本文由 Módica Ledezma 授权mooool发表,欢迎转发,禁止以mooool编辑版本转载。

Thanks Módica Ledezma for authorizing the publication of the project on mooool, Text description provided by Módica Ledezma.

 

Módica Ledezma:Iyari 是一个 564 平方米的单户住宅项目,位于墨西哥纳亚里特州的蓬塔米塔,由 Módica Ledezma 事务所与 JJRR 合作设计,在应对特殊地形的同时,巧妙解决了构成其体验的不同感官问题。从视觉上看,它力求最大限度地利用得天独厚的海景,因此在设计过程中,设计重点是尽量减少对这种感官关系的干预。

Módica Ledezma:Iyari is a 564 m² single-family housing project located in Punta Mita, Nayarit (Mexico), designed by the Módica Ledezma office in collaboration with JJRR to respond to a peculiar topography and address the different senses that make up its experience. Visually, it seeks to make the most of the privileged view of the sea, so the design process focused on generating a structure that intervenes as little as possible with this sensory relationship.

 

▽项目视频 The video

 

该项目位于非常陡峭的坡地,因此设计师决定将其开发为三层,在剖面上像扇形一样展开,以顺应不规则的自然地形,并形成可居住的空地结构。通过这种方法,项目在设计意图、结构和材料方面都非常简洁,采用了清晰的建筑方案,不同区域之间由直面海洋的楼层隔开。该项目寻求适应性,尽可能地与容纳它的山体融为一体。

It is located on land with a very steep slope, so it was decided to developit on three levels that unfold like a fan in section, responding to the naturalunevenness and generating a structure of habitable clearings. This approachresulted in a very concise project in terms of its intentions, structureand materiality, deploying a legible architectural program where the differentareas are separated by levels that open to the ocean. The project seeksadaptability, and although the sculptural factor that composes it is undeniable.it intends to blend as much as possible with the mountain that houses it.

 

© Zaickz Moz
© Zaickz Moz
© Zaickz Moz

 

根据建筑计划的目标,允许的建筑占地面积非常有限。然而,除了创造出视觉上在不同点结的花园外,还可以纳入大量空间,满足居住者的基本需求,寻求空间民主,为每个房间提供独特的体验。楼梯与社交区相连,社交区试图将建筑的占地面积扩大到一个露台,露台上有很大的空地,一侧是厨房、洗衣房、浴室等服务设施,通过露台获得自然通风和采光。

室外有一个带露台的平台、一个游泳池和一个露天空间。房屋的短跨度与露台最后一点之间的关系非常密切。这种洞穴形态最大限度地扩大了室内外的空间感。

The footprint allowed for construction was very limited to the objectivesof the architectural program. However, it was possible to incorporatean extensive list ofspaces that meetthe basic needs ofitsinhabitants, in addition to creating gardens that visually end at different points ,seeking spatial democracy and providing each room with a unique experience. A staircase connects withthe social area, where an attempt is made to expand the footprint of whatwas built towards a terrace with a large clear space, containing on one sidethe services grouped in the kitchen,laundry, bathrooms, etc. whichare ventilated and illuminated naturally. through a patio.

Towards the outside, we have a platform with a terrace, a pool, and an open.air terrace space. The relationship between the short span of the houseand the last point of the terrace is very close. This cave morphology maximizesthe spatial sensation between inside and outside, a constant aspect in oursearches, although it is not the final result.

 

© Zaickz Moz
© Zaickz Moz
© Zaickz Moz
© Zaickz Moz

 

​该项目讲求实用性,与其说它规模大,不如说它给人一种宽敞的感觉。尽管表面的混凝土非常厚重,线条形状也非常明显,但空间感却非常自由。让人眼前一亮的是项目中几乎每一个居住空间都给人一种视野开阔的感觉。这正是空间民主所追求的:尽管主卧室因其尺度而享有优势,但所有空间的环境都是平等的。

每个房间的大小都是由三层楼形成的围护结构所决定的。在下一层,这个围护结构变成了一座可居住的、有顶的、阶梯状的桥梁。这是一个非常简单的综合结构,通过非常具体的操作,可以实现目标:海滨别墅。

It is a very practical project that stands out more for the feeling of spaciousnessthan for its large size, achieved through structures that allow the openingof a view towards the Pacific. The spatial sensation is one of great freedomdespite the heaviness of the apparent concrete and the very marked line shapes. What steals the show is the feeling of openness to the views, present in virtually every living space in the project. This is what was sought with spatial democracy: although the program privileges the master bedroom due to its scale, all spaces have equal circumstances.

