BUGU Island Park: The Everyday Wilderness for Urban Citizens by Zinialand Design

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Thanks Zinialand Design for authorizing the publication of the project on mooool, Text description provided by Zinialand Design.

致澜景观：背景：在供需错位中寻找设计契机

项目位于粤港澳大湾区核心腹地，地处广佛同城化战略的重要节点北滘新城。城市资源高度集聚，轨道交通密织，佛山地铁3号线与广州地铁7号线于此交汇，将项目与广州南站、佛山中心城区快速链接。在这片发展动能强劲的热土之上，布谷岛项目不仅是顺德区现代化宜居蓝图的组成部分，更是一次对公共空间本质的深层追问。

作为北滘新城早期的滨水绿地，曾凭借沿河涌展开的带状空间与茂密的行道树群落，构成了区域难得的生态基底。然而，城市在生长，需求在迭代。周边社区的高密度入住，暴露了这片绿地的力不从心：设施老化、动线混乱、活力凋敝。居民对户外社交、亲子互动、自然教育的多元期盼，与原始公园单一、陈旧的供给能力形成了剧烈错位。

Zinialand Design: Finding Design Opportunities in Supply-Demand Mismatch

Situated in the heart of the Guangdong–Hong Kong–Macao Greater Bay Area, the project is located in Beijiao New Town—a pivotal node in the strategy for Guangzhou Foshan urban integration. With urban resources densely concentrated and rail transit networks intricately woven, the convergence of Foshan Metro Line 3 and Guangzhou Metro Line 7 provides swift connections to Guangzhou South Railway Station and the central districts of Foshan. On this dynamic land brimming with development momentum, the BUGU Island project is not merely a component of Shunde District’s blueprint for a modern, livable city—it also poses a profound inquiry into the very essence of public space.

As an early waterfront greenspace in Beijiao New Town, the site once offered a rare ecological asset to the region, thanks to its linear riverfront layout and dense canopy of roadside trees. Yet as the city has expanded, so have the evolving needs of its inhabitants. The high density occupation of surrounding communities has laid bare the inadequacies of this green space: aging facilities, tangled pedestrian flows, and a palpable decline in vitality. Residents’ diverse aspirations for outdoor socialising, parent child activities, and nature based learning now stand in sharp contrast to the outdated, monotonous offerings of the original park—a stark supply demand disconnect.

▽布谷岛的日常 ©南西摄影

▽夕阳下自由奔跑 ©三棱镜景观

▽项目与周围交通环境的组成分布 ©致澜景观

这种供需失衡，最终演变为空间上的荒芜。绿地被零星的“小菜园”侵占，路径被无序踩踏，空间缺乏具有黏性的停留节点。它空有良好的生态底子，却丧失了公共空间应有的温度。

项目的根本命题由此清晰：如何在尊重原生水岸生态与成熟树木群落的前提下，重塑场所的公共活力与情感黏性？

This supply demand mismatch ultimately devolved into spatial desolation. The greenspace became encroached upon by scattered small vegetable plots, footpaths were trampled into disorderly trails, and the area lacked any cohesive nodes that might encourage people to linger. Despite its sound ecological foundation, it had lost the warmth that a public space ought to possess.

The fundamental question of the project thus becomes clear: How can we reshape the public vitality and emotional connectivity of the place while respecting the native waterfront ecology and the mature tree communities?

▽公园建成后清晨来健身运动的周边居民 ©南西摄影

场地诊断：四条线索和一个判断

场地在成为公园之前，是被城市遗忘的角落，呈现出四重典型的“原始褶皱”：

1.水系的野性与割裂：河道宁静，驳岸却是未经修葺的自然土石坡，野生竹林与灌木丛生。野性之美下，暗藏水土流失、安全隐患与亲水路径匮乏的弊病，更需兼顾泄洪功能。

2.高架的压迫与缝合：城际高架轨道交通横跨水系，成为一道强烈的”视觉分割线”与潜在的”噪音源”。如何调和住区、高架、河道三者的立体关系，是首要的物理挑战。

3.植被的丰茂与杂乱：场地植被呈现岭南旺盛的生命力，竹林、野生乔木、湿地水草构成优秀的生态种质资源库。但缺乏梳理的茂盛，也使其显得杂乱，无法转化为宜人的空间体验。

