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A Threshold：卡格加利普拉（Kaggalipura）小镇位于班加罗尔市以南 40 公里处。一片 3 英亩的农田种植着芒果、香蕉、椰子、黄油果和菠萝等果树，变成了一座果园。
A Threshold：Kaggalipura is a small town situated 40km south of Bengaluru city. The 3-acre farmland is a fruit orchard where trees such as mango, sapota, banana, coconut, butter fruit, and jackfruit are grown.
独特的场地为设计提供了各种可能性。倾斜的地形使雨水收集系统得以建立，以维持现有的耕作方式。平地前有一个四米高的陡坡，使建筑能以最小的开凿量融入景观之中。建筑的南面沿着落差下沉，减少了热量的吸收，而北面则向景观开放，充分利用了光照。屋顶被填平，使景观具有连续感并能吸收热量，使下方的空间保持凉爽，同时为屋顶小规模耕作提供了机会。
The site offered various opportunities for design. A sloping landscape allowed a rainwater collection system to be created to sustain the existing farming practices. A steep four metre drop preceded by flat land allowed the building to be tucked into the landscape with minimal cutting. The southern side is sunken along this drop, mitigating heat gain, while the northern side opens to the landscape and takes advantage of the light. The rooftops are filled, lending a sense of continuity to the landscape, increase thermal mass and keep the spaces underneath cool, and offer opportunities for small-scale farming above.
▽场地分析 Site Analysis
设计构思始于多功能洞穴，这些洞穴依地形而建，就像未完工的废墟分布在现有树木中或周围，经过多年的演变，最终成为大自然的一部分。
项目所用材料全部就地取材，使人类活动对环境的影响最小。从现场挖掘出的较大的石头被用作挡土墙，而较小的岩石和卵石则用作庭院的地面材料。作为社区建设活动的一种形式，建筑的建造雇佣了卡格加利普拉村内和周边的当地泥瓦匠、艺术家和手工艺者。
The idea started with multifunctional caves, tucked within the earth with its existing terrain, like unfinished ruins, planned in and around existing trees, eventually over the years becoming part of nature.
The materials used are all locally sourced, with a minimal footprint. The larger boulders excavated from site were used for the retaining wall, while the smaller rocks and pebbles were used as flooring material in the courtyards. The construction of the building employed local masons, artists and crafts people, found in and around Kaggalipura village, as a form of community building activity.
设计团队从附近村庄采购未经加工的当地窑砖，并在灰浆接缝处用石灰和现场土壤的混合物作为填充，从而减少混凝土的使用，旨在保持作为主要承重砖墙的原始、坚固和裸露形态，没有涂抹任何灰泥，整个结构都是承重结构。
整个已建和未建项目都被赋予了多功能的特质，可以长期用于多种活动。
Local kiln brick sourced from a nearby village in its unfinished form, the mortar joints were filled with a mixture of lime, site soil and minimum use of concrete in it, intentions were made to keep the brick walls as main load bearing wall in its raw, robust and exposed form without any plaster over it, entire structure is a load bearing form of structure.
The entire programme of a built and unbuilt was imagined to be multifunctional which can be used for many activities over the time.
客户最初的要求是建造一座偶尔使用的农舍，但这样的规模并不符合要求，因此设计团队建议修改方案。相应的，最终确定的建筑空间设计灵活，并能容纳各种功能，实现了支持当地社区及其活动的主要设计目标之一。已建和未建空间的交替配置，使洞穴可以实现各种功能，并延伸到露天场地。例如，当地学校的孩子们可以在洞穴内上课，而露天庭院则可以作为孩子们用餐和玩耍的场地。此外，露天庭院还可以作为教室和北面空地之间的过渡，楼梯则成为可以观看的座位。在另一种情况下，该建筑可以承担支持当地工匠和手艺人蓬勃发展的项目。北面的下沉通道及其壁龛可以作为工匠作品的展示区，而洞穴和露天庭院则可以成为工匠们练习、教学和出售作品的工作室。
The client’s initial requirements of a farmhouse which would be used on occasion did not warrant a building of such a scale, so suggestions were made to amend the brief. Spaces are instead designed to be flexible and host various functions which fulfils one of the primary design objectives to support the local community and its activities. The alternate built and unbuilt configuration allows functions to take place within the caves and spill out onto the open courts. For instance, classes for local school children may be conducted within the caves, while the open courts may be used as spill out spaces for children to eat and play. In addition, the open court can act as a transition between the classroom and the open ground to the north, with the stairs becoming seating spaces to watch. In another instance, it may take on programs to support the thriving local artisans and craftspeople. The sunken passageway to the north with its niches could become displays of the artisans’ work, while the caves and open courts could become workshops for artisans to practice, teach and sell their work.
