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DJA：叶尔加瓦圣三一教堂塔楼的设计以当代室内装置的形式，将历史遗迹与当代建筑明确地区分开来。塔楼完好无损的部分历史砖石墙被展示在历史建筑的内部。展览采用互动的方式，并融合最新的技术，可以将叶尔加瓦的历史过往逐渐展示出来。当参观者进入展馆时，可以直观地看到各类展品及其描述，而展览的无形部分则隐藏在各种可移动的元素和多媒体中。这种展示的原则不仅可以创造一个不被信息塞满的空间，还可以让参观者有兴趣看到现在所看不见的、听到当下所听不见的，沉浸式感受陨落的叶尔加瓦的过往。展览空间被涂成单一的浅灰色，既能营造出均匀的、雕塑般的内部空间，又与历史教堂形成对比。展览分别在三层楼中进行，主题各不相同。
DJA: Exposition of Jelgava St. Trinity Church Tower is designed as a contemporary interior installation, which clearly separates the historical heritage from the contemporary implementation. The historic masonry walls of the tower have been left intact, exposing the interior of the historic building. The exposition is interactive and integrates the latest technologies, which allows the history of Jelgava to be revealed gradually. When entering the exposition premises, visitors can see the exhibits and their descriptions, while the invisible part of the exposition is hidden in various mechanically movable elements and multimedia. Such a principle of exploring the exposition allows not only to create a space not oversaturated with information, but also makes visitors interested in seeing the invisible, hearing the inaudible, feeling the lost Jelgava. The exposition is painted in a monolithic light gray color, which both allows to create a homogeneous, sculptural interior, and makes a reference to the historical bright interior of the church. The exposition is made on three floors with different themes.
▽项目视频 The video
3楼-叶尔加瓦象征和居民 3rd floor – Jelgava symbolism and residents
3楼的展品布局遵循一般展览设计的原则，一层一层重复，展品放置在将房间与楼梯间隔开的新墙上，以及房间中央的地板上。
位于房间中央的3D模型展品《消失的叶尔加瓦》（Lost Jelgava），让游客在AR（增强现实技术）的帮助下，通过实时视频的形式了解叶尔加瓦在不同历史时期的城市规划。因此，参观者可以通过屏幕感受到物理（模型）现实和数字化表示现实之间的区别。
The layout of the exhibits on the 3rd floor follows the general principle of the exhibition concept, which is repeated from floor to floor. The exhibits are placed on the new wall that separates the room from the stairwell and the floor in the center of the room.
The 3D model of Lost Jelgava located in the center of the room allows visitor to get to know the city planning of Jelgava in different historical periods as a real-time video with the help of augmented reality. Thus, a distinction is made between the physical (model) reality and the digitally represented reality, which the visitor sees through the screens.
《时间之交的叶尔加瓦》展品被设计成一条时间线，展示了叶尔加瓦历史上不同时期的各种事件的概要信息。通过滑动附在时间线上的触摸屏，参观者可以获得每个特定时间段的详细信息。
《 叶尔加瓦象征主义和获奖居民》展品被设计成一个微缩的叶尔加瓦居民名人堂。它以数字化方式描绘了历任市长以及被授予城市和国家奖项的叶尔加瓦市民。在这一数字互动的环境中，参观者可以进一步了解叶尔加瓦市的象征意义。
The exhibit Jelgava at the Turns of Time is designed as a time-line, which displays general information about various events in the history of Jelgava in different time periods. By sliding the touch screen attached to the timeline, visitor can get in-depth information about each specific time period.
The exhibit Jelgava Symbolism and Awarded Residents is designed as a miniature hall of fame for Jelgava residents. It digitally depicts the city mayors, and the citizens of Jelgava who have been awarded with the city and the state awards. Here, in a digitally interactive environment, visitors can also familiarize themselves with the symbolism of the city of Jelgava.
四楼，几个世纪以来叶尔加瓦的时尚 4th floor – Jelgava Fashion Through the Centuries
三个主题相关的独立展品位于塔楼4楼的房间中，包括《婚礼衣橱》、《珠宝商的宝箱》和《时装秀》。
借助当代方式制作的时装秀短片，反映了16至20世纪叶尔加瓦及其周边地区的时尚趋势。当时装秀短片开始播放时，来自另一个时代的模特几乎以与真人比例相当的尺寸走进空间，会让参观者感受到他们不再是一个人在房间里。通过这种方式，双重现实中可见和不可见的叶尔加瓦思想精神得以延续。薄薄的屏幕被交替放置在高低不同的位置，以展示漂浮在空中的服装细节。
Three thematically related free-standing exhibits are located in the room of Tower’s 4th floor – Wedding Cabinet, Jeweler’s Chest and Fashion Show.