4.界面的断裂与冷漠：现代高层住宅与粗犷野地、铁路高架形成强烈反差。住区与自然之间缺乏过渡，两种生活场景被生硬切割，整体界面辨识度缺失。

Site Diagnosis: Four Clues and One Verdict
Before becoming a park, the site was a forgotten corner of the city, displaying four typical “primordial folds”:

1. The wildness and fragmentation of the water system – The river channel is tranquil, yet its banks remain untreated natural earthen and rocky slopes, overgrown with wild bamboo and shrubs. Beneath this untamed beauty lie hidden issues of soil erosion, safety hazards, and a lack of accessible waterfront paths—while the site must also accommodate flood‑discharge functions.

2. The pressure and stitching of the elevated structure – An intercity elevated rail transit line crosses over the water system, forming a stark “visual dividing line” and a potential “noise source.” Reconciling the three‑dimensional relationship among the residential neighbourhoods, the viaduct, and the river channel stands as the primary physical challenge.

3.The abundance and disorder of vegetation – The site’s vegetation exhibits the vigorous vitality typical of the Lingnan region: bamboo groves, wild trees, and wetland aquatic plants constitute an excellent repository of ecological germplasm resources. However, this unchecked luxuriance, lacking proper organisation, also appears chaotic and cannot be transformed into a pleasant spatial experience.

4.The fracture and indifference of the interface – Modern high‑rise residential buildings stand in stark contrast to the rough wilderness and the railway viaduct. There is a lack of transition between the residential areas and nature; the two life scenes are abruptly severed, and the overall interface suffers from a loss of distinctiveness.

▽河道与高架桥的关系：自然土石坡，野生竹林与灌木丛生，暗藏各种弊病。城际高架轨道交通横跨水系，视线割裂 ©致澜景观

▽现状入口与植物的关系：道路昭示面弱，风格割裂，缺乏梳理的茂盛 ©致澜景观

▽自然融合的公园入口 ©南西摄影

▽梳理后成林的河道 ©南西摄影

我们并未急于给出答案，而是在不同时段持续观察使用者的真实行为。时间分布、行动路线、空间选择……日常切片层层叠加，最终廓清场地的真实渴求。

这里不需要一件被观看的“作品”，它需要一个可以抵达、停留与重逢的“场所”。

We did not rush to offer answers. Instead, we observed the real behaviours of users at different times over an extended period. Temporal distribution, movement routes, spatial choices… daily slices layered upon one another, until the site’s genuine needs came into clear focus.

What is needed here is not a “work” to be looked at, but a “place” where people can arrive, stay, and return to meet again.

设计策略：堆挖之间，捏出大地的表情

场地原是平的。没有起伏，没有褶皱，视线一览无余。没有表情的土地，无法锚定任何空间体验。

设计做的第一件事，是在原有土石方内部完成地形重塑。不借土，不弃土，只在场地内部转化。有的地方堆，有的地方挖，在平衡中捏出高差。

Design Strategy: Between Cut and Fill, Molding the Land’s Expression

The site was flat to begin with—no rises, no falls, no folds, and nothing to interrupt the sweeping view. A land without expression cannot anchor any spatial experience.

The first move in the design was to reshape the terrain using only the existing earth and stone on site. No soil was brought in, and none was taken away; all transformation happened within the site itself. In some places we built up, in others we excavated, carving out elevation differences through a balanced cut and fill operation.

