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WTD: This is a venue full of power and visual tension. On the vast native slopes, depressions are formed downwards, and the valleys in front of you and the ridges in the distance are panoramic. The half-person tall weeds danced with the wind, and the stones chapped into beautiful textures after being weathered. The wide sense of scale and soft terrain curves combine to form a moving picture that evokes our perception of life and time. In the imagination of large-scale and unbounded, wilderness and valley, barrenness and poetry, we hope to present a space with original strength and natural texture, a “primitive realm” of dialogue with nature.
▽局部鸟瞰 Aerial view
A field, this is the first feeling of the design team when they first saw the site.
Vanke Puyuan is located on both sides of Beiyuegang Avenue in Chongqing Central Park. The demonstration area is located on the slope on the southeast side of Yuegang Avenue. The site with a surface width of about 150m has a grading rate of 18.5% and the height difference is reduced by nearly 20 meters. This topographical condition becomes The design mainly overcomes the difficulties. Most areas of the demonstration area belong to the expropriated green space, and the front field will be the main entrance of the future municipal park in the future. A branch road with a slope of 6.3% passes through it, which also brings certain constraints to the design.
▽设计难点是克服巨大高差 The design difficulty is to overcome the huge height difference
The original sloping field structure inspired us to use “original” as the design theme. We use the interaction of terrain and lines, and the blending of nature and materials as our creative principles. The minimalist lines are matched with soft colors to present the ultimate artistic aesthetics of geometry and sculpture. The cleanest and concise straight lines and blocks form the frame, cut light and shadow, and cut natural, showing the simple and original beauty.
▽极简的几何线条与原生自然场地互动融合 Minimalist geometric lines interact with the original natural site
Before shaping the temperament of the venue, the design must first solve the problem of height difference, avoid the fatigue and the sense of drop caused by continuous downward walking, and improve the comfort of travel. The design reduces the height difference of 20 meters into a three-level terrace. Different methods are used to weaken the sense of gap in different terraces, leaving enough smooth sections, combined with the avoidance of sight, and forming a strong forest living space through layers of falling.
▽层层平缓的阶梯 A series of gentle steps
At the entrance, the design uses two scenery walls parallel to the municipal road as the entrance barrier and a section of guide road, blocking the traffic, allowing people to feel the transformation of space, but also blocking the inward sight, and it is impossible to see the height difference of the site at a glance.
▽入口用景墙作屏障，阻挡视线 The entrance is blocked by a view wall
The second-level terrace transforms the height difference between the stairs and the square tower. The high tower also plays a role in avoiding the line of sight. The outside of the tower is filled with soil to obtain two levels of space. The upper lawn and pine forest bring the feeling of walking through the mountain forest. The gray space satisfies the functions of staying and resting, forming a more three-dimensional landscape.
▽二层台地与上层平面形成更立体的空间 The second floor platform forms a more three-dimensional space with the upper plane
The third-level terrace uses the slowly descending art gallery to transform the height difference of the site into a quiet and subtle way of seeking the heart, slowly leading to the interior scene. The design uses sections to eliminate height differences, while using off-white walls and polylines to create a sense of geometry and sculpture, creating a pure and artistic space. This technique also makes the space visually integrated, and it is impossible to find out from the appearance. The soft and horizontally stretched large scale sense is very artistic.
▽去往售楼部的三级台地 Three level terrace to the sales department
Space is like poetry, but also has its own unique rhythm. In the design, we also pay attention to the opening and closing relationship of the space, and create a rich spatial rhythm through the opening and closing of the sight line and the presence of people in the space, which attracts people step by step.
▽空间的开合关系，引人入胜 The opening and closing relations of space are fascinating
From the entrance guide section that obscures the line of sight to the Garden of One Tree, it is the first retractable space. In the clean, minimalist courtyard, an upward-growing tree breaks through the enclosed space, and the benches used for sitting are another kind of blank space.
▽简约的庭院，孤植乔木表现空间感 Contracted courtyard, solitary plant trees show sense of space
▽墙边的长凳也是另一种留白 Benches along the walls are another blank space
The tall tower next to the courtyard once again shields the view. The tall wall cuts out a ray of light, looking for the light, and turning from under the tower to the observation deck with open sight. This is the second collection of the space. Put, here, there is also a space for pause, immersion and thinking.
The high wall of about 4 meters shields the view from both sides of the art corridor. The long corridor narrows and narrows. The vineyards suddenly appear to make the space open. This is the third retractable space.
▽经过一段甬道之后，视线被打开 After a passage, the view is opened
In the relationship between opening and closing, the design removes the flashy decorations and uses the simplest lines to cut the light and shadow and nature, forming narrow or wide, near or far, or horizontal or vertical landscape perspectives to complete the site Echoes. People can get far-reaching thoughts in the distant view and quiet observation.
The moving space serves a better life. The last action of the design is to connect people’s exploration of the spiritual world to life through the placement of a sense of scene. Combining with the characteristics of mountain habitation of the site, we describe a comfortable and pleasant environment around the story of mountains and forests.
The architecture, landscape, and interior complement each other to create a leisurely living atmosphere and make the entire venue exude a French romantic atmosphere. The landscape extends from the concept of a wasteland to a natural and open vineyard, which not only echoes the “wine cellar” theme of the sales department, but also continues the visual beauty through a simple and elegant way, deducing a warm and casual atmosphere.
The design creates a landscape space with artistic atmosphere and zero-distance contact with nature in the sense of the horizontally stretched scale. People can calm down in this space and look inward, or they can look into the distance and disperse their tastes. The morning mist and the gathering sunset will bring the best time of the day to the bottom of your eyes, and experience the inner fullness and the beauty of life. This is our original realm-using space to give back poems to the wilderness.
▽在原生规则的葡萄园，与自然亲密接触 Get in touch with nature in a vineyard of native rules
设计团队：李卉 李彦萨 田乐 侯茂江 王璐 李丹丹 郭亚菲 陈奥男 潘宇杰 李理 王玥 于红燕 赖小玲 马俊 马利平 张书桢 宋照兵 姚淞骅
Project name: Vanke Puyuan , Chongqing
Landscape design area: 20000㎡
Project location: Yubei District, Chongqing
Landscape design:WTD GROUP
Design team: Li Hui, Li Yansa, Tian Le, Hou Maojiang, Wang Lu, Li Dandan, Guo Yafei, Chen Aonan , Pan Yujie, Li Li , Wang Yue, Yu Hongyan, Lai Xiaoling, Ma Jun, Ma Liping, Zhang Shuzhen, Song Zhaobing, Yao Songhua
Owner’s design management team: Chongqing Vanke Product Planning Department
Building design: LWK&partners
Construction: Sichuan Shuhan Garden Engineering
Completion time: 2021
审稿编辑 任廷会 – Ashley Jen
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