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WTD纬图设计：古今中外的理想居住模式，大都离不开园林。欧洲的古典园林追求宏大和秩序，而东方的园林则擅长以小见大，讲究“虽由人作，宛自天开”。一方小园，可纳四时风月；片山寸石，能藏万里河山。老祖宗的造园魔法，我们在当代的住区景观中也不妨借来一用。漂浮的连廊、悬停的檐角、曲径通幽的园路、一叹三叠的水景… … 俯仰之间，乾坤自现，而这回的乾坤，又多了几分未来的光。
WTD: Throughout history and across cultures, ideal living environments have largely been inseparable from gardens. Classical European gardens pursue grandeur and order, while Eastern gardens excel at revealing the vast within the small, embodying the principle that “though created by human hands, they seem as if nature itself had fashioned them.” A small garden can embrace the beauty of the four seasons; a patch of hill and a few stones can encapsulate the vastness of mountains and rivers stretching for ten thousand li. We might as well borrow the garden-design magic of our ancestors for use in contemporary residential landscapes. Floating walkways, suspended eaves, winding paths leading to secluded spots, and water features that unfold in three cascading tiers… In the blink of an eye, the universe reveals itself—and this time, that universe is imbued with a touch of the future.
成都大源城市干道天府五街之侧，G29 元岛住宅静立于此。场地由16亩的北地块和13亩的南地块组成，共计29亩。两块地被一条市政路割裂，南北彼此孤立；红线紧贴路边，景观可营造进深不足；南区整体地块狭长局促，可施展空间被幅压缩；北区虽稍显舒展，却被硬性消防车道、疏散楼梯、各类机电设备箱体占据大半平面，只剩寥寥几块零碎的景观用地。这像是一片被城市基础设施切割出来的零碎边角，留给设计师满级的挑战。
Located alongside Tianfu 5th Street, a major urban thoroughfare in Chengdu’s Dayuan district, the G29 Yuan Island residential complex stands quietly on this site. The site consists of a 16-mu northern plot and a 13-mu southern plot, totaling 29 mu. The two plots are divided by a municipal road, leaving the north and south isolated from one another; the building line runs right up to the roadside, limiting the depth available for landscaping; The southern section is narrow and cramped, with available space severely constrained; while the northern section appears slightly more spacious, the majority of its floor area is occupied by mandatory fire lanes, evacuation stairwells, and various mechanical and electrical equipment enclosures, leaving only a few scattered patches of land for landscaping. It resembles a patchwork of fragmented corners carved out by urban infrastructure, presenting the designers with a formidable challenge.
▽地块原始图
当水平方向缺少发挥空间，垂直方向或许可以提供新的突破点。GAD 执笔建筑设计，以一座座垂直向上的浮岛绿洲为创作灵感，外立面大量运用柔和流畅曲面，摒弃刻板平直墙体。景观延续建筑设计的理念，以“浮岛”消解生硬厚重的硬质场地边界，剥离城市界面的压抑感；同时在零散狭窄的空间夹缝中，构筑一座大隐于市的方舟花园。
When there is limited room for creativity in the horizontal plane, the vertical plane may offer new opportunities for innovation. GAD, the lead architectural design firm, drew inspiration from a series of vertically rising “floating island” oases, incorporating soft, flowing curves extensively into the exterior facades and moving away from rigid, straight walls. The landscape design extends the architectural concept, using “floating islands” to soften the rigid, heavy boundaries of the site and alleviate the oppressive feeling of the urban interface; at the same time, it creates an “ark garden”—a hidden oasis in the heart of the city—within the scattered, narrow gaps of the site.
