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致舍景观：2019年初春，我们第一次来到场地，石家庄这一北方城市南郊的装备基地生活服务区。场地被一望无垠的麦田所包围，扑面而来的是自然的空旷；没有了城市高楼林立的凌乱天际线，有的是天与地相接的广袤地平线，天空澄蓝，地面翠绿。西侧货车飞驰的裕祥街将麦田的静谧打破，从视觉和听觉上无时无刻强行的刷着城市的存在感。顺着裕祥街，当我们来到附近的装备基地工业区，则是另一番景象。几何式的厂房和大型钢架设备，充满了工业感的场景，在其中我们感悟到了力量的存在。于是，自然和力是这个场地传达出来的气质，成为了我们思考的出发点，也始终贯穿在整个设计——源于场地，归于场地。
Z’scape：In the spring of 2019, We visited the site for the first time, which is located in the service area of the equipment base in the south of Shijiazhuang. The site was surrounded by a vast wheat fields where you can feel the power of natural open space; There is no messy skyline lined with high-rise buildings in the city, only the vast horizons where the sky meets the earth with blue sky and green land. Yuxiang Street on the west side, breaks the quietness of the wheat field from the visual and auditory sense, and mind you here is still close to the city. Along the Yuxiang Street, when we came to the nearby industrial base of the equipment base, it was another scene. It was so strong and so industrial with large geometrical workshops and huge large steel frames.Therefore, nature and strength are the temperament conveyed by this site, which has become the starting point of our thinking, and it has always run through the entire design.
▼景观的艺术介入，力和自然的驻留 Artistic intervention of landscape，The presence of force and nature
设计思维 Design thinking
无论多么漂亮新颖的设计，都是设计的物理表象。我们更倾向将场地看作为一个整体，让自然的元素呈现真实的质感，使人能感应到景观的生命力并沁入其中。石家庄融创城就是我们对示范区景观的一次全新的尝试。设计不是高昂的造价、丰富的材质和亮点的堆砌；我们理想的设计是整体且有力度的块面感且呈现出更有品质的风格，也能在细部表达施工技术的精进和辨识感。
No matter how beautiful and special the design is, it is the physical appearance of the design. We are more inclined to see the site as a whole, let the natural elements present a real texture, so that people can sense the vitality of the landscape and get involved in it. Shijiazhuang Sunac City is a brand new attempt for the landscape of the demonstration area. The design is not expensive, not with lots of rich materials and highlights; Our ideal design is a whole and powerful blocky look, presents a more quality style, and can also express the precision and identification of construction technology in details.
入口景观 Entrance landscape
入口强调横向水平感，以便引导人流，足够的留白使光影婆娑，给人以整体简洁却充满细节与变换的视觉感受；入口空间的流转承接，也诠释人们心中对于美的定义。
The entrance emphasizes the sense of horizontal level to guide route. With pure white space and walls for shadow, it gives people a visual sense of overall simplicity but full of details and transformation; The circulation of the entrance space also interprets the definition of beauty in people’s minds.
▼片状入口景墙和点状涌泉，呈现出整体且有力度的块面感 Entrance wall and water fountain
▼入口界面空间 The entrance
▼黄昏时的入口廊 Entrance wall
▼夕阳下的细节，呈现出光感之美 Beauty of light
静水中庭 Reflection Water Courtyard
在前场狭窄的空间里，静水中庭会更适合这样的尺度和表达氛围。入口、界墙、步道彷佛漂浮于水中，黑色池底也倒映着天光云影。简洁的块面更多体现的是对于空间关系的思考。
In the narrow space of the frontcourt, the reflection water courtyard is more suitable for such scale and expression atmosphere. The entrance, the boundary wall and the footpath seem like floating on the water. when the black pool reflects the sky and clouds. The simple block surface reflects more about the spatial relationship.
▼静水中庭的黄昏 Water courtyard(Dusk)
▼阵列的彩叶树与静水中庭，整个设计干净极简 Maple trees in relection water courtyard,The whole design is clean and simple
▼入口、界墙、步道漂浮于水中，简洁的块面表达空间关系 The simple block surface reflects more about the spatial relationship
框景 framing
景观从来都是记录人类文明的文化符号和描绘自然的在地标志。绿色的草坪犹如初春的麦田，一系列三角形地形从立面上勾勒出连绵山川的起伏，被如镜的净水面倒映着，这场景映射的是中国人心中山水园居的浪漫情怀。
The landscape has always been a symbol of human civilization and a sign of nature. The green lawn is like the wheat field in early spring. A series of triangular terrains outlines the rolling hills. It is reflected by the clean water surface of the mirror. This scene maps the romantic feelings of the landscape gardens in the hearts of Chinese people.
▼框景中定格的山水画画卷 The framed landscape acts as a landscape painting
▼夜景下树影婆娑 Night scene, the shadow of the tree
三角形的艺术区 Triangle Art District
我们提取了装备机械厂中最常见的机械构造元素“三角形”。三角形不仅是最稳定的几何形体，更是构造空间的好元素，瑞士景观大师克拉默在苏黎世的划时代作品“诗人花园”就是最好的印证。
We extracted the “triangle” of the most common mechanical structural element in the equipment machinery factory. The triangle is not only the most stable geometric shape, but also a good element of the construction space. The Swiss landscape master Cramer’s epoch-making work “The Poet Garden” in Zurich is the best proof.
