泰国考艾公园里的折叠咖啡馆 / IDIN Architects

本文由 IDIN Architects 授权mooool发表，欢迎转发，禁止以mooool编辑版本转载。
Thanks IDIN Architects for authorizing the publication of the project on mooool. Text description provided by IDIN Architects.

IDIN ARCHITECTS:咖啡馆位于一片斜坡之上，从主干道向下延伸至一个大水池，可将泰国呵叻府考艾的全景尽收眼底。建筑师意识到这片场地不仅有潜力成为一家咖啡馆，还能成为一个公共观景台——路人无需进入咖啡馆就能自行前往观景。

设计概念源于将观景台抬高的想法，让景观从外部也能被欣赏，仿佛地面被切开并抬起，向前延伸至广阔的景色之中。地形的处理灵感源自日本的折纸艺术——“切纸”。这一理念在建筑上得到了重新诠释，将土地想象成一张纸，通过切割、抬起和折叠，创造出多个空间层次。这些手法既界定了公共区域，游客可在此驻足欣赏美景，也界定了更私密的咖啡馆空间，这些空间直接朝向水池和周围的山峦敞开。

Harudot Khao Yai is located on a sloping site descending from the main road toward a large water basin, opening to a panoramic view of the Khao Yai landscape. The architect recognized the site’s potential not only as a café destination, but also as a public viewpoint—one that could be accessed independently by passersby without entering the café itself.

The design concept emerged from the intention to elevate the viewing platform and make the landscape accessible from outside, as if the ground surface were sliced and lifted, projecting forward toward the expansive scenery beyond. The manipulation of the terrain is inspired by Kirikami, the Japanese art of cutting and folding paper. This idea is reinterpreted architecturally, imagining the land as a single sheet that is cut, lifted, and folded to generate multiple spatial layers. These gestures define both the public realm, where visitors can pause to enjoy the view, and the more private café spaces, which open directly toward the water basin and surrounding mountains.

建筑过程始于对土地的“切割”，然后将地面抬起，形成一座与路边相连的人工小山。沿着边缘，引入了一条楼梯作为公共通道，让游客能够登上观景台，而无需经过咖啡馆。设计随后将水平面“折叠”进地面，为接待区和咖啡馆区域挖出内部空间。一个单一的、紧凑的入口引导游客向内，逐渐展现出场地最开阔的景色。通过一系列折叠的平面，建筑创造出多种户外、半户外和室内空间，将水平和垂直表面无缝连接成一个连续的空间体验——从室内空间到露台和屋顶，都与考艾的自然景观融为一体。

The architectural process begins with a “cut” into the land, followed by lifting the ground to form an artificial hill connected to the roadside. Along its edge, a stairway is introduced as a public route, allowing visitors to ascend and access the viewpoint without passing through the café. The design then “folds” horizontal planes into the earth, carving out interior spaces for the reception and café areas. A single, compressed entrance guides visitors inward, gradually revealing the site’s most expansive view. Through a sequence of folded planes, the building creates a variety of outdoor, semi-outdoor, and indoor spaces, seamlessly linking horizontal and vertical surfaces into a continuous spatial experience—from interior spaces to terraces and the rooftop, all merging with the natural landscape of Khao Yai.

由于其兼具建筑和挡土墙的双重功能，该建筑主要采用现浇混凝土建造，表面保持裸露，以诚实地展现材料。与 Nana Coffee Roasters 对可持续发展的承诺相一致，该项目成为低碳混凝土使用的试点，使用煅烧粘土部分替代熟料。这种方法可减少高达 38% 的二氧化碳排放。最终形成的混凝土呈现出自然的陶土色调——柔和、温暖，让人联想到咖啡豆。在日光下，其表面会微妙地转向粉色调，让人联想到春天的樱花，这是对日语中“春”（Haru）一词诗意的呼应。

Due to its dual role as both architecture and retaining structure, the building is constructed primarily from cast-in-place concrete, with surfaces left exposed to express the material honestly. In alignment with Nana Coffee Roasters’ commitment to sustainability, the project serves as a pilot for the use of low-carbon concrete, incorporating calcined clay to partially replace clinker. This approach reduces carbon dioxide emissions by up to 38%. The resulting concrete carries a natural clay-toned hue—soft, warm, and reminiscent of coffee beans. Under daylight, the surface subtly shifts toward a pinkish tone, evoking cherry blossoms in spring, a poetic reference to Haru, meaning “spring” in Japanese.

混凝土表面通过凹槽纹理和有选择地凿出的表面处理进一步加以雕琢，露出内部的骨料，与光滑的抹灰墙形成对比。咖啡馆的布局大约有 70% 的户外空间和 30% 的室内空间，强调与景观的互动。室内元素延续了切割和折叠的语言：地板抬升成为咖啡豆展示架，圆形切口延伸成螺旋楼梯，水洗石表面向上折叠形成长柜台。这些元素强化了统一的建筑叙事，材料、表面和功能都源自于切割、折叠和抬升地面的同一动作——创造出一种将人、场所和体验融合为单一空间故事的建筑。

The concrete surfaces are further articulated through a combination of grooved textures and selectively chipped finishes that reveal the aggregate within, contrasted against smooth plastered walls. The café program is organized with approximately 70% outdoor space and 30% indoor space, emphasizing engagement with the landscape. Interior elements continue the language of cutting and folding: floors rise to become coffee bean displays, circular cuts extend into spiral staircases, and washed stone surfaces fold upward to form long counters. These elements reinforce a cohesive architectural narrative, where material, surface, and function emerge from the same act of cutting, folding, and lifting the ground—creating an architecture that connects people, place, and experience into a single spatial story.