▽景观设计营造出一片浮岛绿洲为托举主体建筑
▽景观总平面
“反重力”与“反透视”——小花园里的大格局
高耸的建筑和巨大的阴影区，难免让住户感到压抑。因此景观设计通过各种手法创造了一系列的“浮岛”，不规则的形态和从立面到平面的连续质感，都在突破原有的边界，和常规的重力视觉和透视关系，摆脱垂直落地的厚重感，让所有景观构件 “漂浮”，弱化墙体、构筑物等带来的压迫感和边界感，并且通过层层的植栽、水景和构筑的组合，创造丰富的视角和亲人的尺度关系，让人倍感“芥子纳须弥，方寸见乾坤”的乐趣。
“Anti-Gravity” and “Anti-Perspective”—A Grand Vision in a Small Garden
Towering buildings and vast areas of shadow inevitably make residents feel oppressed. Therefore, the landscape design employs various techniques to create a series of “floating islands.” Their irregular forms and continuous textures—extending from vertical facades to horizontal planes—break through existing boundaries and conventional visual relationships of gravity and perspective. By shedding the heavy, grounded sensation, all landscape elements appear to “float,” This approach minimizes the sense of oppression and confinement created by walls and structures. Furthermore, through the layered combination of plantings, water features, and architectural elements, the design creates rich visual perspectives and an intimate sense of scale, allowing visitors to fully appreciate the joy of “a mustard seed containing Mount Sumeru; the universe within a single square inch.”
设计师刻意放大了南北地块核心水景面积，北地块水景占比约5.9%，南地块水景占比约11%，总体水景面积近2000㎡。水的反射如同一面巨大的透镜，波光潋滟间模糊了立面与平面的界面，柔化了建筑和围墙的强硬轮廓，而且把原本局促的庭院纵深显著拉长，叮咚声中让自然的气息深入到场地每个角落。更重要的是，水下还藏着一道看不见的纽带：负一层庭院通过水景将南北两块地缝合在一起，让割裂的空间在地面之下重新连成一体。
The designers deliberately expanded the area of the central water features in both the north and south plots; the water features account for approximately 5.9% of the north plot and 11% of the south plot, with a total water feature area of nearly 2,000 square meters. The reflections on the water act like a giant lens; the shimmering ripples blur the boundaries between vertical and horizontal planes, softening the harsh contours of the buildings and perimeter walls. Moreover, they significantly extend the depth of the originally cramped courtyards, and the gentle lapping of the water carries the essence of nature into every corner of the site. More importantly, an invisible bond lies hidden beneath the water: the courtyard on the lower ground floor connects the north and south plots through the water feature, reuniting the fragmented spaces into a single whole beneath the ground.
▽南北地块水景面积近2000㎡
北区的水面开阔完整，南区则顺着狭长地势单侧展开。在两片水景的中央，18座高低错落的悬浮花池从水中升起，如同拔地而起的飞盘浮岛。这些“飞盘”最矮的离地2.4米，最高的达到10.45米，部分花池甚至高过围墙，从街道外侧就能望见那一簇簇悬空的绿意。它们采用斜撑悬挑结构，底部圆弧收脚，有的内部还藏着跌水瀑布，水声潺潺，若有若无。细细的立柱托起沉重的花盘，植物从花盘中垂坠下来，人的视线不由自主地被向上牵引——空间的重量感就这样被一点点抽走，整个庭院变得通透、轻盈，这正是设计师想要创造的“方舟幻境”：既是当下的，亦是未来的。
The northern section features a wide, unbroken expanse of water, while the southern section unfolds along one side of the narrow, elongated terrain. In the center of the two water features, 18 floating flower beds of varying heights rise from the water, resembling flying disc-shaped islands soaring from the ground. The shortest of these “flying discs” stands 2.4 meters above the ground, while the tallest reaches 10.45 meters; some flower beds even rise above the perimeter wall, allowing passersby on the street to catch glimpses of clusters of suspended greenery. Constructed with a cantilevered braced structure and featuring a curved base, some even conceal cascading waterfalls within, their gentle murmur barely audible. Slender columns support the heavy flower platforms, from which plants cascade downward, instinctively drawing the viewer’s gaze upward—thus gradually dispelling the sense of weight in the space and transforming the entire courtyard into a light, airy environment. This is precisely the “Ark Illusion” the designer sought to create: a vision that is both of the present and of the future.
