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LIJO.RENY.architects:“幕后”展馆是为庆祝喀拉拉邦国际戏剧节 ITFOK 而设计的,主要是为了展示著名布景艺术家 Sujathan 的杰出经典作品。喀拉拉邦许多著名专业戏剧的布景和背景都是由艺术家 Sujathan 在其长达 50 年的职业生涯中设计和创作的。​Sujathan 的传统方法是用颜料混合阿拉伯树胶在布上作画,其作品涵盖了 4000 多部戏剧。他的贡献获得了无数赞誉,包括 15 项国家奖和 Sangeetha Nataka 学术研究院的奖金。

LIJO.RENY.architects: The pavilion, named ‘BEHIND the SCENES’ (pun intended), for the celebrated ITFOK (International Theatre Festival of Kerala), was primarily designed to showcase the illustrious retrospective work by the famed scenic background artist ‘Artist Sujathan’. Sets and backdrops for many of Kerala’s renowned professional plays have been designed and created by Artist Sujathan over a career spanning approximately fifty years. With a repertoire that includes over 4000 plays, Sujathan’s traditional approach involves creating paintings with pigments mixed with Arabic gum on cloth. His contributions have been recognized with numerous accolades, including 15 State awards and a fellowship from the Sangeetha Nataka Akademi.

 

© Praveen Mohandas
© Praveen Mohandas

 

该结构/装置经过精心设计,超越了其最初作为临时结构的用途,即作为从马拉雅拉姆戏剧中精选出的背景画集的展厅,这些背景画集几十年来已深深印在戏剧观众的记忆之中。此外,它的设计还注重细节,可完美适应举办各种活动,包括艺术家讲座、音乐晚会和戏剧研讨会,同时还提供了一个树荫下的宁静休闲场所。

This structure/installation was meticulously crafted to transcend its initial role as a temporary structure serving as a gallery for the selected collection of backdrops from iconic Malayalam dramas that are deeply ingrained in the collective memory of theatregoers for decades. Furthermore, it was designed with careful attention to detail, seamlessly adapting to host a diverse array of events including artist talks, music evenings, and theatre discussions, while also offering a serene spot for relaxation in the shade.

 

© Praveen Mohandas
© Lra
© Praveen Mohandas

 

黄昏时刻,展馆就像一盏明亮的大灯笼,预示着正在举行的国际戏剧节的热闹气氛,从远处和展馆周围都能看到。建筑的外部形式暗示着内部的内容,吸引观众进一步探索。戏剧背景与外立面融为一体,模糊了室内外的差异,使其成为一个从各个方向都能欣赏到的建筑结构。

Designed to resemble a large bright lantern as dusk falls, the pavilion heralds the excitement of the ongoing International Theatre Festival of Kerala, visible from afar and around the venue. The external form of the building hints at what lies within, inviting viewers to explore further. The drama backdrops were integrated into the facade, blurring the indoor-outdoor distinction, making it a structure enjoyable from all directions.

 

© Praveen Mohandas
© Praveen Mohandas

 

这种简单而精致的结构在已建与未建之间巧妙地保持平衡,创造出错综复杂的空间布局,邀请观众以一种完全独特的方式体验艺术作品,将穿越这些空间的行为转化为一场非凡的活动。其目的在于唤起人们对当地寺庙和教堂庆典中使用的临时建筑的视觉记忆,同时摆脱典型的“shamiyana panthal”。

This simple yet sophisticated structure, delicately balancing between the built and the unbuilt, creates intricate spatial arrangements that invite viewers to experience the artworks in a wholly unique manner, transforming the act of traversing these spaces into an extraordinary event. The aim was to evoke the visual memory of transient structures used in temple and church festivals throughout the state, while departing from the typical “shamiyana panthal”.

 

© Lra
© Praveen Mohandas
© Praveen Mohandas
© Praveen Mohandas

 

在前几届艺术节上,“meet the artist”活动传统上都是在室外、在校园广阔树木的庇护下进行的。今年,建筑师有意将该活动转入室内空间,以唤起人们对以往活动的回忆。为此,建筑师设计了部分覆盖织物的屋顶,既能捕捉树冠的阴影图案,又能让阳光透过树冠,在整个空间中形成迷人的斑驳光影。

In previous editions of the festival, ‘meet the artist’ events were traditionally conducted outdoors, under the shelter of expansive trees on the campus grounds. Transitioning into indoor spaces this year, the architects deliberately sought to evoke the essence of those past experiences. This was achieved by incorporating a roof partially covered with fabric, capturing the shadow patterns of the tree canopies and permitting streams of sunlight to filter through, creating a captivating interplay of dappled light throughout the space.