▼概念转绎 Concept
三角形体没有具象的语言，不追求对客观事物的完全重现，使作品充满想象，笔挺的线条与纯粹的色块交织在一起，超越具象形体所不能传达的力量感和情感。
The triangle form has no figurative language, does not pursue the complete reproduction of the objective things, makes the works full of imagination, and the straight lines are intertwined with the pure color blocks, surpassing the power sense and emotion that the figurative body cannot convey.
三角形坡地犹如极简主义大师野口勇（Isamu Noguchi）的雕塑一般,在此看似肆意但实为精准的捏形，要求严苛的施工工艺才能使三角形草坡呈现出自然却极为精准的形态。
The triangular slope is like the sculpture of the minimalism master Isamu Noguchi. The seemingly pleasing but precise pinch shape requires a harsh construction process to give the triangular grass slope a natural yet extremely precise form.
三角形草坡群能从功能上隔绝噪音屏蔽视线，从而在场地内部营造独一无二的艺术花园。
The triangular grass slope group functionally isolates the noise and screen the road, to creating a unique art garden within the site.
▼三角形草坡群的艺术花园，Art garden with triangular grass landforms
示范区建筑,未来会变成拥有六班级规模的社区幼儿园，这片三角形坡地群也会成为孩子们有趣的户外活动场所，孩子们在这里嬉笑打闹，肆意奔跑。
The showcase building will become a community kindergarten with six classes in the future. This triangular slope group will also become a fun outdoor activity playground for children to laugh and run.
▼人们可以穿梭于三角绿地的任何角落 People climb up green landforms
▼奔跑在“山野之间”的孩童 Children running between the mountains
▼波纹不锈钢三角面，景致随时间而异 The corrugated stainless steel triangular face presents different landscapes as the time changes
枫竹花园 Maple and bamboo garden
后场空间是枫竹花园，采用“大地即是塑泥”的设计构思。草皮可以像飞毯一样反重力的“飞起来”。丛生五角枫 “穿过” 这块“飞毯”，形成从室内看出的视觉焦点。通过廊架柱体不锈钢镜面的折射，让周围场景形成曼妙的艺术空间。
The backyard space is a maple and bamboo garden, adopting the design concept of “ The earth is plasticine “. Turf can fly against gravity like a flying carpet. Cluster of maple “through” this “flying carpet”, Forms a visual focus from the interior grinding. Through the refraction of the mirror frame stainless steel mirror surface, the surrounding scene forms a wonderful artistic space.
▼丛生五角枫 “穿过” 这块“飞毯”，形成从室内看出的视觉焦点 Cluster of maple “through” this “flying carpet”, Forms a visual focus from the interior grinding
▼草皮的艺术设计，翘起的地毯一角 Turf art design
▼廊架柱体不锈钢镜面的折射，让周围场景形成曼妙的艺术空间 Beautiful reflection of surrounding environment
简洁的形式和艺术感 Concise form and Art sense
纯洁的浅米白色高墙，映射天光的黑色池底，上下起伏的绿色草坡，随风扶摇的观赏草。虽然形式简洁却又变化无穷，在暖阳，冷月，清风，薄雾，飞泡等或自然或人工元素的加持下，在不同时间呈现出不同的景色,整个设计干净极简。
pure light beige white wall, black pool bottom reflecting sky light, up and down undulating grass slope, and ornamental grass whirling in the wind. Although the form is simple, it also changes endlessly. With the help of warm sun, cold moon, clear wind, mist, flying bubble and natural or artificial elements, it presents different sceneries at different times.The whole design is clean and simple.
▼总平面 Plan
▼景观概览 Overview
▼地形景观概况 Overview of terrain landscape
项目名称：石家庄融创城
业主：石家庄融创
景观面积：5420㎡
景观设计单位：致舍（北京）景观规划设计事务所
景观设计团队：周梁俊、周婷、张锦生、陈丽萍、王子健、李子奕、陈禹希、王金莎 、刘月姮
联系邮箱：info@la-zscape.com
竣工日期： 2019年
建设地点：石家庄
摄影：郑焰建筑摄影、栾祺、鲲图文化
Project Name: Shijiazhuang Sunac City
Client: Sunac
Area: 5420㎡
Landscape Design firm: Z’ scape
Designer team : Liangjun Zhou, Ting Zhou, Jinsheng Zhang, Liping Chen, Zijian Wang, Ziyi Li, Yuxi Chen, Jinsha Wang, Yueheng Liu
Contact email:info@la-zscape.com
Completion date: 2019
Location: Shijiazhuang, Hebei province
Photo Credit: Zheng Yan Architectural Photography, Qi Luan, Kuntu Culture
项目中的材料运用 Application of materials in this project
更多 Read more about: Z’scape 致舍景观
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