卧虎藏龙美术馆 | 九仙山里的虫洞画廊 / 孔祥伟工作室

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Thanks Kong Xiangwei Studio for authorizing the publication of the project on mooool, Text description provided by Kong Xiangwei Studio.

孔祥伟工作室：光、影、风，是这座小建筑的灵魂。它们与周围的自然紧密相连，森林与山谷的风塑造了这一空间——在这里，自然大于建筑。——建筑师孔祥伟

Kong Xiangwei Studio：Crouching Tiger, Hidden Dragon Art Museum: A Wormhole-like Building in the Forest / A New Work by Kong Xiangwei “Light, shadow and wind are the soul of this small building. Closely linked to the surrounding nature, they – together with the wind in the woods and valley – shape this space. Nature outweighs the building itself.”— Architect Kong Xiangwei

▽项目视频

▽画廊光影 ©孔祥伟工作室

▽阳光透过薄壁天窗，洒进画廊 ©孔祥伟工作室

▽建筑灵动的造型支撑起空灵的腔体空间 ©孔祥伟工作室

▽虫洞画廊如林间卧虎匍匐于林间 ©孔祥伟工作室

缘起

“卧虎藏龙” 这个带有雄壮色彩的词汇所命名的艺术空间，实为一座极小尺度的建筑，其命名既诙谐又呼应了场地的历史与气象。建筑所在的九仙山位于山东日照五莲县，苏轼曾赞其“奇秀不减雁荡”，更留下“前瞻马耳九仙山，碧连天，晚云间”的千古名句。美术馆坐落于龙潭峡谷畔的卧象山，清代诗人李澄迈笔下“稚龙飞出雨苍苍”正是此间气象的写照。

Origin

The building is in Jiuxian Mountain, Wulian County, Rizhao, Shandong. Its stunning scenery once inspired Su Shi to write, “Its grandeur and grace are no less than Yandang Mountain”, and a ci poem: “Looking ahead at Ma’er and Jiuxian Mountains, green to the sky, amid evening clouds; the high platform on the city is truly transcendent…”.

▽藏于林中的虫洞画廊 ©孔祥伟工作室

▽暮色时分，亮灯的虫洞画廊 ©孔祥伟工作室

▽薄雾中的虫洞画廊 ©孔祥伟工作室

▽横亘于林下的虫洞美术馆 ©孔祥伟工作室

▽阳光透过开窗洒下光影 ©孔祥伟工作室

▽曲折路径的尽头是弧线作框的一片绿意 ©孔祥伟工作室

▽流动的美术馆内部光影 ©孔祥伟工作室

▽流动的美术馆内部空间光影 ©孔祥伟工作室

▽建筑内部，阳光和自然同时进来 ©孔祥伟工作室

项目位于溪之谷景区，旨在利用场地内的森林，以大地艺术方式打造一座露天森林美术馆。建筑位于道路转折点，南侧狭长地块被栎树林掩映，既作为独立画廊，也是进入森林美术馆的入口。其空间结构令人联想到《桃花源记》中“山有小口，仿佛若有光”的意境——穿过狭小建筑，进入森林，豁然开朗。

The Xi Valley Scenic Area intends to turn its forest into an open-air forest art museum via land art. The building stands at a road turn, with a narrow southern site shaded by oaks. It serves as both an independent small gallery and the entrance to the open-air museum. Like Tao Yuanming’s The Peach Blossom Spring, “a small mountain opening seemed to glow; passing through the narrow building into the forest, one finds a vast open space”.

▽初极狭，才通人，留一树在原处 ©孔祥伟工作室

▽复前行，中间豁然开朗 ©孔祥伟工作室

▽阳光落在展览面的墙面 ©孔祥伟工作室

▽从建筑背后看虫洞画廊 ©孔祥伟工作室

▽落在山林中的虫洞画廊 ©孔祥伟工作室

▽有机的流线型从自然中长出来 ©孔祥伟工作室

▽窗洞外即是树林 ©孔祥伟工作室

▽透过树林看虫洞美术馆 ©孔祥伟工作室

▽刻意的”逼仄感“入口，大的开洞让森林加入进来 ©孔祥伟工作室

▽游曵路径的入口，大的开洞把绿色也加入进来 ©孔祥伟工作室

在地营造——在场的惊喜

建筑的建造采用了在地营造的方式，这也是工作室这些年面对自然中的小型建筑所经常采用的建造方法，以真实的四维空间作为画布，以钢筋作为线条，用绘画叠加雕塑的创作方式，与工匠协作塑造空间。

建筑的起点是一根12毫米螺纹钢，其韧性、延展性决定了形态的生成。当地村民参与建造，复杂场地中的小型建筑可以更紧密的贴近自然，也经常产生空间的趣味性和变化，正是在地营造的方式，才能遇到这些意想不到的惊喜。

Local Construction

The building adopted “local construction” – a method the studio often uses for small natural-setting buildings. With 4D space as the canvas, steel bars as lines, and a mix of painting and sculpture, the team worked with craftsmen to shape the space.

Small buildings in complex sites integrate better with nature. During construction, unexpected spatial delights emerge. It started with 12mm deformed steel bars (good toughness/ductility). On day one, three Maojiahe Village villagers joined, including a 20-year lathe operator – rural work always brings surprises.

