of “ever-shifting scenery with every step.” Warm recessed lighting interweaves with natural daylight, enveloping the dining scene in light, shadow, and verdant green, and allowing diners to become immersed in the aesthetic ambience of an Eastern garden.
为园主人题字
“远山含翠”：借山水为“道”的化身，以“远山”的空灵悠远、“含翠”的生机朦胧，营造“虚中有实、咫尺千里”的东方意境，暗合老子“大美不言”的境界、孔子“仁者乐山”的品格隐喻，及陶渊明“物我两忘”的诗意栖居，最终实现“以小见大、天人合一”的空间境界。
Calligraphic Inscriptions for the Garden Owner
“Distant Mountains Enfolded in Verdure” (远山含翠)
Taking landscape as the embodiment of the “Dao,” this inscription draws upon the ethereal remoteness of “distant mountains” and the veiled vitality of “enfolded verdure” to create an Eastern artistic conception in which “the void holds substance, and a foot’s span stretches a thousand miles.” It subtly echoes Laozi’s realm of “great beauty beyond words,” Confucius’s metaphorical character of “the benevolent find joy in mountains,” and Tao Yuanming’s poetic dwelling of “the self and the world both forgotten.” Ultimately, it attains the spatial realm of “seeing the grand in the small, and the unity of heaven and humanity.”
“九华”之“华”，取《诗经》“灼灼其华”的生命绚烂，兼含“春华秋实”的儒家修养观，及道家“大巧若拙、返璞归真”的生活美学，象征物质与精神的双重丰盈。空间意象更融合儒释道思想。
The “Hua” (华) in “Jiuhua” (Nine Flower Garden)
The character “Hua,” meaning “flower” in “Jiuhua,” is drawn from the line “brilliant are its blossoms” (*zhuozhuo qi hua*) in the *Book of Songs*, signifying the radiant vitality of life in full bloom. It also embraces the Confucian self-cultivation ideal of “spring flowers and autumn fruits,” as well as the Daoist life aesthetic of “great skill appearing as simplicity” and “returning to original purity.” Thus, it symbolizes a dual abundance of both the material and the spiritual. The spatial imagery further integrates Confucian, Buddhist, and Daoist thought.
“丘山”“竹上”：取儒释道齐家修身之道，一是“向上力争”，一是“向下似无为，又谦和”。有儒家的兼容并包，温，良，恭，俭，让，又有佛家的“无为不争”，又有道家的“有取”。
“Hill and Mountain” (丘山) & “Above the Bamboo” (竹上)
These two inscriptions draw upon the Confucian, Buddhist, and Daoist paths of self-cultivation and family regulation. One represents “striving upward with earnest effort,” while the other embodies “bending downward with a seeming non-action, gentle and humble.” Within them reside the Confucian spirit of inclusiveness and the virtues of gentleness, goodness, respect, frugality, and deference; the Buddhist ideal of “non-action and non-contention”; and the Daoist principle of “taking in accordance with nature.”
/SPACES 03/无尽，步移景异，境域延绵
顶层屋顶打造开阔无遮挡的观景空间，为项目的“点睛之笔”。设计最大化利用视野优势，采用简约布局，搭配少量休闲设施，增添自然气息。
The topmost roof level is crafted into an open, unobstructed viewing space, serving as the “crowning touch” of the project. The design maximizes the advantage of the panoramic vantage point, adopting a minimalist layout complemented by a scattering of leisure amenities to infuse the space with a sense of nature.
套房公区景观
套房以“私享型居住空间”为定位，布局方正通透，功能分区齐全，注重居住舒适度与私密性，采用温润的材质与柔和的色彩搭配，营造温馨雅致的居家氛围。
Suite Common Area Landscape
The suite is positioned as a “private residential sanctuary,” with a square, open layout and a complete array of functional zones, placing equal emphasis on living comfort and privacy. A palette of warm, tactile materials and soft hues creates an intimate and refined domestic atmosphere.
内部景观以“私享自然”为设计理念，通过原生绿植、简约步道、局部水景等元素，打造层次丰富的自然空间；与居住区域无缝衔接，成为居住者私享的户外休闲场域，可满足散步、观景、小聚等需求，让自然融入日常生活。
The interior landscape is conceived around the concept of “private enjoyment of nature.” Native greenery, minimalist footpaths, and carefully sited water features are employed to shape a richly layered natural realm. Seamlessly integrated with the living quarters, it becomes the occupant’s exclusive outdoor retreat—accommodating a stroll, a view, or a small gathering—and weaves nature into the fabric of everyday life.
景观细节
九华园最动人的时刻，藏在光影里。没有用复杂的灯光设计，而是让“光”自己做主角——白天借自然光，夜晚用暖光补，让光影成为空间的“第四维度”。白天，阳光透过天井洒进庭院，树影在地面上摇曳；室内的百叶窗把光线切成条状，落在墙面和家具上，随时间慢慢移动。傍晚，庭院的串灯亮起，暖光映着草木，玻璃反射出室内的灯火，分不清是室内还是室外。
Landscape Details
The most enchanting moments of **Nine Flower Garden** reside within its light and shadow. No elaborate lighting scheme is deployed; instead, “light” itself is made the protagonist—natural light is borrowed by day and supplemented with warm light by night, allowing light and shadow to become the “fourth dimension” of the space. During the day, sunlight pours through the light well into the courtyard, setting the shadows of trees dancing upon the ground. Indoors, blinds slice the light into ribbons that fall across walls and furnishings, shifting gradually with the passage of time. In the evening, the courtyard’s string lights begin to glow, their warm radiance illuminating the foliage, while the glass reflects the interior lamps, dissolving the boundary between inside and out.
从一片空旷的屋顶，到一座“宅园一体”的空中会所，九华园的每一步都在回答：“如何在都市里，造一处能安放心灵的角落？”答案或许就在那些“一间一院”的趣味里，在光影与草木的对话里，在“返璞归真”的生活哲学里……
From a barren rooftop to an elevated club where residence and garden form a seamless whole, every step of **Nine Flower Garden** has been an answer to the question: “How, within the city, can we create a corner to rest the soul?” The answer, perhaps, lies in the quiet delight of “a room with its own courtyard,” in the dialogue between light, shadow, and greenery, and in the philosophy of living that seeks a **return to original purity …
项目名称：九华园·华尔街工谷企业会所（建筑/景观/室内一体化设计）
完成年份：2024年
项目面积：2000㎡
项目地点：广西省南宁市
设计公司：深圳意棠景观规划设计有限公司
公司网址：www.tungdesign.cn
联系邮箱： etung@qq.com（公司） / 2633866306@qq.com（品牌部）
主创设计师：庞美赋
设计团队：庞美赋（主创设计师），李军全，张家榜，李林蔚，周歆，朱韦璇，周文钦
客户：广西广隆汽车投资有限公司
摄影师：林绿
“ 设计以“人”为本，“回归自然”展开空间营造，打通建筑及室内外空间场景，实现人与自然深度互动。”
审稿编辑：Maggie
更多 Read more about：意棠景观
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