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Fletcher Studio：在多帕奇，你可以体验到多样化的现代历史，但是很少有场地能像第三街和第二十三街的交汇点那样，将这种多样性囊括其中。在这里，历史住宅的非典型角度暗示了Tubbs Cordage公司绳索步道遗址的位置，其倾斜的码头超1000英尺(约合3000米)，穿过该社区传统的网格结构，一直延伸至海湾，将绳索制造厂与其海上客户连接起来。这家工厂从1856年运营到1963年，但在70年代后期，因新建Muni的“John M. Woods Motor Coach Center”，而被夷为平地，这是社区从海运业转型的一部分，如今，这座建筑已荡然无存。随着旧金山寻求解决该市的住房短缺问题，社区内仅存的几个仓库和工厂正迅速被士绅化所取代。作为对Dogpatch工业遗产这一重要篇章的致敬，多帕奇绳索步道的设计旨在唤起历史码头的氛围，并利用景观讲述多帕奇社区的海洋工业故事。
Fletcher Studio：There are many layers of contemporary history that one can experience in the Dogpatch, but few sites encapsulate this multiplicity like the intersection of Third and 23rd Streets. Here, the uncharacteristic angle of historic homes hint at the site’s heritage, the location of the Tubbs Cordage Company Ropewalk, whose slanted pier once pierced the traditionally gridded fabric of the neighborhood, extending more than one-thousand feet into the Bay, and connecting the ropemaking factory with its maritime customers. The factory operated from 1856 to 1963 but was leveled in the late 70’s to accommodate Muni’s “John M. Woods Motor Coach Center,” part of a community transition away from maritime industry. Today, no remnants of the building exist. The few warehouses and factories that remain throughout the community are quickly being lost to gentrification, as San Francisco seeks to meet the City’s housing shortage. As a tribute to this important chapter of Dogpatch industrial heritage, the Dogpatch Ropewalk was designed to evoke the aura of the historic pier and to use the landscape to tell the story of maritime industry in the Dogpatch community.
在设计过程的初期，研究表明，海湾的原始海岸线已经从现有的位置下降了一半，这个有趣的发现启发了中间街区通道设计的基本元素。因此，该通道被划分为三个区域(水、沼泽、海岸)，所有这些区域都体现出不同的规划、铺装、种植和氛围质量。
In the initial phases of the design process, research showed that the original shoreline of the bay fell halfway through the existing site; this fascinating discovery inspired the cardinal elements of the Midblock Passage design. The throughway is accordingly divided in three zones (Water, Marsh, Shore) all of which exhibit distinct program, paving, planting and atmospheric qualities.
▼效果图手稿 Perspective sketch
“水”广场距离社区主干道第三街最近，是三个区域中最抽象、最空灵的一个。在这里，过去的幽灵启发了不同寻常的游牧家庭的形式：这是一组由弗莱彻工作室设计的雕塑钢长椅，由奥克兰的钱伯斯艺术与设计制作完成。在这些长椅旁，有一个互动艺术装置——“系绳站”——引导路人与历史遗址零距离接触。
The ‘water’ plaza is closest to the neighborhood’s arterial roadway, Third Street, and is the most abstract and ethereal of the three zones. Here, ghosts of the past inspire the unusual form of a family of Nomads, a collection of sculptural steel benches, designed by Fletcher Studio and fabricated by Chambers Art & Design in Oakland. Adjacent to these benches, an interactive art installation – the ‘Rope-Tying Station’ – encourages passerbys to engage first hand with the heritage of the site.
“沼泽”区吸引游客从“水”广场的活动中吸引到更具沉思性的“海岸”广场。“沼泽”地带的主要特色是一条高架钢铁木材人行道，这让人回忆起原来的塔布绳索码头。木板人行道悬在茂密的植被上，植被可用来收集和保存雨水，这也让人回忆起最初覆盖这部分海岸线的沼泽。“沼泽”也起到一个生物滞留的作用，收集整个场地的雨水，利用植物过滤污染物，减缓水排入下水道系统的速度。
The ‘marsh’ zone draws visitors from the activity of the ‘water’ plaza through the site to the more contemplative ‘shore’ plaza. In the ‘marsh’ zone, the main feature is an elevated wood and steel boardwalk that harkens back to the original Tubbs Cordage pier. The boardwalk is suspended over thick planting that is designed to collect and retain rainwater, suggesting the marsh that originally covered this part of the shoreline. The ‘marsh’ also functions as a bioretention area, collecting the rainwater for the entire site and using the planting to filter pollutants and slow the water’s release into the sewer system.
“海岸”区的意义和象征意义最为具体，它利用地面上的高级变压器作为历史图像拼贴的表面，以及塔布绳索工厂和绳索步道的原始图像。这个永久性的公共展览围绕着一个带有座位的公共广场和一个由Fletcher工作室设计的巨大的corten社区钢桌而设，唤起人们对过去伸入海湾的码头的回忆。
The ‘shore’ zone is the most concrete in its significance and symbolism, utilizing above-grade transformers as a surface for historic image collages and original imagery of the Tubbs Cordage Factory and Ropewalk. This permanent public exhibition surrounds a public plaza with seating and a massive corten steel community table designed by Fletcher Studio to evoke the pier that used to jut into the Bay.
这个非凡的空间之所以成为可能，是因为Fletcher工作室的设计师、开发商Avant Housing和承包商Devcon Construction Incorporated之间的密切合作，以及Potrero Hill档案项目、Peter Linenthal、Steven Fidel Herraiz和Glenn Lym提供的宝贵的历史洞察力。
This remarkable space was made possible by the collaboration between the designers at Fletcher Studio, the developer Avant Housing and contractor Devcon Construction Incorporated, with the invaluable historical insight provided by The Potrero Hill Archives Project, Peter Linenthal, Steven Fidel Herraiz and Glenn Lym.
▼概念草图 Concept
▼施工过程 Construction
项目名称：Dogpatch Ropewalk
项目地点：旧金山Dogpatch
完成年份：2018年
面积：1.2英亩
预算：120万美元
客户：美国国际集团大厦
景观设计：Fletcher Studio
主创设计师：David Fletcher
景观承包商：Martina景观承包商
土木工程师：BKF
灌溉设计：ISC灌溉
灌溉系统：Hunter Industries
家具：由室内艺术设计公司定制制作
材料：混凝土、石材、不锈钢、橡胶木、耐热木
土壤：美国当地土壤和石头
摄影师：Craig Crozart
Project name: Dogpatch Ropewalk
Project location: Dogpatch, San Francisco
Completed: 2018
Size: 1.2 Acres
Budget: $1.2 Million
Client/Owner: AGI Capitol
Landscape design: Fletcher Studio
Lead Designer: David Fletcher
Landscape Contractor: Martina Landscape Contractors
Civil Engineer: BKF
Irrigation Design: ISC Irrigation
Irrigation System: Hunter Industries
Furniture: Custom Designed fabricatedby Chambers Art and Design
Materials: Concrete, Stone, Stainlesss Steel, Accoya Wood, Thermory Wood
Soil: American Soil and Stone
Photographer: Craig Crozart
更多 Read more about: Fletcher Studio
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