 

© Lra
© Praveen Mohandas
© Praveen Mohandas
© Praveen Mohandas
© Praveen Mohandas

 

​除用于展示的背景墙外,展馆主要由两种低成本的材料建成: MS 箱型材构成了骨架框架,而常用于剧院背景墙的 Kora 棉布则用于制作面板和胶带,便于将其固定在框架上。室内照明采用了当地一家照明公司借用的 LED 外形灯。之所以如此节省材料,是因为预算有限,而且必须在短短七天内完成结构的设计和搭建。此外,多余的箱体部分都被重新利用来制作长凳,以确保在项目过程中尽量减少浪费。

The pavilion was constructed predominantly from two cost-effective materials, aside from the backdrops intended for display: MS box sections formed the skeletal frame, while kora cotton cloth, commonly used in theatrical backdrops, was employed for the panels and tapes, facilitating their rigging onto the frame. The interior lighting was facilitated by LED profile lights, generously loaned by a local lighting company. This economy of materials stemmed from budget constraints and the exigency of designing and erecting the structure within a mere seven days. Additionally, any surplus box sections were repurposed to fashion benches, ensuring minimal waste during the project.

 

© Praveen Mohandas
© Lra
© Lra
© Praveen Mohandas

 

该结构设计中使用的垂直和水平网格参考了喀拉拉邦专业戏剧背景的典型尺寸,分别为 20′ x 10′ 和 10′ x 10’。场景背景、空白面板和织物顶篷都是用布带固定在结构框架上的,采用的是戏剧背景和道具搭建者常用的方法,以确保拆卸简便并将损坏风险降至最低。悬挂在中央空间上方的织物帷幔让人联想到剧院的帷幕,在柔化午后刺眼的阳光方面起着至关重要的作用。它们在微风中轻轻摇曳,为原本静态的面板中注入了动态的视觉元素,有效地将这一区域与空间的其他部分区分开来。

The vertical and horizontal grids used in the design of this structure are informed by the typical sizes for a professional theatrical backdrop in Kerala measuring 20′ x 10′ and 10′ x 10′. The scenographic backgrounds, blank panels, and fabric canopy are all rigged onto the frame of the structure using cloth tapes, employing a method commonly utilized by theatrical background and prop erectors to ensure simple removal and minimize the risk of damage. Evocative of theater curtains, the fabric drapes suspended above the central space play a crucial role in softening the harsh afternoon sunlight. Their gentle sway in the breeze introduces a dynamic visual element amidst the otherwise static panels, effectively demarcating this area from the rest of the space.

 

© Praveen Mohandas
© Praveen Mohandas
© Lra
© Lra
© Lra
© Praveen Mohandas
© Praveen Mohandas

 

这座展馆的设计​无论是从结构还是从所用材料来看,都只是与大地轻轻接触,在拆除时不会留下任何痕迹。

This pavilion was designed to touch the earth lightly, both in terms of its structure and the materials used, leaving no trace upon its removal.

 

© Lra
© Lra

 

▽设计图纸 Design drawings

© Ar. Bibin Jacob
© Ar. Bibin Jacob
© Ar. Bibin Jacob
© Ar. Bibin Jacob
© Ar. Bibin Jacob
© Ar. Bibin Jacob
© Ar. Bibin Jacob

 

 

 

项目:幕后| 艺术家 Sujathan 布景画廊 |( 2023 ITFOK 临时展馆)
地点:印度 喀拉拉邦 Thrissur 地区 剧院校园
节日时间:2023年2月5日至14日
建筑面积:3500平方英尺| 325.16平方米
完成时间:2023年

主办单位:ITFOK(喀拉拉邦国际戏剧节)
策展人:Anuradha Kapur, Deepan Sivaraman, B. Ananthakrishnan
建筑师:LIJO.RENY.architects
(www.lijorenyarchitects.com| www.instagram.com/lijo.reny.architects/)
主要建筑师:Ar. RenyLijo, Ar. Lijo Jos
项目建筑师:Ar. Bibin Jacob
钢铁制造:Majo Fabricators, Thrissur
照明:Enlite Energy Solutions, Thrissur

照片:Praveen Mohandas, Lra
可视化:Ar. Bibin Jacob

Project: BEHIND the SCENES | Artist Sujathan Scenic Gallery | (Temporary Pavilion for ITFOK 2023)
Location: Regional Theater Campus, Thrissur, Kerala
Year: 5th to 14th February 2023
Built up area: 3,500 sq ft | 325.16 sq m
Completion: 2023

Organisers: ITFOK (International Theatre Festival Of Kerala) | International Theatre Festival Of Kerala
Curators: Anuradha Kapur, Deepan Sivaraman and B. Ananthakrishnan
Architects: LIJO.RENY.architects
(www.lijorenyarchitects.com| www.instagram.com/lijo.reny.architects/)
Principal Architects: Ar. RenyLijo and Ar. Lijo Jos
Project Architect: Ar. Bibin Jacob
Steel Fabrication: Majo Fabricators, Thrissur
Lighting: Enlite Energy Solutions, Thrissur

Photographs: Praveen Mohandas and Lra
Visualisation: Ar. Bibin Jacob

 


该结构/装置经过精心设计,不仅仅是作为一个充满艺术氛围的临时结构,还可以作为各种活动的背景,为空间注入灵气

审稿编辑:SIM

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