▽布谷岛公园剖面图手绘 ©致澜景观

▽布谷岛公园平面与思考过程图 ©致澜景观

▽场地的起伏感 ©南西摄影

▽坡地高差成为孩子探险的一部分 ©三棱镜景观

原本平坦的二维平面被折叠出脊线和谷地，视线被阻隔或引导，路径被抬升或下沉。这是一种身体性的空间叙事。隆起处，视线被托举，越过树梢，方向感被重新锚定；下沉处，视线被收束，四野的坡面将注意力向内聚焦。行走其间，每一次切换都是视角与心境的双重转换。

地形不仅塑造体验，也在无声地组织动线。

The originally flat two dimensional plane was folded into ridges and valleys, with views either blocked or channelled, and paths either elevated or sunken. This is a corporeal spatial narrative. At the raised points, the line of sight is lifted above the treetops, re anchoring one’s sense of direction; at the sunken points, the view is contained, and the surrounding slopes draw attention inward. With every shift in walking, there is a dual transition in both perspective and state of mind.

Topography not only shapes experience but also silently orchestrates the flow of movement.

▽静谧的河道区域 ©三棱镜摄影

▽骑行的市民 ©三棱镜摄影

▽地形塑造出的不同空间感受 ©南西摄影

©三棱镜摄影

空间叙事：被微地形区隔的独立场域

地形折叠之后，场地被自然地切分成若干个区域。每一个区域都是一个自洽的领域，拥有独立的骨架与气质。

1.入口林间转换

入口林间转换区是从城市界面进入公园的第一重空间。高的丘陵状过渡带，用密植的乔木收束视线，让步入者在起伏中放慢脚步，完成从喧闹到静谧的心理转换，由此真正进入“布谷岛”。

Spatial Narrative: Independent Fields Segmented by Micro Topography

Once the terrain was folded, the site fell into distinct zones, each a self sufficient domain with its own inherent structure and temperament.

1. Entry Woodland Transition

The entry woodland transition zone is the first spatial threshold from the urban interface into the park. A high, hilly transitional belt, densely planted with trees, constricts the view, slowing the pace of those who enter as they move through the undulating terrain. This gradual shift facilitates a psychological transition from noise to tranquility, marking the true arrival into BUGU Island.

▽公园入口 ©南西摄影

©三棱镜摄影

▽在起伏中放慢脚步被自然包裹 ©南西摄影

▽夜晚散步的一家人 ©南西摄影

2.中央草坪

中央草坪是全场最开阔的公共界面。四周隆起的坡地像一道天然的屏障，将外界的喧嚣隔绝在外。这里只剩开阔与安静，承载社群活动、周末市集、露天聚会，一切公共生活都将发生在这张底图之上。草坪边缘顺着坡地自然形成阶梯看台；沿草坪边缘流过的浅溪，为这张底图添上一道动态的边界。

2. Central Lawn

The central lawn is the most open public interface of the entire site. The surrounding raised slopes form a natural barrier, shutting out the clamour of the outside world. Here, only openness and quiet remain—a stage for community events, weekend markets, and open air gatherings, where all public life unfolds upon this very canvas. Along the lawn’s edge, stepped terraces naturally follow the contours of the slopes; and a shallow stream, running alongside the lawn, adds a dynamic border to this foundational scene.

▽露天聚会 ©三棱镜摄影

▽草坪上开展的各类活动 ©南西摄影

▽静谧的林间草坪 ©三棱镜摄影

▽顺着坡地设计的自然阶梯看台 ©南西摄影

3.溯溪

溯溪区沿草坪一侧的边缘展开，是一条可进入的浅水溪流。它不是纯粹的观赏水景，而是邀请人脱鞋踏入的、触觉性的存在。水流平缓，卵石圆润，赤脚踩在水中的凉意与阻力，构成一种直接的身体反馈。

3. Stream Wading

The stream wading zone unfolds along the edge of the lawn—a shallow, accessible stream that invites visitors to step into, rather than merely view from a distance. It is a tactile experience: the water flows gently, the pebbles are smooth and rounded, and the coolness and resistance felt under bare feet offer a direct, corporeal feedback.

