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TERREMOTO: 这座古老的索诺马农舍现在俨然成为了一个新的家园。“过时的建筑必须进行调整来适应新的建筑,
景观也是如此。” Terremoto在饮了两杯美酒后,如是畅谈道。
TERREMOTO: An old Sonoma farmhouse is now a home. “A building type with an obsolete program must be adjusted to accommodate the new. The same goes for the landscape.” shouts Terremoto, hoarsely, after two glasses of a delicious Chardonnay.
从前这里的前院和后院,被一个不怎么起作用的、细长的侧院分成了两部分。而我们彻底改变了这种空间划分形式,取而代之的是一系列连续的个性化空间。现场的参天红杉营造出一种强大的园艺氛围,在入口处形成了一种序列感与柔和的斑驳光影画面。我们悄悄地在这片林下种植了一丛丛本土青草,高大的红杉似乎并没有受到任何干扰。
Previously there was a front yard and back yard, split in two by a non-productive, slim side-yard. We choose to reject these divisions- it’s just one space with personalities that adjust along the progression. Existing, towering Redwoods set a powerful horticultural tone and create an entrance sequence with soft dappled light. We quietly plant drifts of native grasses in this understory; the Sequoias seem unperturbed.
一条细长的、略微高于地面的木板路把你引入内部空间,又强迫你改变方向,绕过我们保留下来的一棵日本枫树。之前空空荡荡的过渡空间被设计成一个柔软下陷的地掷球庭院,再辅以薄薄的耐候钢镶边。优雅的侘寂感。
A slim, just-so-slightly-lifted-off-grade boardwalk brings you in and forces a change of direction against an also-existing Japanese Maple we choose to preserve. The previously vacuous interim space is programmed with a softly sunken bocce court, and edged with slim corten steel. A polite depression.
我们在庭院中挖掘并建造了一个适度规模的水池,又在旁边建了半块草地,中间点缀着几棵红皮杨梅树。火坑的防风圈和树皮产生了鲜明的对比,这对我们来说是一个意外的惊喜。我们堆叠在火坑周围的当地巨石,营造出了一种难以言喻的美感,这也让我们决定从此以后,开始努力将项目场地的地质情况融入我们的项目设计中了。
We dig and construct a modestly scaled pool, we flank it with a half meadow interspersed with scarlet-bark Arbutus trees that break the scale. The corten ring of the fire-pit and the bark of the trees play off each other, this is a serendipitous surprise, but we’ll take it. We encircle the fire with boulders from the immediate area, and henceforth strive to bring in local geology into our projects, it feels right.
Terremoto团队:Alain Peauroi
景观施工:Manuel Fernandez
特别鸣谢Patrick 及 Lauren
Terremoto Team: Alain Peauroi
Landscape construction by Manuel Fernandez.
Thank you Patrick and Lauren.
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