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上海朱周空间设计 ：原维多利亚式的建筑以及西式的庭园，如同过度妆点的女子，已不合时宜，主人初衷欲将其功能改造成可供大众欣赏的艺术空间，我们第一步便是拿掉了它的项链、耳环、衣服以及装饰，以最纯洁的形体展现。
Vermilion Zhou Design Group ：The original architecture is Victorian style with Western-style gardens, as an overly makeup woman, is outdated. The owner’s intention is to transform its function into an art space for the public using. Our first step is to remove all the decorations from her, to show she’s purely look.
长卷轴般展开的基地，我们重新对建筑与庭院的关系再度梳理，199颗松树的布局，错落其间，以美术馆为建筑主体，左右为古建的还原以及牌楼的安置，既实现了主人的爱好也破题的将东方美术馆的定位展现。
The whole base shaped like Chinese long scroll, we reconsidered the relationship between architecture and courtyards. We selected and arranged almost 199 pine trees to scatter around, taking the art museum as the main building, restoration of ancient buildings and resettlement of ancient archway at two side, these are present owners preference and positioning the museum as an oriental style.
「留白」，是中国绘画艺术里面最意境的表现，而「几何」的型态，则是西方逻辑思维上最客观的表现。美术馆的建筑，我们除去了西方的符号给予了最纯粹的白，以几个不同的几何建筑体连接、创立了新的回廊，连接起旧建物之间的毫无关系，与庭院之间借景呼应；室内地面至地下创造了垂直的开放，给予更多维度的伸展。美术馆的存在意义在于呈现艺术，作为一个展现的平台，我们对《松》的定义便是一个「艺术容器」，以「艺术」为主、「容器」为辅，而作为一个未来可被复制的形式，我们在建筑与空间自由上的转换给予最大的可能性。
” Blank-leaving” is the most artistic expression in the art of Chinese painting. The ” geometrical ” form is the most objective expression in Western logical thinking. The architecture of the museum, where we removed the symbols of the Western to give the purest whiteness, connected together with new corridor by several different geometric buildings, in order to have new conversation in between; indoor the vertical circulation, giving more dimensions of stretching. The significance of the art museum is to present the art. As a platform for displaying it, our definition of ” Song Art Museum” is an “art container”, with “art” as its mainstay and “container” as its complement, and in the future it can also easy be duplicated in any other place with it’s own language, we intent to give the architecture and space more possibility.
《松》将一切转化为几何、净白，将「无为」由外而里，我们给予的是一种「净」的存在，当“当代艺术”百态的进入，便可毫无顾忌的展现他们的语汇与活力。而庭院松树环绕，给予了《松》的外在生命力，一景一物成为了内外的呼吸，东方写意也成为传统与现代建筑之间的互相辉映的自然韵律。
” Song Art Museum ” transforms everything into geometry, purity, like Chinese philosopher Lao Tzu said ” Govern without intervention ” from the outside to inner. With its ” clean ” existence, any kind of “contemporary art” is welcome to enter, to vitality showing without scruples. The courtyard surrounded by the pine trees, to give the external vitality of ” Song Art Museum “, the scenery becomes the breath of both inside and outside. The oriental sense also becomes the natural rhythm of mutual attraction between traditional and modern architecture.
松美術館
位置：中国·北京
时间：2017.9
总占地面积： 22000 ㎡, 建筑室内： 2200 ㎡
总设计师暨创意总监 ：周光明
建筑设计总监：施海
室內设计总监：洪宸玮
照明设计总监：朱彤云
建築设计师：黃晶
室內设计师 ：白建玢
軟裝設計師 ：黄茗诗、凌博远
摄影师：夏至
Song Art Museum
Location: Beijing, China
Time: 2017.9
Total area ：22000 ㎡, Architectural interior ：2200 ㎡
Creative Director, Lead Designer：Kuang Ming(Ray) Chou
Architecture Design Director：Shi Hai
Interior Design Director：Garvin Hung
Lighting Design Director：Vera Chu
Architect：Huang Jing
Interior Designer：Jamie Pai
Decoration Designer：Mavis Huang、Boyuan Ling
Photographer：Xia Zhi
更多：朱周空间设计
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