▽被自然包裹的溯溪体验 ©南西摄影

▽自在松弛 ©南西摄影

▽水花交响 ©三棱镜摄影▽

▽动静交织 ©南西摄影

4.沿河栈道与生态驳岸

这是公园与水对话的界面。

原始河流有泄洪功能，并且结合场地绿地紧邻周边水系与城市道路的特征，地形策略摒弃了传统的硬质挡墙护岸，采用消隐式缓坡草阶、植物营造与多层生态台地完成高差过渡。通过将边界地形下凹，形成自然的“海绵”生态缓冲带，既柔和地消解了城市道路带来的喧闹感，又实现了内部草丘与水岸线的视线穿透与风景延续。

4. Riverside Boardwalk and Ecological Revetment

This is the interface where the park enters into dialogue with the water.

The original river channel serves a flood discharge function. Given the site’s proximity to surrounding water systems and urban roads, the topographical strategy eschews traditional rigid retaining walls in favour of concealed gentle grass terraces, planted slopes, and multi layered ecological terraces to negotiate the elevation changes. By lowering the boundary terrain, a natural “sponge” ecological buffer zone is formed—one that gently dissolves the clamour of the adjacent urban road while simultaneously preserving visual permeability and scenic continuity between the interior grassy mounds and the waterfront.

▽沿河栈道布局 ©致澜景观

▽公园与水对话的界面 ©南西摄影

▽绿意蔓延 ©南西摄影

亲水而不涉水——“安全蓝网”与“海绵呼吸”

高区可漫步，低区可吸水，在防洪安全与亲水体验之间找到了平衡点。人在栈道上行走，一侧是草坡与乔木，另一侧是开阔的水面，视线与水相遇，身体却始终停留在安全的边界之内。

Water adjacent, yet without wading — the “Safe Blue Network” and “Sponge Respiration”.
The higher areas are for strolling, while the lower areas absorb water, striking a balance between flood control safety and a water friendly experience. As one walks along the boardwalk, with grassy slopes and trees on one side and open water on the other, the gaze meets the water, yet the body always remains within the bounds of safety.

▽可亲可游的河岸 ©南西摄影

5.林间攀爬

利用草坪地形高差设置攀爬装置，让儿童在攀上滑下之间感知土地的坡度。攀爬网、平衡木、绳索桥顺应地形而设，而非强行植入。孩子们感知的不是人造的游乐设施，而是土地本身的角度与阻力。

5. Woodland Climbing

Climbing apparatus are installed to take advantage of the elevation changes across the lawn terrain, allowing children to sense the slope of the land as they climb up and slide down. Climbing nets, balance beams, and rope bridges are arranged in response to the terrain, rather than being forcibly implanted. What children perceive is not man made play equipment, but the very angles and resistance of the earth itself.

▽沿着石子小路抵达另一片天地 ©南西摄影

▽粗犷圆润的原木在碎石与林茵间搭起的野趣乐园 ©三棱镜摄影

▽亲子互动 ©三棱镜摄影

▽林间奔跑 ©三棱镜摄影

▽平衡木上的体验 ©南西摄影

▽根系同频，森林里的童年 ©三棱镜摄影

©南西摄影

©三棱镜摄影

6.现代之境：大地之上，另一重“微缩宇宙”

在公园的下方，藏着一处气质迥然的现代艺术空间。

大地在此被谱写为整齐的波纹乐章。灰白的条纹铺装如静静流淌的溪流，又似岁月留下的指纹。黑白灰相间的圆球艺术装置错落其间，如行星般静谧地停靠在几何绿洲与波纹之上。它们没有喧哗，只是静静地在光影的抚摸下，映照着天光与树影

6. The Realm of Modernity: Another “Microcosm” upon the Earth

Beneath the park lies a modern art space of distinctly different character.

Here, the earth is orchestrated into orderly rippling movements. Grey white striped paving flows like a quietly gliding stream, as if tracing the fingerprints of time. Scattered among them are spherical art installations in black, white, and grey, resting silently like planets upon geometric oases and rippling waves. They make no noise; they simply sit quietly under the caress of light and shadow, reflecting the sky and the swaying silhouettes of trees.

