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魏玛景观：从2023到2026年，与麓湖样板岛相伴已有四年之余。
时光荏苒，从C16《Saint-Tropez.南法花园》，到C26《Scandinavia.斯德哥尔花园》，以及这次的样板岛群落：C17《Glacier.冰川花园》，本次C23《Silent-Water.静水之庭》，还有年末即将推出C18《Sunset.日暮花园》 的告别“出演”。
同时伴随着新政策的推进，这四年间，我们的五个样板岛，算是划上了一个“时代”的句号：样板岛在全国地产界具有唯一性与辨识度，也是行业内独有的产品模式。11年前的消费理念延续至今，整个参观行为通过生态湖泊与产品链接，营造出水上游览动线，至今仍独树一帜——这正是样板岛独一无二的所在！
我们与万华麓湖一路见证的，不仅是麓湖生态水镇底色的延续，更是整座城市语境下，自然与人居关系的一次次递进。
陪伴，是一种共同的成长。
从C17冰川花园流淌到C23《静水之庭》，完美不在于无可增添，而在于无可删减。
如米开朗基罗所说：“每一块石头里面都蕴藏着形象，雕塑家的任务，只是把它释放出来。” 静水之庭以大理石的厚重感雕塑出柔软之美，再嵌以毛绒质感的花境，别具一格的艺术花园从而诞生。
Weimar Group: Companionship is a kind of shared growth.
From the C17 Glacier Garden to C23 “Still Water Courtyard”, perfection lies not in t he inability to add anything, but in the inability to remove anything.
As Michelangelo said, “Every stone contains an image. The sculptor’s task is merely to release it.”
The Quiet Water Garden, with the heavy texture of marble, creates a soft beauty through sculpture, and is further enhanced by the plush-looking flower beds, thus giving birth to a unique artistic garden.
▽鸟瞰
▽入口
▽中庭
▽后庭
依托于麓湖得天独厚的水域资源，C23选址于两处水域的交汇点。岛头马道连接着一处小岛，原生水杉成林，长势良好。西侧是“荒野酒店”建筑群落，北侧是热闹的“麓客岛”餐饮集群，均已是成熟的业态。
原生马道和水杉林自然野趣，周边两侧水域业态精致，充满城市烟火感。
当所有区域的动线汇聚于此，既符合界面的融合，又能保持独具一致的个性表达，恰巧给《静水之庭》的空间面域、线性张力与色感表达提供了先天的土壤优势。
Taking advantage of the excellent water resources in Luhu Lake, C23 is located at the junction of two water areas. The island head path connects to a small island, where there is a forest of native cypress trees, thriving and healthy. On the west side is the “Wilderness Hotel” architectural complex, and on the north side is the bustling “Luhu Guest Island” dining cluster, both of which have already developed into mature business models.
When the movement lines of all areas converge here, it not only conforms to the integration of the interface, but also maintains a unique and consistent expression of personality. This precisely provides an inherent soil advantage for the spatial area, linear tension and color expression of “The Quiet Water Courtyard”.
▽区位地图
Loop | 石涧环形带
从“喧嚣”到“宁静”的过渡，衔接湖泊、城市，在不经意之间达到空间画面的切换。
这里是连接麓客岛及城市主干道的进入方向，串联起城市、湖泊及场地本身，如何在不经意之间将空间画面转化？我们最先想到的则是把场域内部宁静保存下来，从视线、听感将外部嘈杂的不利因素规避掉，再以相同材质的色彩衔接空间，还给《静水之庭》原本的空间氛围。
The first thing that came to our mind was to preserve the tranquility within the space, shielding it from the external noise and distractions through visual and auditory means. Then, by using the same colored materials to connect the spaces, we restored the original atmosphere of the “Still Water Courtyard”.
▽石头涧环形带
利用环形墙解决视线及空间围合关系，控制视线开合，植物拟作媒介穿于其中，巧妙的利用建筑山墙面作为衬板，抬升南洋杉的线条感，最后完成从硬质场地到自然湖岸的情绪转换。
By using the circular wall to address the issues of sightlines and spatial enclosure, controlling the opening and closing of the sightlines, plants are used as a medium to be placed within it. Ingeniously, the building’s mountain wall surface is utilized as a backing panel to enhance the lines of the Southern Hemisphere pine trees. Finally, an emotional transition from a hard terrain to a natural lake shore is achieved.
Lakeside |生态湖畔
把握场地整体节奏，将色彩的变化与场地生态空间脉络串联，创造出一处亲水的滨湖空间。
利用麓湖的生态资源优势，用在地湖岸植物去还原整个麓湖的生态肌理，借场地高差将C23板块整体抬升形成边界领域，让《静水之庭》与大生态基底有机链接。
Taking advantage of the ecological advantages of Lühu Lake, local lake shore plants are used to restore the ecological structure of the entire Lühu Lake. By leveraging the terrain height difference, the C23 section is raised as a boundary area, allowing the “Still Water Courtyard” to be organically linked to the large ecological base.
