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Kong Xiangwei Studio：The project is located in a coastal tea garden tourist area in Wujiatai Village, a fishing village in Rizhao. Nearshore aquaculture is an important industry in the village. At the entrance of the park, there is an old retired ship. The owner of the park wants to use the old ship to make a striking sign at the entrance of the park.
▽村口的海洋之花 Flowers of the Sea at the entrance of the village
和日常渔业紧密相关的工具 “漂子”成为此次的灵感。 “漂子”在手工业时期，是陶土罐子，工业年代演变成真空塑料的瓶子，后逐渐被椭圆形的“漂子”主宰，红黄蓝绿的椭圆，色彩丰富，鲜艳醒目。
The tool closely related to daily fishing, “float”, became the inspiration for this time. In the handicraft era, the “float” was a pottery jar, which evolved into a vacuum plastic bottle in the industrial age, and then gradually dominated by the oval “float”. The ovals of red, yellow, blue and green are rich in color and bright.
▽远眺海洋之花 Flowers Overlooking the Ocean
Every household in the village has a small mountain of floats piled up, like layers of different thicknesses of paint stacked out of concentrated and explosive beauty. The sign is inspired by this and also uses a stacking method, combined with the old ship at the entrance of the village. Using steel structure as internal support, ten in a group, using steel wire binding to fix with steel structure, stacking to a certain height.
The color is bright red, with light design, the warm color light that comes out from the inside of the structure, after several reflections, completely fills the whole device. When finished, it looks like a blazing fire, or like a blooming dahlia, carrying information from the ocean, coming from the sea and returning to the beach. It is a sign of entering the village and also a guide for returning home from the sea.
▽村口作为入村的标识 The entrance of the village as a sign to enter the village
The daily use of the people is also a way. These common fishing tools aroused the strong interest of the villagers from the beginning of the construction. The villagers did not expect that these fishing tools could be used to their fullest extent and evolved into another kind of art. The common production things are reconstructed by design, and under the influence of color, form and light, they have poetry and temperature: a temperature closely related to the production and life of ordinary people. The construction of the device also invited fishermen to complete together. The height, density, stacking method and end closure were discussed by designers and workers together and completed together. The moment the device was completed, it was truly linked to the villagers.
▽海洋之花细部：亮丽的一抹红 The Flower of the Ocean Detail: A bright Red
The design context of rural areas makes it easier for sign design to express itself in the form of land art. The innovation of rural space requires more adaptation to local conditions and use of local materials. It takes from production and life, combines ordinary things with land art, and changes rural areas with art. This is a kind of protection for rural areas, and also an expression full of hope for rural areas in the future.
▽海洋之花矗立在船边 The Flower of the Sea stands beside the boat
Project Name: Daily Use as Tao – Ocean Flower Art Installation
Location: Yunguo Hill Tea Garden Art Park, Shandong province
Clients: Yunguo Hill Tea Garden Art Park
Site area: 100㎡
Construction area: 40㎡
Design Company: Kong Xiangwei Studio
Lead architect: Kong Xiangwei
Participants: Cui Jun, Kong Que, Gao Zhuojian
Photography: Archi-translator studio
Design period: June 2023
Photography: literal translation of Architectural photography，Kong Xiangwei
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