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WALLMAKERS:​一位当地音乐家提议修建的尼萨尔加(Nisarga)艺术中心为常驻演出提供了场地,并为人们交流、聚会,参加艺术和文化活动创造了条件。

场地靠近一片稻田,艺术中心传统的“喀拉拉邦屋顶”成为周围平坦地面上唯一的亮点。尽管这种传统的屋顶使建筑拥有理想的隔热效果与温度调节功能,也因此而闻名,但在当今的现代建筑中,它们的身影却在不断消失,原因很简单,这种屋顶所带来的黑暗并不适合现代人对舒适度和审美的需求。

WALLMAKERS:Nisarga art hub is an initiative by a family of musicians to make a community residency where people can interact and congregate for art and cultural events.

The site was near a paddy field, with the traditional “kerala roofs” being the only feature crowding the horizon around it. Even though these traditional roofs are famous for being the ideal insulators and temperature regulators , it’s a waning feature in contemporary architecture today, simply because the darkness it brings is not suited to the modern man’s comfort and aesthetics.

 

▽外部视野 Exterior view

© Syam Sreesylam

 

▽屋顶鸟瞰 Birds-eye of roof

© Syam Sreesylam

 

▽屋顶音乐会 Roof concert 

© Syam Sreesylam

 

因此,我们萌生了将屋顶打通的想法,以便安装天窗,将光线引入室内。而屋顶倾斜的角度(35°) 与露天剧场的 30° 似乎有着异曲同工之妙,于是我们便有了将屋顶的天窗改造成观众席的想法。​在游泳池上铺设一排木板,就能立即成为露天音乐会的舞台,还可容纳 75-80 人。

Thus the idea to break open the roof to accommodate skylights that stream in the light was conceived. The 35° angle of the roof seemed to perfectly matchwith the 30° angle of an open-air amphitheatre and the idea for the same skylights to become seating spaces for an audience was born. A series of wooden planks could be set on the swimming pool and it immediately doubles up as a stage for open-air concerts that can accommodate 75-80 people.

 

▽泳池上的表演舞台 Stage over the pool

© Syam Sreesylam

 

▽屋顶上的观众 Audience on the roof

© Syam Sreesylam

 

▽音乐会期间的屋顶 Roof  during concert

© Syam Sreesylam

 

艺术中心拥有一个独立的入口,通向一个可以俯瞰田园的大型起居空间,该入口确保了人们进出室内空间与屋顶的演出活动之间互不干扰。

The separate entry to the hub, ensuring that activities can happen parallelly above undisturbed, opens into a large living space overlooking the field.

 

▽住宅入口 Entry to the home

© Syam Sreesylam
© Syam Sreesylam

 

▽生活区景观视野 Living area view

© Syam Sreesylam

 

室内空间开放而灵活,并以木地板作为居住者与访客交流和用餐的场所,该设计巧妙地迎合了访客提倡的“莲花坐”(Padmasana)大有益处的偏好。

The interior spaces are conceived as open flexible spaces where the occupants mostly use the wooden floors for interacting with visitors and for dining, as was the preference of the clients who advocated the benefits of the ‘Padmasana’ position (sitting lotus pose).

 

▽生活区 Living area

© Syam Sreesylam
© Syam Sreesylam

 

▽地板座位 Floor seating

© Syam Sreesylam

 

▽餐厅 Dining area

© Syam Sreesylam

 

▽餐桌 DIining table

© Syam Sreesylam

 

▽厨房 Kitchen

© Syam Sreesylam

 

墙壁采用了百叶窗式碎石墙技术(已获专利),用从邻近城镇收集的建筑碎石和工地上的泥土建造而成,作为整体建筑的承重结构,甚至可以支撑楼上 4 米高的悬臂式录音棚。

The walls that are built with our patented shuttered debris wall technique, made with construction debris collected from the neighbouring town and soil from the site, is entirely load-bearing , supporting even a 4 meter cantilevered recording studio in the first floor.

 

▽天窗 Skylight

© Syam Sreesylam

 

▽漂浮的录音棚 The floating recording studio

© Syam Sreesylam

 

▽卫生间 Toilet

© Syam Sreesylam

 

中心朝西的一侧为客房,房间用从废品收购站收集的废弃架子作为格栅,并种植爬山虎作为遮挡午后阳光帘幕。

The west facing side of the hub had the guest rooms which are protected with discarded racks collected from a scrapyard, that became the grills and allowed for a curtain of creepers to shield it from the afternoon sun.

 

▽卧室 Bedroom 

© Syam Sreesylam
© Syam Sreesylam

 

▽顶楼的卧室 Bedroom on the top floor

© Syam Sreesylam

 

▽卧室内部 Bedroom interior

© Syam Sreesylam
© Syam Sreesylam

 

▽盥洗区 Wash area

© Syam Sreesylam

 

屋顶上经过精心设计的裂缝让光线流入室内,并通过黄麻袋卷的散射,使热空气得以排出。从被拆除的建筑中回收的红土砖块构成了住宅前的阳台,让人联想到喀拉拉邦传统民居的古老“muttams”。

The strategically designed breaks in the roof allow light to stream in, diffused by jute sack rolls and permits for the hot air to escape. Reclaimed laterite blocks from demolished buildings form the verandah in front of the home reminiscent of the old “muttams” of traditional Kerala homes.

 

▽喀拉拉邦传统民居结构 Muttam

© Syam Sreesylam

 

这座艺术中心建筑的设计就像音乐——音符之间的停顿比音符本身更重要,建筑的三段式结构以及建筑中间的留白/空隙恰能说明这一点。

The building is designed like music- where the pauses between the notes are more important than the notes themselves. Where the built architecture stops and the empty spaces in between speaks volumes.

 

▽夜景 Night view

© Syam Sreesylam

 

▽场地平面图 Site plan

© WALLMAKERS

 

▽一楼平面图 First floor plan

© WALLMAKERS

 

▽底层平面图 Ground floor plan

© WALLMAKERS

 

▽建筑立面图 Elevation

© WALLMAKERS
© WALLMAKERS

 

▽建筑剖面图 Section

© WALLMAKERS
© WALLMAKERS

 

 

 

项目名称:Nisarga Art Hub
竣工年份:2023年
面积:2557 平方英尺(总建筑面积)
项目地点:印度 喀拉拉邦 Ernakulam
设计公司:WALLMAKERS
公司网址: www.wallmakers.org
联系电子邮件:vinudaniel@gmail.com
首席建筑师:Vinu Daniel、Oshin Mariam Varughese
设计团队:Subhrodipta Ghosh,Rosh V. Saji
图片来源:Syam Sreesylam
摄影师社交账号:@Syam.Photographer

Project Name: Nisarga Art Hub
Completion Year: 2023
Scale: 2557 Ft² (Gross Built Area)
Project Location: Ernakulam, Kerala
Landscape/Architecture Firm: WALLMAKERS
Website: www.wallmakers.org
Contact e-mail: vinudaniel@gmail.com
Lead Architects: Vinu Daniel, Oshin Mariam Varughese
Design Team: Subhrodipta Ghosh, Rosh V. Saji
Photo Credits: Syam Sreesylam
Photographer’s Website: @Syam.Photographer (Social media)

 


传统的建筑结构承载了乡村的艺术生活,为邻里创造了一个享受生活的舞台,在屋顶举办的一次次音乐会,也让艺术的音符飘荡在自由的乡野之间。

审稿编辑: SIM

更多 Read more about: WALLMAKERS


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