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Thanks UMS (Unlimited Metropolis Design Studio) for authorizing the publication of the project on mooool, Text description provided by UMS.

 

里表都会:千尺为势,百尺为形,势是远景,形是近观。势是形之崇,形是势之积。有势然后有形,有形然后知势。势住于外,形住于内。——《阳宅十书》

介入项目之初,邻盘销售已久,步行300米的距离,形成互为竞争的格局状态。项目的总体界面与气势上要呈现出相对较大的展示性与昭示性。建筑庞大的体量和厚重的制式确定了项目的初始气场。景观介入后主要思考两栋房子(会所与住宅)之间与园子的状态,一种是外向的,基于会所建筑北面,突出对客户的招揽和项目的记忆,半藏的空间与界面的处理和精细化的酒店手法强化了进入前的心理暗示,配合门岗,顿足内望,心理变化便油然而起。

UMS: At the beginning of the project, the next-door property with a distance of 300 meters had been sold for a period of time, forming a competitive state with our project. Therefore, the overall interface and momentum of the project needs to be relatively large in display and visibility. On the other hand, the huge volume and heavy format of the building also determine the initial temperament of the project. After the landscape intervenes, it mainly considers the status between the two houses (clubhouse and residence) and the garden. One is outgoing. Based on the north of the clubhouse building, the landscape highlights the client’s solicitation and memory of the project. The refined hotel tactics strengthened the psychological cues before entering, cooperated with the gate, and looked inside, and the psychological changes emerged spontaneously.

 

 

另一种是进入后的状态,整栋建筑玻璃落地,南北需要景观的收合,否则北面望路,南边望楼就会比较尴尬与消极。二进的园子南北被两栋建筑所界定,同时需要考虑消防,和单元出入口的使用需求,未来要接合东西两侧的宅间路,这些潜在的使用要求迫使定义内园要是一个安静的,多样的,或者就是一种无相的。那么之于场地就不能太轻,之于建筑又不能太重,轻重之间的控制和园子的状态便是在接下来需要琢磨的过程。

The other condition is after entering the site. The entire building glass is grounded, and the north and south need to be folded. Otherwise, the north side of the road and the south side of the building will be more awkward and negative. The two-entry garden is defined by two buildings in the north and south. At the same time, it is necessary to consider the use requirements of fire protection and unit entrances and exits. In the future, it is necessary to join the building roads on both sides of the east and west. These potential use requirements force the definition of the inner garden to be quiet and diverse. , or just a kind of phase-less. Then the landscape  should not be too light for the site , and too heavy for the building, the control between light and heavy and the state of the garden are the processes that need to be considered next.

 

 

轻重之间的处理策略——借势为妙
TAKE ADVANTAGE OF THE SITUATION

 

借主体 BORROW THE BUILDING

一泻而下的建筑控制了上部立面的状态,景观顺势延续并细化了下部的空间状态,由内园望去便形成了不分彼此的平置效果,连接了建筑的内与外。

With the main body (building), the cascading building controls the state of the upper façade. The landscape continues and refines the spatial state of the lower part. From the inner garden, it forms a horizontal effect regardless of each other. Inside and outside of the building.

 

 

借天空 BORROW THE SKY

“井“字形的建筑布局,从底部上望框取了天空作为景观,我们在内庭以水面相映,投射下来的光影便成为了此处绝佳的落笔。

The layout around the building and the hollow inside makes the sky a landscape looking up from the bottom. We reflected the sky on the water surface in the inner court, so that light and shadow were projected on the water surface.

 

 

借彼此 BORROW EACH OTHER

相生相借,分形片墙既限定了空间又充当了角色,小山势的依靠,游廊的环抱,卷轴立面的展开,洞窗的开合及自身的形变,全部依靠主体的11片墙完成了叙事的连贯与整合。

Borrowing each other, the fractal wall not only defines the space but also plays a role. The dependence of the hills, the embracing of the veranda, the unfolding of the facade of the scroll, the opening and closing of the windows and the deformation of the space all rely on 11 The wall becomes complete and coherent.

 

 

此次设计过程中材料纷杂,琐碎,相对的工期下要充分协调匹配,感谢所有参与其中的同学们,美中不足北方植物还是偏弱,期待日后几年可以更加茁壮。

The materials are complicated and trivial In the design process. So we are quite thankful to our clients with their corporation  and to our colleagues, to fully coordinate and match the tight construction period. Even though the plants of the north are still weak. Expect them to grow stronger later.

 

 

▼细节 Detail

 

▼现场记录 Construction

 

后记心境 SOME EMOTION

数次提笔,难平纷繁,犹如这造园的过程,好比恢弘泼洒之后的偶得性,一便交给了不确定,逻辑之后,便向往诗情画意。美好从来不是一脉相承,美好的背后多是坚持与煎熬,经历了时间的揉杂,才会历久弥新。

最近常说,无数强度的工作日复一日,夜晚好比死亡,清晨好比重生,死亡与重生转换之间是安然的睡梦,奇妙的事情我们从来都不曾发觉。敲打百字,微信嗡嗡作响,设置了无数个群静音,还是嗡嗡作响,夏天到了,不见嗡嗡的蛙虫,只见黑乎乎的手机。设计说明简述一些,清晰了空间逻辑,我觉得看看图片,放大看看,能存下来,挺好。

构建一种视角,安置一些情绪,等待四季轮转,花开花败,收纳所有的美好与不美好,便可能是这个专业的独到之处。这个园子8000多平,前场后场全部保留,踱步后园,难以一次走全,兜兜转转,或偶遇,或远望,能随便就挺好。

 

 

 

项目名称: 万科 · 翡翠紫台 | 无相园
完成年份: 2020
项目面积: 8000m2
项目地点: 中国天津

景观设计: 里表都会 Unlimited Metropolis Design Studio
联系邮箱: info@umsstudio.com
设计团队: 里表都会团队
客户:万科天津
景观施工:顺景园林
摄影师:ZOOM琢墨建筑摄影

Project name: vanke · emerald purple stage | phase free garden
Year completed: 2020
Project area: 8000m2
Project location: Tianjin, China

Landscape Design: The list contains Unlimited Metropolis Design Studio
Contact: info@umsstudio.com
Design team: UMS GROUP
Customer: Vanke Tianjin
Landscape construction: SUNSHINELANDSCAPE
Photographer: ZOOM Architectural Photography

 

更多 Read more about: UMS里表都会

 


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