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Also Architects：本项目是漓岛音乐节的一部分，由Also Architects创作的一组模块化艺术装置，在海南澄迈海滨为城市游牧美术馆构建了一个限时开放的艺术文化交流场域。
Also Architects: As part of the R-Day Music Festival, this project by Also Architects presents a series of modular art installations, creating a temporary yet dynamic cultural exchange hub for the Urban Nomad Art Museum along the coastal shores of Chengmai, Hainan.
项目的设计挑战在于如何通过巧妙的模块化设计，充分契合游牧美术馆“无界策展”的精神，同时满足快速搭建与拆装的需求，实现组件的灵活组合与可持续使用，在短暂的使用周期内激发深刻的文化共鸣，并为未来的多场景应用提供可能性。
The primary design challenge was to seamlessly align with the museum’s ethos of “borderless curation” while ensuring rapid assembly, easy disassembly, and flexible reconfiguration for sustainable reuse. Through an innovative modular approach, the project seeks to transcend its ephemeral nature, fostering deep cultural resonance within its limited timeframe while offering adaptable possibilities for future applications across diverse settings.
▽巧妙灵活的模块化艺术装置
01 同频共振
Resonance in Sync
声波是通过介质传播振动的机械波，不同频率组合形成复杂声音，相同固有频率的物体会产生共鸣现象。共鸣不仅存在于物理世界，也体现在人们情感和社会互动中，让人感受到理解与连接。
Sound waves travel as mechanical vibrations through a medium, with different frequencies combining to form complex auditory experiences. When objects share the same natural frequency, resonance occurs—an effect not only confined to the physical world but also reflected in human emotions and social interactions, fostering a sense of understanding and connection.
▽同频共振 © Also Architects
此次Also Architects正是以“声波”为灵感，设计了一系列模块化的艺术装置。通过捕捉声音传播和扩散的形态轨迹，将不可见的振动频率凝结为一片开放的空间场域。
Drawing inspiration from this phenomenon, Also Architects has designed a series of modular art installations based on the concept of “sound waves.”By capturing the form and trajectory of sound propagation and diffusion, the design transforms invisible vibration frequencies into a tangible, open spatial field.
▽“声波”模块化装置
伞状的结构宛如音符在空间中上升与汇聚，象征着声音的共鸣与情感的连接，邀请每一个人在此聚集，感受共振的力量，在开放的空间中激发无限的交流与互动可能。
The umbrella-like structures rise and converge in space like musical notes, symbolizing the resonance of sound and the bonds formed through shared emotions. These installations invite people to gather, experience the power of vibration, and unlock endless possibilities for interaction and exchange within an open environment.
▽伞状的结构宛如音符在空间中上升与汇聚
伞状装置的六边形轮廓模拟声波扩散的同心圆结构，顶部帆布的起伏褶皱对应声音振动的频率变化。
模块化单元通过线性阵列、环形围合、自由散点三种基础模式适应不同功能需求。在此次漓岛音乐节中，艺术装置根据场景应用组合为市集和论坛聚会。
The hexagonal contours of the umbrella-like structures mimic the concentric waveforms of sound diffusion, while the undulating fabric at the top reflects variations in vibration frequency.
The modular units are adaptable to different functional needs through three primary configurations: linear arrays, circular enclosures, and freely scattered layouts. At the R-Day Music Festival, these installations were assembled into a marketplace and a forum space, tailored to suit the festival’s dynamic atmosphere.
▽装置夜景
02 循环营造
游牧美术馆选择竹材作为载体，不仅因其柔韧的东方美学，更因它暗含的生态哲学承载着设计师关于一座临时建筑全周期的生态思考。
Cyclical Construction
The Urban Nomad Art Museum chose bamboo as the primary material not only for its flexible Eastern aesthetic but also for its inherent ecological philosophy, reflecting the designers’ consideration of a temporary structure’s full lifecycle.
▽循环搭建 © Also Architects
结构设计上体现了自然材料与工业逻辑的共生：
中央钢质圆环作为核心固定骨架，与热弯工艺处理的竹制伞骨形成刚柔互补——利用竹材天然柔韧性制作出流畅弧度，同时通过模块化节点与金属构件精密衔接。
顶部绷紧固定的帆布并非简单覆盖，其漏斗形态通过钢管预先施加的精准拉力形成悬浮感，刻意保留的缝隙既减轻风压扰动，又为阳光与海风留下渗透通道。
The structural design embodies the symbiosis between natural materials and industrial logic:
At the core, a central steel ring serves as a fixed structural anchor, integrated with the bamboo ribs—curved using heat-bending techniques—creating a balance of rigidity and flexibility. Bamboo’s natural pliability allows for smooth, flowing arcs, while precision-engineered modular joints connect it to metal components with meticulous accuracy.
The tightly stretched fabric canopy is not merely a cover; its funnel-like form is shaped by pre-applied tensile forces through steel tubing, giving it a sense of suspension. Deliberate gaps within the fabric reduce wind pressure disturbances while allowing sunlight and sea breeze to filter through.
