本文由 一本造建筑设计工作室 授权mooool发表，欢迎转发，禁止以mooool编辑版本转载。
Thanks One Take Architects for authorizing the publication of the project on mooool. Text description provided by One Take Architects.
One Take Architects：Mandalas Pop-up Digital Art Museum is an inner garden, as well as a utopian city drifting in metropolises. This temporary building, though exhibited in the most bustling urban center of Beijing, provides a completely inward and isolated space.
Its external layout is arranged like a labyrinth. The staggered steps surprise visitors with a perspective illusion, motivating their physical interaction with the building. Mingling with façade lines that resemble the skylines of Namcha Barwa, the unadorned stones isolate the building from the full-blown metropolitan atmosphere, as if it were from outer space. It is a building that contains numerous uncertainties, fortuities, and surprises.
沉浸式的艺术与建筑体验 Immersing Art and Architecture
As a temporary building for digital art exhibition, Mandalas Pop-up Digital Art Museum responds gracefully to the exhibition inside. It is designed for this specific theme – Himalaya culture & art, in order to bring immersing experience, create new relationships between people and space. It is the most important difference between Mandalas Pop-up Digital Art Museum and other traditional museums.
In a closed building with a length of more than fifty meters, a height of less than five meters, and a width of less than nine meters, the architect tries to provide various kinds of experience. While moving around the building, visitors encounter different surprises. It is just like walking in a garden, where each person discovers their own path.
On the two sides facing the shops and the street, the architect made different efforts. For one thing, he ensured enough space for the shops to open as usual. For another, he strived for rich space expressions in a cramped place through very small actions. In terms of the five architectural dimensions, the building either squeezes or retreats from the urban space on its two sides, keeping itself apart but not afar.
As internal multi-media art exhibitions have strict controls on illumination, the architect completely removed outward windows and designed a double-nested space at the entrance, making it impossible for people to see the building’s inner secrets from outside. In the total darkness of its interior space, visitors rely only on the changing lights and shades.
Without windows on the façade, the scale of the building seems to be difficult to judge. When facing it, visitors lack an important yardstick to measure its heights and number of stories. This indicates that the Mandalas Pop-up Digital Art Museum can exist in a form between that of a sculpture and a building, which has also given the architect motivation for further exploration.
曼陀罗体块 Mandala Blocks
All the blocks that make up the Mandalas Pop-up Digital Art Museum can be split and reorganized into a “dKyil-‘khor” (an inner palace or Buddha realm in Chinese Buddhism, translated as “mandala” in English). This echoes an interpretation of the Mandala Sandpainting: when a sand mandala is completed, a “dKyil-‘khor” is also established in space and time.
Like a set of blocks that can be reorganized in many ways, the building’s six golden corner blocks can be nested into a complete cube with structures similar to mortise and tenon joints.
Some steps on the external layout are deliberately adjusted to different heights for people to lean back, sit, or climb. Though they cease to provide a reference point of the building’s scale, they make it more interesting and create a sharp contrast to the serious and dull urban space.
图像化立面 Graphical Façade
In contrast to the emphasis on a building’s solidness, the architect tries to give more graphical features to the building’s surface materials. The winding lines on its façade are in fact taken from the skylines of Namcha Barwa.
According to the most accurate description of Namcha Barwa, the mountain pierces into the blue sky like long spears, with thick white snow and dark rocks that overwhelm human eyes. Located in the deep end of the mysterious Himalayas, it hides among the clouds all year around, but is still connected with the world we are living in, sharing the same destiny.
Through the Mandalas Pop-up Digital Art Museum, Namcha Barwa falls into the bustling urban center, reflecting the noisy and earthly scenes of the human world. It also brings mysterious silver sparkles to the Mandalas Pop-up Digital Art Museum, becoming the most romantic feature on this sparsely adorned building.
The internal exhibition space is independent; Using light and space as the creation materials, the corridor space challenges the audience’s sensory perception between imagination and reality, core and boundary, passive viewing and immersive experience, and constructs abstract Spaces that exist in reality and can be accessed.
山石与格桑花 Flying Stones and Galsang Flowers
With reflections on mirror metals, exposed rough mountain stones and Galsang flowers from the Qinghai-Tibet Plateau stretch far into the building. As the foundation for the drifting Mandalas Pop-up Digital Art Museum, the scattered stones return to where they belong.
However, the architect does not use mountain stones and Galsang flowers to create imagery that causes alienation from cities. Instead, these stones and flowers form a path that links urban reality with Himalayan mystery, by which the Mandalas Pop-up Digital Art Museum allows visitors to move freely between the real world and the alluring unconscious world of fantasies.
Utopias are unreachable, but mankind has never ceased to look for them. The Mandalas Pop-up Digital Art Museum is such a place for you to discover.
▼项目平面 Master Plan
项目名称：曼陀罗之丘 · 数字艺术博物馆
建筑师事务所：One Take Architects
图片：Wang Shilu (Ranshi Vision), Nan Xueqian (One Take Architects)，Gu Chennan (Nan Vision)
Project name: Mandalas Pop-up Digital Art Museum
Architect’ Firm: One Take Architects
Contact e-mail: email@example.com
Lead Architects: Li Hao
Curator/Art Team: iPOINT
Project location: Beijing, China
Completion Year: 2019
Gross Built Area (square meters): 240㎡
Photo credits: Wang Shilu (Ranshi Vision), Nan Xueqian (One Take Architects)，Gu Chennan (Nan Vision)
更多 Read more about: One Take Architects