MARC FORNES / THEVERYMANY：当THEVERYMANY再次亮相新项目时，可以肯定在它的发展过程中，它采取了更多的伪装。HYPARBOLE也不例外：它是专注研究、经过无数个模型推敲的结果。我们在罗德岛大学艺术中心赢得的2013年当代公共艺术项目竞赛参赛作品更新了20世纪计算生产方式下的结构实验。在这里，我们将Candela的4-12厘米混凝土换成仅3毫米的铝。
MARC FORNES / THEVERYMANY：When THEVERYMANY debut a new project in its final form, you can be sure that it has assumed many more guises over the course of its development. HYPARBOLE is no exception: it is the elegant outcome of focused research, countless models, and sometimes multiple prototypes. Our winning 2013 competition entry for this contemporary public art project at the Rhode Island College Fine Arts Center updates 20th-century structural experimentation within the contemporary paradigm of computational production. Here, we take Candela’s 4-12 centimeters of concrete to just 3 millimeters of aluminum.
学校是一个实验和发现的地方，为HYPARBOLE提供了一个合适的家。该结构建立在多年的研究基础之上，并进一步发展了工作室将结构、形式和经验统一为连贯材料系统的努力。在一连串的绿色曲线中，HYPARBOLE巧妙而自信地成为创意实践的门户。在艺术中心的入口处，展馆为工作室观众、教师和校园游客提供鼓舞和行动力。它的眼睛在这个焦点22英尺高度的地方，它仅在三个混凝土基础上着力。
The College, a site of experimentation and discovery, makes an appropriate home for HYPARBOLE. This structure builds on several years of research and further develops the studio’s efforts to unify structure, form and experience into coherent material systems. In a burst of green curves, HYPARBOLE stands delicately and confidently as a gateway to creative practice. At the entrance to the Fine Arts Center, the pavilion ushers studio-goers, faculty and campus visitors alike toward inspiration and action. Its oculus ascends to an imposing height of 22′ at this focal point, making it a force majeure touching down on only three concrete bases.
平面图
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在hypar表面的图案切割遵循模拟的力流。通过这个花丝过滤光线的气氛会不断改变作品的质量：它会根据一天中的时间、方向、轨迹、高度和速度对人产生不同的影响。这种光的发挥不仅使得表面具有动态变化，而且还具有引人入胜的空间互动感，以及公共广场的高度聚焦点。
Patterned cuts in the hypar surface follow simulated force flows. Scripted agents intuitively crawl along these lines and eat away at the aluminum, like caterpillars to a leaf. The atmosphere of light filtering through this filigree constantly changes the quality of the piece: it will strike you differently depending on the time of day, your orientation, trajectory, height, and speed. This play of light not only makes for a dynamically changing surface but an engaging and interactive space, and a highly charged focal point for the public plaza.
从计算中导出孔隙度
为了在最小化制造成本和装配时间的参数下升至此高度，MARC FORNES / THEVERYMANY基于有效的几何参考设计了表面拓扑。在Felix Candela巨大的混凝土外壳的抗重力存在中，设计师从它的前提出发，即可以设计一个双曲线几何结构，以在结构，美学和经济上发挥作用。处理方法是将钢筋混凝土换成标志性的铝单面，在此过程中使用大量材料进行疏解。通过开发，设计师强化了这种设计，既不会损害结构，形式也不会影响效率。
To rise to this height under parameters that minimize fabrication costs and assembly time, MARC FORNES / THEVERYMANY designed a surface topology based on an efficient geometric reference. In the gravity-defying presence of Felix Candela’s monumental concrete shells, we proceed from his premise that a hyperbolic geometry could be designed to perform structurally, aesthetically, and economically. Our treatment would exchange his reinforced concrete for our signature single-surface in aluminum, disbanding with an abundance of material in the process. Through development, we reinforce the idea that designing for this kind of fabrication would compromise neither structure, form, nor efficiency.
设计注重结构、形式和高效性
该项目承担了多个角色：艺术作品、标志性结构和罗德岛学院的视觉形象。也是罗德岛大学和罗德岛州立艺术委员会通过“公共设施艺术分配法”委托的永久性结构。
The project takes on several roles: an art piece, an iconic structure, and a visual identity for Rhode Island College，also is a permanent structure commissioned by Rhode Island College and the Rhode Island State Council of the Arts through the Allocation for Art for Public Facilities Act.
地点:美国，罗德岛州
类别:装置艺术
设计：Marc Fornes / Theverymany
完成时间:2017
Location:RI，American
Type:Sculpture
Design:Marc Fornes / Theverymany
Completed:2017
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