▽高低错落的悬浮花池
水景边缘那些原本碍眼的大型风井和机电箱体，设计师则是用参数化格栅将它们包裹成流线型的雕塑——格栅的曲线如水波层层叠叠，设备从不利因素扭转为水院中的艺术装置。消防车道也放弃了规整的直线铺装，改用黑白相间、犬牙交错的不规则边界，用细节的错动化解了大面积硬地的沉闷。
The designer transformed the large ventilation shafts and mechanical enclosures along the edge of the water feature—which were originally an eyesore—into streamlined sculptures by encasing them in parametric grilles. The curves of the grilles resemble layered ripples on water, turning these utilitarian elements into artistic installations within the water courtyard. The fire lane also abandons the conventional straight-line paving in favor of an irregular, interlocking border of alternating black and white, using subtle shifts in detail to break up the monotony of the large expanse of hard surface.
▽流畅的曲线包裹，消弱设备的硬性边界
▽消防疏散楼梯，在狭窄的空间中尽可能创造空间趣味
方寸之间，俯仰天地——小生境中的大生态
市政道路与建筑之间的狭长绿化带，进深很小，很难做出令人印象深刻的吸睛焦点。在这里设计师大胆巧思，在南北地块入口各置入一个巨型生态雨林缸。在寸土寸金的城市中心，这种”可观赏的微生境”为经过的人创造了新的公共体验，常看常新的生境变化更为住户们提供了无穷的社交谈资和家门口的自然教育课堂。
A World Within a Small Space: A Grand Ecosystem in a Tiny Habitat
The narrow green belt between municipal roads and buildings has very limited depth, making it difficult to create a striking, eye-catching focal point. Here, the designers employed bold and ingenious thinking, placing a giant ecological rainforest tank at each of the north and south entrances to the site. In the city center, where real estate is at a premium, these “viewable microhabitats” create a new public experience for passersby. The ever-changing habitats, which never grow tiresome, provide residents with endless topics for conversation and a nature education classroom right on their doorstep.
▽北入口热带雨林缸
▽南入口“枯木逢春”
两座生态缸长度均超12m，高度超5m，100多种植物汇聚其中，无论是尺度还是植物种类，在成都住宅项目中都是首例。北缸是一场关于生命的狂欢，垂吊的藤条缠绕着南美杜鹃木，积水凤梨和空气凤梨攀附其上，背景是层层叠叠的阔叶观叶植物，它们争先恐后地追逐着迎着光追随光合作用，色彩浓烈却并不杂乱，像一幅被放大的热带雨林截面。南缸的主题为“枯木逢春”，视觉焦点是一段枯朽的古木，苔藓、翠云草、蕨类从枯木的缝隙中重新萌发，是植物群落依托枯木复活的生命力展现。
Both ecological tanks are over 12 meters long and over 5 meters tall, housing more than 100 species of plants. In terms of both scale and plant diversity, this marks a first for residential projects in Chengdu. The North Tank is a celebration of life, with hanging vines缠绕ing South American rhododendrons, while water-storing bromeliads and air plants cling to their surfaces. Against a backdrop of layered broad-leaved foliage plants—all vying to reach toward the light for photosynthesis—the vibrant colors are striking yet not chaotic, resembling a magnified cross-section of a tropical rainforest. The theme of the South Tank is “New Life from Dead Wood.” The visual focal point is a section of ancient, decaying wood, from whose crevices moss, green cloud grass, and ferns are sprouting anew—a display of the vitality of a plant community reviving through the dead wood.
▽北入口生态缸部分植物标识
▽南入口生态缸部分植物标识
这是一套完整独立的微型生态系统：全封闭玻璃罩隔绝外部环境，内部是独立喷雾、喷淋、恒温灯光系统，稳定维持缸内温湿度。有趣的是，生态缸还放置有活的生物——缸内分层安置了鸟类、树蛙、乌龟、蜗牛和清道夫鱼等，每缸控制4 – 6 个主展示种， 搭配若干 “ 服务种”（清洁队）。它们按照上层、中层、下层错峰活动，通过微生物和落叶分解完成物质循环，几乎不依赖同类相食，在这个独立系统中完成微型自循环。
This is a complete, self-contained miniature ecosystem: a fully enclosed glass dome isolates it from the external environment, while inside, independent misting, sprinkler, and constant-temperature lighting systems work together to maintain stable temperature and humidity levels within the tank. Interestingly, the ecological tanks also house living organisms—birds, tree frogs, turtles, snails, and scavenger fish are arranged in distinct layers within each tank. Each tank features 4–6 primary display species, complemented by several “service species” (the cleanup crew). These organisms are active at different times across the upper, middle, and lower layers, completing the material cycle through the decomposition of microorganisms and fallen leaves. They rely almost entirely on non-predatory interactions to achieve a micro-self-sustaining cycle within this independent system.