Fashion trends in Jelgava and its surroundings in the 16th – 20th centuries is reflected with the help of a filmed Fashion Show made in contemporary manner. When the fashion show begins, visitors get the feeling that they are no longer alone in the room, as models from another time enter virtually in a size corresponding to the human scale. In this way, the idea of visible and invisible Jelgava in a dual reality is continued. Thin screens are alternately placed higher and lower to expose different parts of the costumes that levitate in space.
《婚礼衣橱》讲述了叶尔加瓦的婚礼和婚纱。展品的中心部分包括两件锦标赛式婚纱的样板衣。在门扇两侧的椭圆形镜子中，参观者有机会看到各种当地的传统服装，并能通过数字技术进行试穿。
The Wedding Closet tells about weddings and wedding dresses in Jelgava. Its central part includes two replicas of Tournament-style wedding dresses. On the sides, in the oval mirrors of the door leaves, the visitor is given the opportunity to see various traditional costumes and digitally try them on.
《珠宝商的宝箱》讲述了16至20世纪叶尔加瓦的珠宝。展品抽屉中包含珠宝的历史信息，而上表面允许参观者在视频投影的帮助下试穿手上的一些珠宝。人们可以选择一件具有历史意义的珠宝，也可以自己绘制，再借用数字技术进行试戴。
The Jeweler’s Chest tells about jewelry in the 16th – 20th centuries in Jelgava. Its drawers contain historical information of jewelry, while the upper surface allows visitor to try on some of the jewelry on his/her hand with the help of a video projection. Visitors can choose one of the historical pieces of jewelry, or draw their own and try it on digitally.
五楼，叶尔加瓦圣三一教堂 5th floor – Jelgava St. Trinity Church
教堂和塔楼的故事展现所依据的是“房间中的房间，或布局中的布局”。参观者已经在教堂的一个部分——教堂塔楼的展览中。教堂其他消失的部分和内部物品以不同的比例作为浮雕再现，并融合成一个整体的雕塑装置。在雕塑的六个立面上，所展现的内容根据人类的生命周期进行分组——洗礼、婚礼、公共活动和葬礼。与其他展览室一样，展览也包括一个可见和不可见的部分，可以通过屏幕上的AR设备听到和看到。在数字环境中，雕塑和室内物体的单色建筑部分被赋予三维深度、细节、材质纹理和颜色。
在中央圆形的冥想室里，专为这次展览用管风琴演绎了Lucija Garuta的圣歌《上帝，你的土地在燃烧！》。嵌入弧形墙壁中的垂直缝隙让参观者可以透过教堂门看到教堂祭坛和管风琴。
The principle chosen for the story of the church and the tower is a room within a room, or a layout within a layout. The visitor is already in the exposition in one of the parts of the church – the Church Tower. Other lost parts of the church and interior items are reproduced in different scales as reliefs and fused into a single sculpture. On the six facades of the sculpture, objects are grouped according to the human life cycle – christening, wedding, public function and funeral. As in the other exposition rooms, there is also a visible and invisible part of the exposition, which can be heard and seen through the augmented reality on the screens. In the digital environment, the monochrome architectural parts of the sculpture and interior objects are given three-dimensional depth, detail, material texture and color.
In the central rounded meditation room Lucija Garuta’s cantata “God, Your Land Is Burning!” specially interpreted for this exposition, is played by organ music. The vertical slits embedded in the curved walls allow visitors to see what the view to the church altar and organ through the church doors looked like.
▽轴测图，教堂遗失部分的雕塑 Axonometric view 1 – sculpture of lost church parts
▽3楼平面图 3rd floor plan – Jelgava symbolism and residents
▽3楼剖面图 3rd floor sections – Jelgava symbolism and residents
▽4楼平面图 4th floor plan – Jelgava Fashion Through the Centuries
▽4楼剖面图 4th floor sections – Jelgava Fashion Through the Centuries
▽5楼平面图 5th floor plan – Jelgava St. Trinity Church
▽5楼剖面图 5th floor sections – Jelgava St. Trinity Church
项目名称：Exposition Dual Reality
地点：Jelgava St.Trinity Church Tower，拉脱维亚
面积：150 m2
年份：2022
概念和设计：DJA
技术和管理：SOLAVI
生产和技术设计：YES WE CAN
多媒体：Putnu studija
编排：Overly
摄影师：Ēriks Božis
联系电子邮件：dja@dja.lv
电话：+371 28261221
网址：www.dja.lv
Project tirle: Exposition Dual Reality
Location: Jelgava St. Trinity Church Tower, Latvia
Area: 150 m2
Year: 2022
Concept and design: DJA
Technologies and management: SOLAVI
Production and technical design: YES WE CAN
Multimedia: Putnu studija
Programming: Overly
Photographer: Ēriks Božis
Contact info: e-mail: dja@dja.lv
phone: +371 28261221
web: www.dja.lv
“ 利用数字技术将一座城市消失的历史过往展呈出来，打造沉浸式的展览体验空间。”
审稿编辑: SIM
更多 Read more about: DJA
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