建筑与非建筑空间相得益彰，非建筑空间以空隙的形式围绕着现有的树木，可用于各种衍生活动，因此这些洞穴和庭院可用作家庭旅馆、幼儿园或小学，村里人可利用这些空间开展社区活动或聚会，还可作为艺术家的居住地，吸引附近的艺术家前来居住，并向周围的村民传播他们的技能和工艺知识。
The built-unbuilt compliments each other, the unbuilt spaces in the form of void imagined around existing trees to be used for various spill over activities, so these caves and courtyards can be used a home stay, can be a kindergarten or a primary school, these spaces can be used by village people for community activities or gatherings, also as artists residency where the nearby artists can come and stay to spread their skills and craft-knowledge amongst the around village people.
▽建筑室内空间 Building interior space
▽夜晚灯光照明 lighting
▽模型 The model
▽设计草图 Sketch
▽轴测图 Axonometric drawing
▽爆炸图 Explosion
▽平面图 Plan
▽立面图 Elevation
▽剖面图 Section
▽人流分析 Flow analysis
项目名称：Subterranean Ruins
项目地点：印度 卡纳塔克邦 班加罗尔 卡格加利普拉
竣工年份：2022年12月
场地面积：8000平方米
总建筑面积：165平方米
客户：V.S.Bhaskar、V. Kiran Mai.
建筑事务所：“A Threshold”
设计团队：Avinash Ankalge、Harshith Nayak
Instagram：“A Threshold” (https://www.instagram.com/a_threshold_/)
联系电子邮件：avinashankalge97@gmail.com、harshitharch@gmail.com
结构顾问：Raghvendra- Skanda structural consultants.
土建承包商：Mohan and team.
石制品：Hindustan Stone work- Abdul
景观设计：Divakar and A Threshold
管道顾问：Pamod Kumar.
电气顾问：Raghupati Reddy, Abhishek j.
陶器：Ravi.
图片来源：Edmund Sumner
Project name: Subterranean Ruins
Project location: Kaggalipura, Bangalore, Karnataka, India.
Completion Year: December- 2022
Site Area: 8000 sq.m.
Gross Built Area: 165 sq.m.
Client: V.S.Bhaskar, V. Kiran Mai.
Architect’s Firm: “A Threshold”
Project Architects, Design Team: Avinash Ankalge, Harshith Nayak
Instagram Profile- “A Threshold” (https://www.instagram.com/a_threshold_/)
Contact e-mail: avinashankalge97@gmail.com, harshitharch@gmail.com
Structural Consultants: Raghvendra- Skanda structural consultants.
Civil Contractor: Mohan and team.
Stone Work: Hindustan Stone work- Abdul
Landscape: Divakar and A Threshold
Plumbing Consultant: Pamod Kumar.
Electrical Consultant: Raghupati Reddy, Abhishek j.
Pottery: Ravi.
Photo Credits: Edmund Sumner
“ 设计就地取材，使人类活动对环境的影响最小，并以自然的色调构建了一座位于树林中的’废墟’，在结构的虚与实之间为当地人们创造了丰富的活动空间。”
审稿编辑: SIM
更多 Read more about: A Threshold
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