▽缸内生态细节
狭长的入户通道缺少绿化纵深，生态缸以竖向立体造景替代平铺绿植。这一小片封存的自然，缸体如林，藤蔓缠枝，水影幽动。植物与小动物在入口形成了一个具有生命力、观赏性和疗愈氛围的入口街景，第一眼便能抓住视线。入口不再是匆匆路过的通道，而是一片可以驻足、冥想、被治愈的微缩生境，上百种植物、动物、鸟类、昆虫，展现的是我们与之共存于这个星球的复杂的生态系统。透过这两组奥妙无穷的生态缸，希望传递给住户的不仅是多姿多彩的生命力，更有深切的人文关怀，和关爱自然的生态理念。
The narrow, elongated entryway lacks depth in its greenery, so the ecological tank uses vertical, three-dimensional landscaping to replace flat, spread-out plants. In this small, enclosed slice of nature, the tank resembles a forest, with vines twining around branches and the water’s reflection gently rippling. Together, the plants and small animals create a vibrant, visually appealing, and therapeutic atmosphere at the entrance—a scene that immediately captures the eye. The entrance is no longer merely a passageway to be hurriedly traversed, but rather a miniature ecosystem where one can pause, meditate, and find healing. Hundreds of species of plants, animals, birds, and insects showcase the complex ecosystem with which we coexist on this planet. Through these two sets of endlessly fascinating ecological tanks, we hope to convey to residents not only the vibrant vitality of life, but also a deep sense of humanistic care and an ecological philosophy that cherishes nature.
▽植物与小动物在入口形成了具有生命力、观赏性和疗愈氛围的街景
有限植栽，无限想象——小方舟承载大世界
植栽设计上与生态缸相呼应，不拘一格的通过世界各地的特色植物，构建起一个满满新鲜感的“方舟幻境”。
一个大胆的尝试是，设计师大量使用了近3米高的龙血树——这种形态奇特、热带感强烈的树种，通常只作点缀，在这里却成为绿化的主力骨架，快速建立极具冲击力的热带视觉基调。水景区域则穿插朴树、乌桕和姿态婉转的歪脖冬青，它们舒展的冠层填补了上部的绿量和四季的色彩；近人尺度的花池里，澳洲米花、大吴风草、鸟巢蕨、天门冬和熊猫堇柔化了硬质边缘，偶尔点缀的大叶片海芋和龟背竹，更添几分野趣。
The planting design echoes the ecological aquarium, using a diverse array of distinctive plants from around the world to create an “Ark Fantasy” brimming with freshness.
In a bold design choice, the architect made extensive use of dragon blood trees standing nearly 3 meters tall—a species with a unique form and a strong tropical presence that is typically used only as an accent, yet here serves as the primary structural framework of the landscaping, quickly establishing a striking tropical visual tone. The water feature area is interspersed with Chinese hackberry, Chinese tallow trees, and gracefully twisted winterberry shrubs, whose spreading canopies provide upper-level greenery and year-round color; In the human-scale flower beds, Australian rice flowers, large-leaved eupatorium, bird’s-nest ferns, asparagus fern, and panda violets soften the hard edges, while the occasional large-leaved calla lilies and monstera add a touch of rustic charm.