▽自然材料与工业逻辑的共生
钢、竹、帆布三种材质形成精妙的动态平衡，最终构筑起一座既具雕塑感又能呼吸的临时构筑物。轻质金属连接件确保模块化快速组装的效率，也预留了异地重组的可能性。
当音乐节落幕，这些装置将被拆解为独立单元，帆布回收再制为文创衍生品，竹材转化为城市家具部件。“可逆性建造”的思维，让艺术摆脱一次性消耗的宿命，转而成为可循环的文化载体。这种建造哲学与游牧文明“取予有度”的生态智慧相契合。
The interplay between steel, bamboo, and fabric achieves a dynamic equilibrium, resulting in a temporary pavilion that is both sculptural and breathable. Lightweight metal connectors ensure efficient modular assembly while also allowing for potential reconfiguration in different locations.
When the music festival concludes, the structures will be dismantled into independent units. The fabric will be repurposed into cultural and creative merchandise, while the bamboo components will be transformed into urban furniture. This philosophy of “reversible construction” liberates art from the fate of single-use consumption, instead transforming it into a recyclable cultural medium—an approach that resonates with the ecological wisdom of nomadic civilizations, where balance is maintained between taking and giving.
▽钢、竹、帆布三种材质形成精妙的动态平衡
03 因地制宜
装置设计将游牧文化被转化为具体的空间策略：
模块通过增减数量、旋转角度、变换阵列密度——市集区采用连续伞群形成半遮蔽廊道，演出区通过单元错位创造声场反射面，休憩区则以松散布局保留海风穿行的孔隙。
Contextual Adaptation
The design of these installations translates nomadic culture into tangible spatial strategies:
By adjusting the number of modules, rotating angles, and altering array densities, the layout adapts to various functional needs. In the market area, a continuous canopy of modular units forms a semi-sheltered corridor. In the performance space, staggered modules create reflective surfaces that enhance the acoustic environment. The relaxation zone is loosely arranged to allow sea breezes to flow freely.
▽因地制宜 © Also Architects
市集、休闲区、聚会区以及展览区之间相互关联又独具特色，共同构成一个完整的艺术生活体验场景。不仅能够从容应对现场随时更改的多重变量，更适应未来不同场景下的功能各异的需求。
The market, lounge, gathering, and exhibition areas are interconnected yet distinct, collectively forming a holistic artistic and lifestyle experience. This flexible approach not only accommodates on-site changes in real time but also ensures adaptability for diverse functions in future settings.
▽构建一个适应各种艺术与生活的体验场景
六边形模块的形态本质上是游牧文明空间美学的拓扑呈现，将“流动基因”与“包容性”编码进几何秩序。
这种最接近圆的棱角，源自蜂巢与龟甲的古老几何，既具备紧密嵌合的理性秩序，又暗含拆解重组的自由基因——正如游牧民族随季节迁徙时，帐篷的构件总能在新牧场快速重组为家园。
The hexagonal module itself embodies the spatial aesthetics of nomadic civilizations—its geometric order encodes both fluidity and inclusivity.
The hexagonal form—one of nature’s most efficient geometries, seen in honeycombs and turtle shells—embodies both rational order and the inherent flexibility of disassembly and reconfiguration. Just as nomadic tribes migrate with the seasons, effortlessly reconstructing their tents into homes on new pastures, these modular installations redefine how art moves and thrives across landscapes.
▽源自蜂巢与龟甲的古老几何的六边形模块
当音乐现场的喧嚣褪去，这些被拆解的竹构模块将带着海风的记忆，在下一个城市重组为新的文化场景。模块化不是冰冷的工业术语，而是让艺术得以持续生长的基础设施——它不追求永恒的存在，却能在每一次落地时，与新的土地、新的人群产生深度对话。
游牧美术馆的实践，本质上是为艺术寻找更轻盈的栖居方式。这种可持续的建造哲学，或许正是公共艺术回归生活本真的必经之路。
When the festival’s energy fades, these deconstructed bamboo modules, carrying the memory of sea breezes, will be reassembled into new cultural landscapes in different cities. Modularity is not a cold industrial term—it is the infrastructure that allows art to continually evolve. It does not seek permanence, yet with each relocation, it engages in profound dialogue with new places and new people.
At its core, the Urban Nomad Art Museum’s practice is about finding lighter, more adaptable ways for art to exist. This philosophy of sustainable construction may well be the essential path for public art to reconnect with everyday life.
▽城市游牧美术馆艺术装置市集
▽“声波”模块化装置
项目名称：游牧美术馆
策展机构：漓岛音乐节&城市游牧美术馆
策展人：张翱
装置设计：Also Architects
项目时间：2025.01
项目面积：350平方米
项目地点：中国，海口
设计团队：肖逸萌，叶子铭，张锦，罗雯
灯光照明设计：卧羊照明设计WOY
工程单位：光泽竹创建筑科技有限公司
主要材料：竹，金属
摄影版权：言隅建筑空间摄影
“ 用模块化艺术装置，构建一个限时开放的艺术文化交流场域。”
审稿编辑：Maggie
更多 Read more about: Also Architects
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