▽静谧的微缩宇宙 ©三棱镜摄影

俯瞰之下，这里像是一片被自然与匠心压缩而成的“微缩宇宙”，清冷又浪漫。它与上方的坡地草坪形成一种微妙的对仗，一个向下沉入静谧，一个向上打开辽阔；一个是几何的秩序，一个是生长的自由。两种气质在同一片土地上并存，互不打扰，又彼此呼应。

From a bird’s eye view, it resembles a “microcosm” condensed by nature and craftsmanship—cool and serene, yet touched with romance. It forms a subtle counterpoint with the grassy slopes above: one sinks downward into stillness, the other opens upward into vastness; one is an order of geometry, the other a freedom of growth. These two sensibilities coexist on the same land, neither disturbing the other, yet each echoing the other in quiet dialogue.

▽趣味多元的互动 ©南西摄影

▽雨天的清冷静谧 ©三棱镜摄影

▽一家人的互动©三棱镜摄影

感官设计：微地形的“声景”调制

地形对空间的分区不止于视线与动线，它还在处理两种看不见的东西：声音与视线。

高架铁路从场地边缘经过，带来低频噪音与视线压迫。我们选择不遮挡，而是改写。靠近铁路的一侧，堆高的坡地本身就能反射和吸收低频噪音，坡地上密植的常绿乔木与灌木形成一道活的声障林带。列车经过时，声音被层层削弱，传入公园内部时已不再刺耳，变成一种远处的事件。与此同时，视线也被枝叶柔化，桥墩与混凝土的粗粝被过滤。

Sensory Design: Soundscape Modulation through Micro Topography

Terrain partitions space not only in terms of sightlines and movement—it also addresses two invisible forces: sound and visual perception.

An elevated railway passes along the edge of the site, bringing low frequency noise and visual intrusion. Our choice was not to block, but to reinterpret. On the side adjacent to the railway, the raised slopes themselves absorb and reflect low frequency noise, while the densely planted evergreen trees and shrubs on the slopes form a living acoustic buffer zone. As trains pass, the sound is progressively attenuated; by the time it reaches the park interior, it is no longer harsh—merely a distant event. Meanwhile, the visual impact is softened by foliage, filtering the coarse presence of bridge piers and concrete.

▽不遮挡，而是改写。让轨道成为一部电影里反复出现的空镜头。 ©南西摄影

同样的逻辑用在对内。溯溪与攀爬区被设置在微地形围合的谷地中，孩子们的嬉闹声被坡面吸收、散射，很少能翻越脊线传向林间步道。步道上坐着的人听到的，至多是远处模糊的、如同蝉鸣般的白噪音。微地形的起伏虽然不大，却足以对声音的传播路径产生有效的偏转与过滤。

每个人都能待在自己选择的声音环境里，互不干扰。

The same logic applies internally. The stream wading and climbing zones are placed in valleys enclosed by micro topography, where children’s playful shouts are absorbed and scattered by the slopes, rarely crossing the ridges to reach the woodland paths. What people seated on the paths hear, at most, is a distant, cicada like white noise. Though the micro topographic undulations are subtle, they are sufficient to effectively deflect and filter the paths of sound propagation.

Everyone can stay within their chosen sound environment, undisturbed by others.

▽独处的静谧 ©三棱镜摄影

▽自由的奔跑 ©三棱镜摄影

▽安静的漫步 ©南西摄影

▽闲适的夜晚 ©南西摄影

植物哲学：从“摆放”到“播种”的自然主义

在植物营造上，我们选择了一条更漫长、却更富生命力的路径——从种子里长出来。

我们保留了场地原有的野生乔木与湿地水草，它们是土地的“原住民”，根系早已深扎于此。

Plant Philosophy: Naturalism from “Placement” to “Sowing”

In our approach to planting, we chose a longer yet more vibrant path—one that grows from seeds.
We preserved the existing wild trees and wetland aquatic plants on site. They are the land’s “original inhabitants,” whose root systems have long been deeply embedded here.