▽水院植物标识
高低不同的悬浮飞盘内则是差异化绿植方案。2 米以内、人可近距离触碰的低矮飞盘用真实绿植，便于日常修剪、排水、更换养护；2 米以上高空飞盘、架空层立柱，引入长效性与垂坠感的仿真垂直绿化，兼顾到景观落地效果与后期运维成本。虚实结合之间，绿意从地面一直蔓延到半空，整座岛屿仿佛被一层层植被包裹，形成生动奇幻的花园景观。
The floating discs, arranged at varying heights, feature distinct landscaping schemes. The lower discs—within 2 meters and close enough for people to touch—are planted with live greenery, facilitating daily pruning, drainage, and maintenance; the higher discs above 2 meters and the columns in the mezzanine level incorporate long-lasting, cascading artificial vertical greenery, balancing the visual impact of the landscape with long-term maintenance costs. Through this blend of real and artificial elements, greenery extends from the ground all the way up into the air, making the entire island appear as if it were wrapped in layer upon layer of vegetation, creating a vibrant and fantastical garden landscape.
▽悬浮飞盘内差异化绿植方案
一线连廊，虚实相通——小步道营造大气象
南北地块分别设置了一条景观连廊，它们像两段轻盈的飘带，串联起核心步行动线。廊架廊架结构轻盈，参数化格栅延续了水波的曲线，顶部则如流动的白云漂浮在地块上空。阳光透过格栅，在地面洒下细碎的光斑，行走其间，倍感时光流连；光影摇曳，颇得园林意趣。
A landscape corridor has been established on both the north and south plots; like two light, flowing ribbons, they connect the core pedestrian routes. The pergola structures are light and airy, with parametric grilles that echo the curves of rippling water, while the canopy floats above the plots like drifting white clouds. Sunlight filters through the latticework, casting delicate patches of light onto the ground; walking beneath them, one feels as though time itself has slowed. The play of light and shadow evokes the poetic charm of a traditional garden.
▽连廊如轻盈的飘带悬浮在住区上空
除了为住户创造一个全天候的景观连廊，它轻盈的设计也运用了传统园林中对于框景、对景、曲径通幽等手法，变换着组合起景观场景的起承转合。开阔处完全打开，将镜面水景、悬浮飞岛完整纳入视野；逼仄处适度收束，屏蔽杂乱负面景观，将视线导向清晰的视觉焦点。长廊和两边的景致相互呼应，或行云流水让人畅快通行，或停云小憩引人驻足赏景，格栅的缝隙见光见绿，行走的地面光影流转，张弛之间，就在有限的空间中创造出了丰富的视觉层次和穿梭体验，时走时停，似真似幻；走也游园，停也游园。
In addition to creating an all-weather scenic corridor for residents, its light and airy design incorporates traditional garden techniques such as framed views, visual alignments, and winding paths leading to secluded spots, skillfully weaving together the beginning, development, transition, and conclusion of the landscape scenes. In open sections, the corridor fully opens up, bringing the mirror-like water feature and floating islands fully into view; in narrower sections, it narrows appropriately to block out cluttered or undesirable views and direct the gaze toward a clear focal point. The corridor and the scenery on either side echo one another: at times, the flow is as smooth as flowing clouds and water, allowing for a pleasant stroll; at other times, it resembles stationary clouds, inviting visitors to pause and admire the view. Light and greenery filter through the slats of the latticework, while light and shadow dance across the walking surface. Through this interplay of openness and intimacy, the design creates rich visual layers and a sense of movement within a limited space—alternating between walking and pausing, blurring the line between reality and illusion; whether walking or standing still, one is always exploring the garden.
▽连廊变换着组合起景观场景的起承转合
连廊还串联起四个建筑的架空层。这些原本容易被忽视的灰空间，如今融入了年轻客户喜爱的瑜伽、阅读、轻运动和会客等功能，成为社区生活的延伸。垂直绿化墙、空中悬浮绿植和地面绿化在此交汇，无论是冥想还是远眺，这种被充盈的绿意环绕的愉悦，总是会让人倍感疗愈。
The sky bridge also connects the elevated levels of the four buildings. These “gray spaces,” which were once easily overlooked, now incorporate activities popular among young residents—such as yoga, reading, light exercise, and socializing—becoming an extension of community life. Vertical green walls, suspended plants, and ground-level greenery converge here; whether meditating or gazing into the distance, the joy of being surrounded by such abundant greenery is always deeply healing.
