Thanks LANDAU for authorizing the publication of the project on mooool, Text description provided by LANDAU.
LANDAU朗道国际设计 ：Perhaps as a landscape person, he has a more reverence for nature and wants to be closer to nature. When I first surveyed the scene, I was deeply attracted by the surrounding nature. the calm lake and water, the continuous mountains, and the fog extended. everything was so integrated that it was like a landscape painting with white space and shape, giving my heart a kind of peace. Landscape is a place where emotions are placed, and regionalism is the basis of design. how to fully display the atmosphere of the place and environment has become a difficult point, and it will naturally be deduced in modern language. At this time, I think of Suzhou gardens and Pei yue Ming’s Suzhou museum. this is the best interpretation. the small site is borrowed from the outside through gardening methods, and the space is hidden from the inside through leaking, borrowing and concealing design methods, thus revealing the natural features. The designer ” ploughed deeply” for a long time considering how the scale, color, and materials are coordinated with the environment. Kunqu opera ” a dream of red mansions with beautiful scenery” inspired me to design how to fully integrate the site with the surrounding environment, like a mirror or a show field, to show all these wonderful things. The water can reflect the blue sky of Taihu lake, the glass can reflect the mountains and waters of Taihu lake, and the powder wall can reflect the light and shadow.
演绎生活的秀场（最终呈现）Show of life ( final presentation )
The white entrance porch, spanning between the bright and the dark, the vigorous welcoming pine stands on one side of the entrance, with a hint of greenery peeping out slightly to peep into one corner. this is like the prelude before the performance, giving people a trance and beautiful feeling.
Entering from the entrance, the whole facade continues with a blank interface, blurring the boundary between the corridor and nature in the layers of white, black and hazy twilight. The space dimly captures the shadow of the east and resembles landscape painting, bringing the blank space into the remodeling of modernity. The sequence of light and shadow and the space of white space merge with nature, which seems to reinterpret traditional gardens.
The light entering the first space is soft, it is not sculpted. The natural light poured into the whole field, the wall surface and the green plants sketched out a hazy light show through the change of time.
The white cloister in the second space forms a larger contrast with the ground made up of black gravel, just like the Hua Dan and clown in the drama. the green planting harmonizes the contrast in the middle, and light becomes a kind of music symbol, which connects the whole space in series and deduces different melodies through the change of time.
Binary space and ternary space are connected in a dramatic way. Entering the third space, the corridor defines the boundaries of the entire site, clear and concise. light and shadow pass through u glass, and the surrounding greenery is integrated into it.
The waterscape of the mirror extends longitudinally to the end and is linked with the high mountain flowing water of white marble, just like the water in the pool comes from the sky. Mo Yun is inside, leaving blank outside. The extremely clean wall surface corresponds to the rest area of the moon gate. the rest area under the cherry blossom forest is combined with a lightsome outer pendulum to achieve a balance in space and peep at the concerto of light and shadow under the forest.
Pick up 4.2 meters high corridor space, the vertical scale will be the perfect embodiment of the space line sexy. The semi-transparent u – glass defines space, reveals light and space, and at the same time serves as a carrier to depict the language of light formed linearly. The 2.4 – meter – wide footpath, which uses ink and wash to blur the ground stone, has the texture of mountain-shaped water potential and blends with the plain wall surface of the facade. The use of a lightweight facade grille at the border creates a continuation of the space. the shadow of the grille derives to the far end, creating a sense of continuity of the space.
Concrete, stone, paint, u – glass, metal … these carriers of expression space are attached to them in multiple levels. the flowing air and light wavelength render space, which is considerable and can be traveled. the customized art home makes the space lively and interesting. geometric points and lines, balanced combination relationship, rich in tension and peaceful fit with nature. There is an obvious order and symmetry in the space. the line of sight is guided and hinted at. through hiding and appearing, hiding and revealing, the space full of deductive feeling is interlocked, and the su – style charm flowing in the variation space is felt.
The park’s great lakes were completed in a restrained and quiet manner. Designers use the vein of traditional gardens of fenqiang and yuemen, and use the fusion of landscape and cloister to express the current ideology. The continuous white cloisters constitute the initial space form and have the aesthetic sense of traditional Suzhou gardens. Through artistic creation, the facade wall has a texture feeling on the touch, and through orderly division, light and shadow are brought into the space, giving the space rich levels and changes, forming a simple and elegant and clever movement.
Project Name: Suzhou Park Great Lakes
Project address: No. 9 Hubin Road, Dongshan, Suzhou
Year of completion: 2017
Landscape area: 6000m2
Developer: Suzhou Vanke
Design unit: LANDAU Landau International Design
Photography: Existing Architecture – Architectural Photography Studio