▽抬高的边界领域
▽界面与湖面独立又保持链接
▽亲水且柔软的植物
人行走其中，一侧是亲水的湖畔，一侧是抬高的水景，脚边是蓬松轻盈的植物。水在近处，也在高处；路在脚下，也在水边。
空间与视觉的变化把这里变成了情绪转换的过渡区，植物的柔软拉近了人与自然的距离。
As people walk through it, on one side there is the waterfront by the water, and on the other side there is the elevated water feature. Close to their feet are the fluffy and light plants. The water is near at hand, and also high up; the path is beneath their feet, and also by the water.
Path|马道小径
自然的终点是艺术的起点，用留白的方式去承载空间的动态，穿行在马道之中，自然场景逐渐消失，《静水之庭》的入口悄然抵达。
坐船过来的人群，穿林而过，抵达C23入口。从开阔的水域到森林，这里承载了心情与画面的极致转换，不同场域之间的反差在这里交汇。
场景的碰撞，让我们对未来的画面呈现有了深刻的认知，也引发我们对项目的思考：“尊重场所精神，保留场地基底，延续画面记忆。”
The people arriving by boat, moving through the forest, reached the C23 entrance. From the open water to the forest, this place represents an extreme transformation of emotions and scenes, and the contrasts between different areas converge here.
▽水上码头停泊点
▽原生水杉林
▽走在上面能听见树叶簌簌声的马道
▽我们把原始马道的感受进行了延续
将马蹄作为道路元素与原有场地呼应，将原生水杉林延续至马道，再利用铺装变化与低矮植被形成水平视线引导，延伸到《静水之庭》的入口空间。
我们选择用风与树叶的声音，人行走在树林里脚步踩出的沙沙声，完成了一场从自然到艺术的穿梭。
The horse hooves are used as a road element to echo the original site. The native cypress forest is extended along the horse path. Then, through the variation of paving and the use of low vegetation, a horizontal line of sight is formed to guide the way, extending to the entrance space of the “Still Water Courtyard”.
▽初秋的马道
▽马道穿林后的遐想
穿林而过的抵达，我们没有做强力的昭示性，选择用草坪作为过渡，让人在轻松惬意的氛围中，完成由野趣到几何的转变，大地艺术向人文艺术的衔接。
The passage through the forest arrives, and we did not make a strong indicative statement. Instead, we chose to use the lawn as a transition, allowing people to complete the transformation from the wild to the geometric in a relaxed and comfortable atmosphere, connecting the earth art with the humanistic art.
Entrance|入口
入口，我们希望用最简单的颜色，最简单的几何构成来建立最干净的界面，传递出静谧平静的场所精神。
没有多余的装饰语言，仅以线条的形态和植物波点的状态变化来完成全部叙事，让宁静感自然抵达。
There is no superfluous decorative language. The entire narrative is accomplished solely through the forms of lines and the changing states of the plant dots, allowing a sense of tranquility to naturally permeate.
黑色的线条从大地延伸，拎起了整个场地的骨架，绿色的植物不经意的蔓延出来，自然的柔软与几何的线性传递艺术的张力。一抹黑、一抹绿的色彩，在场地间交织成序。
Black lines extend from the ground, lifting the framework of the entire area. Green plants spread out unconsciously, naturally conveying softness and geometric lines to convey the tension of art. A touch of black and a touch of green colors interweave in the area to form a sequence.
▽具有向上生命力的线条
空间以大面黑色为轮廓基底，平面的线条向上延伸，勾勒出沉稳而富有张力的界面。毛绒植物镶嵌其中，注入绿色生态气息。
黑与绿的色彩穿插交织，在冷暖、刚柔之间传递出宁静的色彩交响曲。
The space is outlined with a large area of black, and the flat lines extend upwards, creating a stable and tense interface. Soft plants are interspersed throughout, infusing the space with a green ecological atmosphere.
黑色的线条，一直延伸，与麓客岛上建筑的坡屋顶无缝衔接，让其整体在麓湖多元的空间画面里，独立又统一。
The black lines extend continuously, seamlessly blending with the pitched roofs of the buildings on Luku Island, making the entire structure stand out and be unified within the diverse spatial landscape of Luku Lake.
▽回望，入口与远处麓客岛交织成画
空间不语，人自静。水在这里不再是填充物，而是可见的媒介，映射对空间精神的感知。
我们把水变成这里最安静的语言，将镜面的克制融入自然中，通过水景装置，让喧嚣在此止步，让宁静自然发生。
We transform water into the quietest form of communication here, integrating the restraint of the mirror-like surface into nature. Through water feature installations, we halt the hustle and bustle and allow tranquility to naturally occur.