▽树根 ©南西摄影

我们引入经过精心配比的花卉组合，色彩比例定在白40%、蓝紫35%、粉15%、草10%，采用直接播种的方式。白晶菊和洋甘菊打底，矢车菊和喜林草做蓝色调的中间层次，粉波斯菊往上挑，禾本科的狼尾草和针茅占三成五做骨架，它们在花期之外仍然维持着空间的结构感。

We introduced a carefully blended flower mix, with a colour palette of 40% white, 35% blue purple, 15% pink, and 10% green, all direct sown. White daisies and chamomile form the ground layer; cornflowers and nemophila create the blue mid tones; pink cosmos rise above; while gramineous species—Pennisetum and Stipa—make up 35% of the composition as the structural backbone, maintaining spatial definition even when not in bloom.

四月初撒籽，随后是设计师陪伴式的记录：观察出苗密度、调整生长势态、补缺留白。

Seeds were sown in early April, followed by the designer’s accompanying documentation: observing seedling density, adjusting growth vigour, and filling gaps while preserving intentional voids.

六月的花境长成，其根系深扎，抗性强于移栽苗，杂草与病虫害难以入侵。最动人的是，植物自播繁衍，意外与惊喜并存，那些偏离预设的角落，最终成为土地自我表达的证明。

By June, the flower border had fully matured. Its roots, deeply anchored, endowed it with stronger resilience than transplanted seedlings, making it difficult for weeds and pests to invade. What is most moving, however, is the self seeding and natural propagation—where the unexpected and the surprising coexist. Those corners that deviated from the intended design ultimately became a testament to the land’s own expression.

©南西摄影

枯荣交替被接纳为景观的一部分。盛花是景观，结籽是景观，枯立也是景观。公园没有一个时刻是空的，只是每个时候看起来不一样。

The alternation of flourishing and withering is embraced as part of the landscape. Blooms are landscape, seeding is landscape, and standing withered is landscape too. The park is never empty at any moment—it merely looks different with each passing season.

细节的温度：克制的介入与时间的盟友

设计的温度，最终沉淀于不易察觉的细节。

1.硬装退让，让石材留出缝隙给植物

坡地上的硬质面层用的是石材，但不是规格统一的板材，而是打磨成不规则形状的天然石块，自然拼贴。石块之间的缝隙留得比常规做法宽一些，没有用水泥填死。

The warmth of design ultimately resides in the subtleties that are easily overlooked.

1. Hardscape Yields: Leaving Gaps in Stone for Plants

The hard surface on the slopes is paved with stone—not uniformly sized slabs, but natural stones honed into irregular shapes and laid in a rustic, patchwork manner. The gaps between the stones are deliberately wider than usual and left unfilled with cement.

2.不锈钢立柱嵌石车档

在天然石块上钻孔，嵌入不锈钢立柱，保留金属本来的银灰色。石之粗犷与金之冷峻形成对比，底座沉实，无需破坏铺装。

2. Stainless Steel Posts Embedded in Stone as Bollards

Natural stones are drilled to receive stainless steel posts, which retain their original silver grey finish. The ruggedness of the stone contrasts with the cool austerity of the metal, while the solid base rests firmly on the ground, requiring no disruption to the pavement.

3.宠物友好与便民设施

从设计之初便纳入对宠物与主人的关怀。以及考虑到周边居民使用的节奏安放的便民设施。

3. Pet Friendly and Convenience Amenities

From the very outset of the design, consideration has been given to both pets and their owners. In addition, amenities have been thoughtfully placed in response to the daily rhythms of the surrounding residents, ensuring convenience in everyday use.

