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ATMOSPHERE Architects:Paper has become an important component of books and publications because of its softness. It records and carries information, and serves as the primary medium for the audience to interact with the content.


▽项目视频  Video


*项目简述 Brief introduction of the project:

本次项目受《Design Anthology》邀请(后简称da),于2023设计上海完成亮相,并进行为期4天的展陈。da作为一本集合设计与艺术的杂志,本身就如同档案馆一般的存在。而回归受邀请主题「Archive」,我们希望从杂志本身出发,完成灵感提取与设计概念表达,将翻阅杂志的过程通过具象的方式加以表达,通过构筑一个灵动、可持续循环使用的展出形式进行落地呈现。

This project was invited by Design Anthology (referred to as “da” hereafter) and exhibited in Shanghai for four days upon its completion in 2023. As a magazine that combines design and art, Design Anthology(da) itself is like an archive. Returning to the theme of the invitation, “Archive,” we aimed to extract inspiration and express design concepts from the magazine itself. The specific approach, which was presented by constructing a dynamic and sustainable exhibition hall, expressed the act of flipping through the magazine.



Part 1: 展卷/Look through


At the entrance, a lifted-up shaped corner is like a page about to be turned. As visitors approach, they are able to immerse themselves in the “reading atmosphere” created by the space.




Glimpsing through the cracks evokes a sense of exploration and curiosity, while also corresponding to the understated elegance that is a unique feature in traditional Chinese architecture and culture.




The scattered artworks throughout the area ensured that visitors experienced different surprises at each branching point of their journey through the exhibition.




By using the sustainable natural material of wood as its core material, the main structure is able to achieve a holistic construction. At the same time, expressing traditional architectural techniques through contemporary design demonstrates the practicality of combining form and structure, providing a feasible approach for future flexible dismantling, rapid transportation, and multiple cycles of use.




In addition, the exterior skin material of washi paper is wrapped from the outside to the inside, echoing the theme. Soft partitions are also made of the same material to achieve separation between active and quiet areas. The material is flexible, delicate, lightweight, and transparent, creating a sense of openness and fluidity within the space.



Part 2:归档 / Archive


On another level, books and publications are like “archives,” filtering through massive information, carrying creative ideas, and inspiring inspirations.




To complement with the sense of lightness and transparency presented by the building, we have replaced conventional hanging light fixtures with light lines hidden in woodworking grooves, presented alongside traditional woodworking structures. This not only meets the lighting needs but also serves as a decorative detail in the space. The collision of the past with the present allows us to express aesthetics within the framework of contemporary design language.




In the spatial circulation planning, we have divided the space into different sections with various content and presentation styles. Among them are displays of artworks and exhibitions from different artists, offering an immersive experience for visitors to browse and explore. When they further step into the space, they will come across a relatively independent area where previous issues of the Design Anthology magazine are displayed on traditional magazine racks. In addition to the conventional reading experience, we have incorporated small material board installations into the magazine rack, creating a more multi-dimensional experience through the presentation of different textures and facets of the display. Clearly organized and easily accessible.




Through various ecological combinations of art and design, a utopian is created where people can gather and communicate.




Washi paper, used consistently throughout the space to connect different modules and contents, has become the keywords in space cutting.



Part 3:翹qiào / Lift up


翹, the same as翘, was first recorded in Shuowen Jiezi (a Chinese dictionary from the Han Dynasty) in the seal script form.The original meaning of the character refers to the long feather on the tail of a bird that can be raised upward, and it also refers to the posture of a head that is lifted upward. We draw inspiration from the character “翹” because it combines both form and phonetics.




One of the inspirations comes from the character “垚,” which is derived from traditional architectural structures and resembles three layers of soil, similar to the structure of a dougong, which represents the beam and column structure in Chinese architecture. Another inspiration comes from the character “兀,” which is derived from the shape of ancient building eaves and represents the shape of a roof. The character “羽,” derived from the sound of “yao” in ancient texts, represents the long feathers of a bird and its light and graceful posture, which is echoed in the material used for the project. Finally, the character’s shape is derived from its meaning of being raised high, its essence has transcended the original definition that recorded in ancient books, reaching for something beyond and creating a sense of resonance and aspiration.




项目名称:Design Anthology
主持设计:Tommy Yu
方案设计:valo Xiao. CoCo Lee
动画设计:ViVi Lee

Organizer: Design Shanghai
Project Name: Design Anthology
Location: Shanghai, China
Completion Date: 2023.6.8
Design Firm: ATMOSPHERE Architects
Design in charge: Tommy Yu
Project Designers: valo Xiao, CoCo Lee
Animation Design: ViVi Lee
Log Customized: Benmoo
Lighting Solution: Uniimport
Graphic Design: Sac Design
Art Support: X+Q Art
Photographer: Xinghao Liu



审稿编辑: Maggie

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