▽静水之庭画面初稿
▽模型阶段，对场景的想象
▽呈现的画面，和我们想象是一样的
▽光影下的雕塑
空间里的微风，水幕的涓涓流淌，镜面装置映射出路过的人群，线条从地面延伸，在倒影与镜像中彼此产生对话,原本简单的道路，则变成了T台秀场。
The gentle breeze in the space, the gentle flowing of the water curtain, the mirror-like device reflecting the passing crowd, the lines extending from the ground, in the reflections and images, have a dialogue with each other. The originally simple path has transformed into a runway stage.
▽中庭鸟瞰
水面轻轻托起漂浮的卡座，仿佛从空间里生长出来。虚实交错之间，一抹红色的装置座凳，恰巧落在其中——悄然沉静在画面环境中轻轻地呼吸，不张扬，却明媚。
The water gently lifts the floating booth, as if it has grown out of the space. Amid the interplay of reality and illusion, a red device seat happens to land on it – like a gentle breath in a serene scene, unassuming yet bright.
以道路作为空间主体，与两侧的水景、镜面、装置交互，实现空间的可触、可听、可入。一条道路串联起水声、镜面与绿意，装置里的波点水珠，与线条碰撞，在几何序列中形成呼吸感。
A path connects the sound of water, the mirror-like surface and the greenery. The dot-shaped water droplets in the installation collide with the lines, creating a sense of harmony within the geometric sequence.
▽后庭鸟瞰
▽可爱的水滴，让雕塑变得趣味
黑色雕塑镶嵌在毛绒绿色之中，从塑石中跳出的水滴，打破了这里的静谧，但恰巧这样的打破，将后场的宁静变得更富有深意。
The black sculpture is set against the background of the soft green color. The water droplets that leap out from the stone sculpture have disrupted the tranquility of this place, but precisely because of this disruption, the tranquility in the back area becomes more profound and meaningful.
▽线条的变化，让场地更有层次
▽线条沿着道路向上延伸
空间是理性的语言，植物是感性的媒介。当我们将空间梳理成型，植物就成了水到渠成的事情。
利用暗绿、中绿、亮绿的层次，强调场景的对比感，植物轻盈的质感柔和边界，三重绿意，把空间从秩序带入生机。
方案植物探讨之初，对于画面感的营造，结合业主希望表达出毛绒质感的植物，与我们期待的波点质感融合，形成“波点+毛绒”的趣味空间状态。
Space is the rational language, while plants are the emotional medium. When we organize and shape the space, plants naturally become a natural outcome.By using the layers of dark green, medium green, and bright green, we emphasize the contrast of the scene, the light and airy texture of the plants, and their soft geometric boundaries. The triple greenery brings the space from order into vitality.
▽C23植物空间手稿
▽可可爱爱的波点毛绒植物
中庭利用叶片的细腻与柔软，打造毛茸茸的朦胧氛围。团状植物层叠交错，让整个画面的呈现蓬勃且富有生机。
The atrium utilizes the delicacy and softness of the leaves to create a fuzzy and hazy atmosphere. The clustered plants are interwoven and overlapping, giving the entire scene a vibrant and lively appearance.
从喧嚣到宁静的回归，有时候就是这样——你什么都没做，只是抬起头，季节已经替你完成了某种过渡。
The return from chaos to tranquility is sometimes like this – you do nothing but simply raise your head, and the season has already completed some kind of transition for you.
▽2025年5月，C16样板岛
▽2025年10月，C26样板岛
▽2026年5月，C17样板岛
▽2026年9月，C23样板岛
▽C18正在进行中
从四个春天到这个秋天，四季流转。我们又完成了一个小小的挑战。从第一次讨论，到第一次踏勘，再到呈现后的巡场。有的人从“胖”变“瘦”，有的人从“长发”变“短发”。但对于热爱和坚守，一直在持续中。
From the first spring to this autumn, the seasons have passed. We have accomplished another small challenge. From the first discussion, to the first exploration, and then to the tour after the presentation. Some people have gone from “fat” to “thin”, and some have changed from “long hair” to “short hair”. But for love and perseverance, it has always been ongoing.
项目名称：万华麓湖鸿屿长洲C23样板岛
委托业主：成都万华新城发展股份有限公司
景观设计：A.t.e.l.i.e.r. R若文工作室
施工单位：重庆吉盛生态园林绿化有限公司
花境单位：成都惠美花境园艺工程有限责任公司
雕塑深化及施工：成都市华韵达城市空间环境雕塑艺术有限公司
景观软装：成都禾止装饰设计有限公司
标识深化及施工：远信华通环境工程有限公司
项目地址：成都·麓湖生态城
开放时间：2026.09
景观面积：7310㎡
摄影团队：Holi、Roven
撰稿：TT
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