©南西摄影

©三棱镜摄影

©南西摄影

长期运营：让空间成为事件发生的容器

一座有生命的公园，其价值在于长期运营中持续涌现的活力。

开放后，布谷岛以密集而多元的社群活动回应了设计初心：端午艾草手作、父亲节涂鸦、宋代点茶雅集、落日草坪音乐会、露天电影……亲子家庭与年轻群体在此找到了归属。更特别的是“萌宠生日派对”与“桨板半日营”，前者以宠物社交切入新生活方式，后者则激活了场地的水岸资源。邻里市集、非遗表演等社区文化活动，则为公园注入了浓郁的“烟火气”。

Long term Operation: Making Space a Vessel for Events

The true value of a living park lies in the vitality that continues to emerge through long term stewardship.
After its opening, BUGU Island responded to the original design intent with a dense and diverse array of community activities: Dragon Boat Festival mugwort handicrafts, Father’s Day graffiti, a Song style tea ceremony gathering, sunset lawn concerts, open air cinema … Families and young people alike have found a sense of belonging here. What stands out even more are the “Pet Birthday Parties” and “Paddle Board Half Day Camps”—the former tapping into new lifestyles through pet friendly socialising, the latter activating the site’s waterfront resources. Neighbourhood markets, intangible cultural heritage performances, and other community oriented cultural events have infused the park with a warm, vibrant community life.

结语：一份面向未来的设计承诺

在布谷岛的设计实践中，我们直面了原始绿地的“平整单一”与其承载的复合需求之间的根本矛盾。设计策略从竖向体系切入，以“内谷外丘”的微地形重构空间骨架；以生态台地替代硬质护岸，实现水陆的柔性缝合；以播种式种植营造季相丰富的自然景观；以精准的地形调控优化声景体验。

草丘的起伏，不是为了矫饰大地，而是为了承接晨露与奔跑的足迹；水岸的退让，不是为了割裂空间，而是为了让风与光拥有更温柔的栖息。当图纸上的线条化作布谷岛上真实的曲径与草坡，我们坚信，这座由时间、土地与居民共同“生长”出来的公园，将以其最真实、最适配的姿态，承载起社区的情感与公共生活的活力。

场所自在，人也自在。

它或许不是一件被观看的“作品”，但一定是每个人都可以抵达、停留与重逢的“场所”。这，正是我们交付给时间的最好答案。

Epilogue: A Design Commitment for the Future

In the design practice of BUGU Island, we confronted the fundamental contradiction between the “flat uniformity” of the original greenspace and the complex demands it was meant to support. The design strategy began with a vertical reconfiguration, reshaping the spatial framework through a micro topography of “inner valleys and outer mounds”; replacing rigid revetments with ecological terraces to achieve a柔性缝合 between land and water; employing direct sown planting to cultivate seasonally rich natural landscapes; and optimising the soundscape experience through precise topographical modulation.

The undulating grassy mounds are not a pretence to adorn the earth, but a gesture to welcome the morning dew and the traces of running feet. The retreat of the waterfront is not a means to sever space, but an invitation for wind and light to find a gentler resting place. As the lines on the drawings have become the winding paths and grassy slopes of BUGU Island, we firmly believe that this park—nurtured into being by time, the land, and its residents—will, in its most authentic and fitting form, carry the emotional bonds of the community and the vitality of public life.

The place is at ease, and so are the people within it.
It may not be a “work” to be looked at, but it is surely a “place” where everyone can arrive, stay, and return to meet again. This, then, is the best answer we can deliver to time.

项目名称：美的置业·布谷岛公园
项目地址：广东省佛山市顺德区美的大道2号
业主单位：美的置业
景观设计：致澜景观
施工单位：汉风生态
建筑设计单位：广东天元建筑设计有限公司
项目面积：21000㎡
设计时间：2025.10
完工时间：2026.07
摄影：南西摄影、三棱镜摄影、美的置业

“ 以‘内谷外丘’的微地形重塑缝合城市与自然的褶皱，让布谷岛从一片荒芜的绿地，生长为城市公民可抵达、可停留、可重逢的日常原野。”

审稿编辑：Maggie

更多 Read more about: Zinialand Design 致澜景观