▽建筑架空层融入更多功能性空间
▽立体植物墙细节
在成都元岛的设计当中，我们在有限的地块中，通过景观设计营造出一方秘境，用“浮”的轻盈消解重力，用“藏”的生境抚慰喧嚣。当建筑以垂直向上的姿态追逐天空，景观则以水平与垂直交织的方式，将自然重新缝合。我们解构了传统的空间要素，以小见大；把常见的景观要素叠合其中，举重若轻；让连廊串联起立体的动线和内外的空间，虚实相依；通过丰富的植栽，和超高信息密度的生态缸，在有限的花园中撑开无限的想象。在闹市中的当代住区，实现了一次“小境藏丘壑，俯仰见乾坤”的园林理想。
In the design of Chengdu Yuan Island, we created a hidden paradise within a limited plot through landscape design, using the lightness of “floating” to counteract gravity and the tranquility of “concealed” habitats to soothe the clamor. While the architecture reaches toward the sky with a vertical posture, the landscape reweaves nature through an interplay of horizontal and vertical elements. We deconstructed traditional spatial elements to reveal the big picture through the small; we layered common landscape elements within the design, handling the weighty with ease; we used connecting walkways to link three-dimensional circulation paths and spaces both inside and out, creating a balance between the tangible and the intangible; and through rich plantings and an “ecological tank” with exceptionally high information density, we opened up boundless imagination within a limited garden. In this contemporary residential community nestled in the heart of the city, we have realized a garden ideal where “a small landscape conceals vast hills and valleys, and the universe is revealed in every glance.”
项目名称：成都新绿色·G29元岛
项目地点：成都高新区大源西
景观面积：22,418.6㎡
业主：新绿色置业
甲方管理团队：江佳珍 邓超 龚杰 刘尧波 杨蕙宁
景观设计：WTD纬图设计
设计团队：李卉 李彦萨 余治富 田乐 李丹丹 欧键 金凤 尹佳甜 石桂霖 饶祥 赵梦辉 李理 张华盛 杨航 张燕 范执鸿 韩瑞章 郭明圆 董瑜 汤婷 潘俊岑 朱万珍 张欣怡 宋照兵 胡小梅 刘洁 赵文洁
景观施工：重庆森澜园林有限公司
建筑方案设计：GAD
建筑施工图：成都惟尚建筑设计有限公司
生态缸深化设计：成都市观野生态科技有限公司
石材顾问：美之石
摄影：Prism三棱镜
建成时间：2026.06
Project Name: Chengdu New Green · G29 Yuan Island
Project Location: Dayuan West, Chengdu High-Tech Zone
Landscape Area: 22,418.6㎡
Property Owner: New Green Real Estate
Party A Management Team: Jiang Jiazhen, Deng Chao, Gong Jie, Liu Yaobo, Yang Huining
Landscape Design: WTD GROUP
Design Team: Li Hui, Li Yansa, Yu Zhifu, Tian Le, Li Dandan, Ou Jian, Jin Feng, Yin Jiatian, Shi Guilin, Rao Xiang, Zhao Menghui, Li Li, Zhang Huasheng, Yang Hang, Zhang Yan, Fan Zhihong, Han Ruizhang, Guo Mingyuan, Dong Yu, Tang Ting, Pan Juncen, Zhu Wanchen, Zhang Xinyi, Song Zhaobing, Hu Xiaomei, Liu Jie, Zhao Wenjie
Landscape Construction: Chongqing Senlan Landscape Co., Ltd.
Architectural Concept Design: GAD
Architectural Construction Drawings: Chengdu Weishang Architectural Design Co., Ltd.
Detailed Design of Ecological Aquariums: Chengdu Guanye Ecological Technology Co., Ltd.
Stone Consultant: Meizhishi
Photo by: Prism
Completion Date: June 2026
“ 在闹市中的当代住区，实现了一次“小境藏丘壑，俯仰见乾坤”的园林理想。”
审稿编辑：Maggie
更多 Read more about: WTD 纬图设计
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