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Zinialand Design：The title “Misty Mountain City” has long been integrated into Chongqing’s genes. Every city has its temper. Chongqing is like a hermit living in the utopia.Nanshan is the spiritual territory of Chongqing, embracing the city as a diety.
Corbusier once said, “The past constitutes poetic.” “Yunshui Shanju” is the past with Nanshan. Through a year of sedimentation, Jinke Nanshan made a new attitude towards the mountain. It expresses not only the poetry of the mountain-dwelling, but also the reflection of the emotional and spiritual world, the direction of the heart of man and nature, and a stable and quiet life field.In Jinke Nanshan, the landscape intention and design logic of Yunshui Shanju allow people to truly integrate into the urban poetic life and emotional way. It turns out that we have always been inseparable from the relationship between nature and topography, the East, and tradition.
精神文化的高地：汇于两江，隐于南山 The top of spiritual culture：Meeting in two rivers and hiding in Nanshan
Due to the scarcity of Nanshan’s geographical location, the perspective of historical culture, and natural geographical conditions, the history of Nanshan’s mountain dwellings constitutes the core of Chongqing’s cultural spirit, attaching to culture and inheriting the history.Chongqing Nanshan is a unique cultural land that cleverly combines the natural geography and human history. Here, we are once again exploring a better life, advocating human settlements relying on the mountain ’s spiritual character, and balancing the material and spiritual lifestyle.The original ecological elements gave the designers the initial design intuition. The natural system of mountains makes “Yunshui Shanju” the most intuitive response to “Misty Mountain City”.
关于东方 About the Orient
Returning to the essence, the mountains and rivers are boundless. The Mountains and forests are endless.The principle of Oriental Wisdom is to be one with heaven, earth, nature, and law. “Tao” refers to the natural laws of all things in the world, and it is the way to live in harmony with nature. The recurring cycle of “cloud water” takes the natural laws of the mountains as the inspiration starting point and responds to the idea of the oriental dwelling. Located in a spiritual mountain with vivid charm, its unique context gives it distinct characteristics. Just like a gem, the heart of the craftsman is not to polish it as soon as possible, but to analyze its veins and sculpt it carefully, giving it a higher artistic value.
边界的围合转向内心的开阔 The enclosure of the border open to the heart
The site reproduced its rough origin. The mountain protection terrace and the barren rock bed created a wild design language in the mountains.American Urban Designer Ronald Thomas said: “Urban planning does not start from the layout, but the study of human needs.”Upon the living concept projected by human needs, the satisfaction of security has become a prerequisite for defining the space.The concept of the courtyard in the mountain is necessary, as a required means of space creation, to create a sense of domain, home, and concealment, to satisfy people’s sense of security. Regardless of function or emotion, boundaries, and enclosure create a prior demand for creating emotional changes in the design.
▼粗放的云门 rough Cloud Gate
Therefore, the huge volume of the Cloud Gate created an obvious site landmark with an enclosed layout. Passing the cedar forest matrix, around the corner, the pond provides people with an open mind. From this moment, the open view also makes one’s heart open.The contrast between exquisite and pure, and changes in the roughness of the mountains, inspires a response to the sense of the domain.
纯粹 · 克制：少即是多，关于现代主义的探索 Pure and restrained：Less is more, the exploration of modernism
When the material is given too much extra value, the complicated life of the urban space makes life carry too many unnecessary choices. The real mountain residence is simple, a sober hug of the current state of life.Under the concept of “Yunshui Shanju”, we reduce the excessive decoration as much as possible to break our pure sense, which is the main way we find the spiritual core.
The Purity is the white curve of the cloud gate and the pool as well as the clear blue water of the pool. Coupled with the white linen paving, the overall color is mainly blue and white, which perfectly fits the concept of abandoning the flashy life. Purity is a state of restraint. The mystery of restraint lies in a focus on the moment without interruption. Here, the outside is shortly and effectively isolated, creating a state of a clear and relaxed mood.
The material is another expression of purity, such as the white painted metal, sprayed pool bottom, or uniform mono-color paving, and the straight cedar forest. Most simply and directly, more possibilities are created for space, and simplicity becomes richer.The modern style inherits a special foothold in the time spirit. This foothold links the past and the present. Here, we have modernist rationality and tend to imagine the future of life.
从山中来，回归山去 Born in the Mountains, Return to the Mountains
When the humid breeze blows, the coolness of Nanshan Mountain creates a comfortable mountain environment in response to the sunny day.Jinke Nanshan seems to be a “Mountain Watching Platform” in Nanshan, using its way to interpret the taste of mountain residences. With the active colors, rich experience, and the visual beauty of the sky and water, it does not have an overwhelmingly strong sense of construction, but tolerance and kindness to carry and create the spiritual space of traditional culture.Finally, when meeting the mountain, we all hope to find a fascinating place for body and mind.
Project Name: Jinke Nanshan
Project address: No.1, chayuanyu Road, Nan’an District, Chongqing
Client: Chongqing area of Jinke real estate
Person in charge of Party A: He Huang, Dong Wu, Jie Xiong, Meng Cheng
Landscape design: Zinialand Design
Concept design team: Hengzhi Liu, Fangfang Ma, Jin Xie, Hengzhi Cai, Tianran Wang, Xiaobo Li, Yue Lu, Yue Hou
Construction drawing design team: Kunyi Yang, Wei Zhang, Chuan Wei, Wei Ren, Bo Liu
Construction drawing visualization design: Chuanlong Xu
Planting design: Ji Zhu, Ziwei Cheng
Digital auxiliary design: Hengzhi Liu, Xiang Liao, Yang Zhang
Cloud gate construction: Dichen Sculpture
Area: 25500 ㎡
Design time: 2018.11
Photography: XUEER Space Photography
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