The size of each of the rooms is a secondary consequence of the possibility of playing with a containment structure, formed by the three levels. This retaining structure becomes a habitable, covered, and terraced bridge on the next level. It is a very simple equation that, with very specific actions, allows us to achieve the objective: the experience of a beach house.

 

© Zaickz Moz
© Zaickz Moz
© Zaickz Moz

 

项目所在地区鼓励低影响开发,对建设有着明确的限制。这样做的目的是尽量减少对环境的影响,避免在不平整的地方出现非常突出的体量。

一进门,映入眼帘的是雕塑般的混凝土体,吸引着人去欣赏最后的美景:打开门,大海就呈现在眼前。左侧是房间,往下是完整的社交区域,服务设施则在稍后的位置。坡屋顶的大梁结构跨度很大。没有直接通向窗户的体量中有一个用于通风和采光的天井,避免了洞穴效应。厨房也可以眺望大海。这些房间简洁朴素、体量小,是对有限空间的一种回应。位于底层的主房间规模较大,与倾斜的结构融为一体。

Development in the area encourages low impact, delimited by a polygonal, which means that the restrictions are very defined. The logic is to minimize the impact and avoid very prominent volumes when there is unevenness.

Upon entering, you are greeted by the sculpture of the concrete volumes, inviting you to the final view: when you open the door, the sea opens up. To the left is the volume of rooms and, going down, is the complete social area, with its services a little further back. The girder structure with the pitched roof was designed to span a significant span. The volumes without direct access to windows have a patio for ventilation and lighting, avoiding the cave effect. From the kitchen, there is a view of the sea. The rooms are discreet and simple volumes, a response to the limited footprint available. The main room, on a lower level, is larger in scale and lives within these diagonal structures.

 

© Zaickz Moz
© Zaickz Moz
© Zaickz Moz
© Zaickz Moz

 

作为横梁的墙壁避免了隧道视觉效果,提供了一个 180 度的开口。这种工艺造型是为了模仿植被而设计的,防止房间产生封闭感。房屋被掩藏在地下,可以欣赏到侧面的植被和下降的斜坡。

住宅雕刻般的姿态并非目的,而是适应地形的结果。其整体构图非常清晰:保留结构成为可居住的口,以利用陡峭的地形。

The wall that becomes a beam avoids the tunnel vision effect, offering a 180-degree opening. This technical gesture was designed to imitate vegetation, preventing the rooms from feeling closed. The house is buried, inviting the lateral vegetation and the descending slope.

This sculptural gesture was not the objective, but rather the result of the adaptation to the topography. The house is clear in its diagram: retaining structures that became habitable mouths to take advantage of the descending topography. There are no labyrinths, as the house is compressed into this topographical accordion.

 

© Zaickz Moz
© Zaickz Moz
© Zaickz Moz
© Zaickz Moz

 

▽设计图纸 Design drawings

 

 

 

建筑事务所:MODICA LEDEZMA @modicaledezma
负责建筑师:Hector Modica, Carlos Ledezma y Jose Juan Rivera Rio (JJRR / Arquitectura)
合作伙伴:Paola Andonegui Cuellar, Fernanda Soriano, David Benavides, Emmanuel Ortiz, Cristian Romero
供应商:CEMEX, Venster, Brio, Helvex, Itz Furniture
建筑面积(M2):564平方米
竣工年份:2023
地点:Punta Mita, Nayarit
施工:ADC Agrupacion
摄影师:Zaickz Moz (@zaickz.moz)
网站:www.modicaledezma.com

ARCHITECTURE OFFICE: MODICA LEDEZMA @modicaledezma
ARCHITECTS IN CHARGE: Hector Modica, Carlos Ledezma y Jose Juan Rivera Rio (JJRR / Arquitectura)
COLLABORATORS: Paola Andonegui Cuellar, Fernanda Soriano, David Benavides, Emmanuel Ortiz, Cristian Romero
SUPPLIERS: CEMEX, Venster, Brio, Helvex, Itz Furniture
CONSTRUCTED AREA (M2): 564 m2
CONSTRUCTION COMPLETION YEAR: 2023
LOCATION: Punta Mita, Nayarit
CONSTRUCTION: ADC Agrupacion
PHOTOGRAPHER: Zaickz Moz (@zaickz.moz)
WEBSITE: www.modicaledezma.com

 


因地制宜,​依山观海

审稿编辑:SIM

更多 Read more about:Módica Ledezma


0 Comments