▽隐逸在山林中的虫洞美术馆 ©孔祥伟工作室

▽从腔体内部望出去 ©孔祥伟工作室

▽腔体内部充满意趣的路径与视觉体验 ©孔祥伟工作室

▽处处光影，时时自然 ©孔祥伟工作室

▽南向壁窗与山林和光影对话 ©孔祥伟工作室

▽夜晚美术馆的内透光 ©孔祥伟工作室

▽灯光通过空口映射在内壁上 ©孔祥伟工作室

意向生成—-卷纸形成的腔体

建筑未预设形态，委托方全程参与，溪之谷开发者王勇也亲自参与其中。它如同一个可进入的空腔雕塑，“卷纸形成的腔体”是最初的模糊概念——轻盈如纸，可卷曲成形。建筑师引导工匠将钢筋在三维空间中盘旋、捆扎，材料自身的韧性、垂度和延展性等特性反向决定了建筑形态，在这个过程中，工匠成为建筑师的共创者。

建筑为狭长腔体，入口处四棵树被巧妙避让，树枝的华盖形成前场空间，如巨伞遮荫。面向道路的墙体封闭，下部留隙，光可渗入；面向山谷的墙体则随树木姿态变化，留出孔洞，既为采光观景，也为树枝生长留出余地。建筑中心，一棵栎树被包裹其中。卷纸形成的腔体，就这样随形就势，落地而成。

Concept Origin – A Cavity from Rolled Paper

Without a preset design, the client (scenic area developer Wang Yong) participated fully. The building is essentially an accessible hollow sculpture. The initial vague concept was “a cavity from rolled paper” – light and curlable like paper. The architect guided craftsmen to twist and bind tough steel bars in 3D space (no welding at first). The steel’s toughness, sag and ductility shaped the building – a wonderful process where village craftsmen became the architect’s assistants.

Site-dictated, it’s a narrow cavity. Four preserved entrance trees form a plaza and shade the entrance. The road-facing wall (near pavement) is enclosed with two concave surfaces; lower gaps let light in and out. The valley-facing wall (near site edge) is shaped by irregular oaks; its curves follow tree trunks. Valley-side holes serve for lighting, viewing and branch growth – an oak is enclosed in the building.

▽阳光下的取景框 ©孔祥伟工作室

▽从内部回看入口，初极狭 ©孔祥伟工作室

▽回看美术馆内部，循光影游览 ©孔祥伟工作室

▽阳光落在墙上，光影斑驳 ©孔祥伟工作室

▽阳光落在墙上、地上 ©孔祥伟工作室

▽面向周围环境完全开放的美术馆 ©孔祥伟工作室

▽夜晚的灯光在墙面反射出柔和的暖黄 ©孔祥伟工作室

▽夜晚的美术馆充满暖意 ©孔祥伟工作室

轻与薄的挑战——3至4厘米薄壁混凝土

轻与薄既是设计的追求，同时也是和自然的对话，轻盈的人工构筑物和树林的结合，是一种诗意意境的表达，3至4厘米薄的曲面混凝土外壳，在这种施工条件简陋的乡野实现起来还是有很高难度的，全赖于仔细的模板搭建，虽然混凝土离预想的细腻程度有些许距离，但整体的意向还是形成了，一些微观的变化，理解为混凝土的“窑变”，局部的粗粝也略带粗野主义色彩。

3-4cm Thin-Walled Concrete Shell

Pursuing lightness and thinness was both a design goal and a dialogue with nature. However, a 3-4cm thin curved concrete shell was tough in rural areas, relying on meticulous formwork.
Lead craftsman Master Wang and plasterers worked patiently and efficiently. Though the concrete was less smooth than expected, the overall concept was achieved. Micro-variations are seen as concrete “kiln transformation”, and partial roughness adds a touch of brutalism.

光与风景——与自然的对话

光、影、声音和风景是建筑表达的核心，建筑与自然的对话被纳入与画廊功能同等重要的考量。在一片森林环境中，美术馆自身即为审美对象。南向孔洞引入阳光与风景，光影在空间中流动，树影在斑驳中形成动态画卷。建筑如虫洞，腔体为室，孔洞为光为景而生。外部形态伏卧如虎，洞内藏光，光影游动如龙，呼应“卧虎藏龙”之意向，也暗合苏轼“莫忘使君歌笑处，垂柳下，矮槐前”的意境——只不过此处是“栎树下，翠松前”。

Light, Shadow, Wind and Scenery

Light, shadow, wind and scenery are the building’s core expressions. Its dialogue with scenery and natural feel matter as much as its gallery function – in the forest, the gallery itself is an aesthetic object.
South-facing valley holes let sunlight filter through leaves into the building, creating a dynamic scene – a delightful human-nature dialogue. The hollow building acts as a wind tunnel; rustling leaves entering through holes become a beautiful melody.

项目名称：卧虎藏龙美术馆
项目地点：山东日照五莲县九仙山风景区溪之谷景区
设计团队：孔祥伟工作室
建筑师：孔祥伟、崔峻、高灼见
设计公司邮箱：guanzhula@163.com
摄影：孔祥伟工作室

Name: Crouching Tiger, Hidden Dragon Art Museum
Location: Xi Valley Scenic Area, Jiuxian Mountain, Wulian County, Rizhao, Shandong
Design Team: Kong Xiangwei Studio
Designers: Kong Xiangwei, Cui Jun, Gao Zhuojian
Company Email: guanzhula@163.com
Photography: Kong Xiangwei Studio

“ 一座隐匿于森林与山谷的美术馆。”

审稿编辑：Maggie

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