VALLE by Zinialand Design

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Thanks Zinialand Design for authorizing the publication of the project on mooool, Text description provided by Zinialand Design.

致澜景观：放空，是让空间退让、让节奏放慢；粗粝，是卸下精致，自在随之发生。在都市中心，崆空VALLE用一片粗粝的场地，承接放空的自由。

Zinialand Design: Emptying out means letting space recede and slowing the rhythm; roughness means shedding refinement, and ease follows. In the heart of the city, VALLE uses a rough, unpolished site to hold the freedom of emptying out.

核心绿地的放空美学与自在实践

崆空VALLE不是一处常规商业，而是一片先让人愿意停下来的城市绿地。

场地以放空为核心概念，这种放空分三层，也对应体感的三次变化。空间的放空，场地把地方让出来，人从“路过”变成“待得住”；设计的放空，让人感觉不到设计的存在，视线和身体都松下来；时间的放空，不赶季节、不赶时间，人可以从清晨坐到天黑。

The Aesthetics of Unwinding and the Practice of Ease in CoreGreen Spaces

VALLE is not a conventional commercial development, but an urban green space that first makes people willing to stop.
The site is centered on the concept of “emptying,” which unfolds in three layers and corresponds to three shifts in bodily experience. In terms of spatial emptying, the site gives space back, so people shift from “passing through” to “staying put”; in terms of design emptying, the design becomes almost imperceptible, allowing both the gaze and the body to relax; in terms of temporal emptying, there is no hurry with the seasons or the clock—people can sit from early morning until dark.

公共空间真正好用，共享才会自然发生。崆空VALLE的定位是城市先锋的丛林生活聚落，原生感、松弛感、时尚社交、文化交融构成它的氛围底色。走进这片商业，不必因为不消费而有任何局促感，场景首先是让你舒适，消费只是顺便发生，甚至没有目的。

Only when public space is genuinely usable does sharing happen naturally. VALLE is positioned as an urban pioneering jungle lifestyle settlement, with a raw native feel, a sense of ease, stylish social interaction, and cultural blending forming the underlying tone of its atmosphere. Walking into this commercial space, there is no need to feel any awkwardness about not spending money: the setting is first and foremost there to make you comfortable, and consumption happens only incidentally—even without purpose.

01 场地问题与设计策略：从散步路过到日常停留

场地过去“看得见、进不去、留不住”。车行道和车库入口把场地切成几块，场地内外高差约6米，高差变化紧凑，大多数人只在边缘走一圈；设备挡墙裸露在外，占用了本该属于人的空间。

Site Issues and Design Strategies: From Passing by on a Walk to Everyday Lingering

In the past, the site was “visible but inaccessible, and impossible to linger in.” Vehicle roads and garage entrances cut the site into several pieces, and the level difference between the inside and outside was about 6 meters, with compact changes in elevation, so most people only walked a loop around the edge; exposed equipment retaining walls occupied space that should have belonged to people.

▽改造前济南奥体中心的功能绿地及附属底商 ©致澜景观

设计提出的方向很明确，公共空间大于商业空间，人先自在，商业后发生。不消费的人留下来，消费的人更愿意来，公共性是最好的招商，没有边界，是最好的边界。

The direction proposed by the design is clear: public space takes precedence over commercial space; people feel at ease first, and commerce happens afterward. Those who do not spend stay, and those who do spend are more willing to come. Publicness is the best tenant attraction; having no boundary is the best boundary.

策略落到四个手法。

立体，是结合高差打造立体式景观，把高差视为资源，台阶集中消解高差，陡坡变成可停留的平台。

利旧，是对生长状况较好的原生大树予以保留，并结合场地设计；其余乔木移栽；对现有设备、挡墙等立面加以美化、绿化遮挡。

预留，是为经营留位置，为未来留位置，移动快闪、邻街外摆、共享社交场都有一席之地。

串联，是针对车行道、车库入口将场地割裂的问题，通过统一的设计元素、路径联通、地面图案等加强场地串联度，让被切开的几块地重新连成一个整体。

The strategy is implemented through four approaches.

Three-dimensionality: create a three-dimensional landscape in response to the level differences, treating elevation changes as a resource, concentrating steps to resolve the level differences, and turning steep slopes into platforms where people can linger.

Reuse: retain the native large trees in good growing condition and integrate them into the site design; transplant the remaining trees; beautify and screen existing facades such as equipment and retaining walls with greenery.

Reserve: leave room for operations and for the future, so that mobile pop-ups, street-side outdoor seating, and shared social spaces all have a place.

Connection: address the site being fragmented by vehicle roads and garage entrances by strengthening site connectivity through unified design elements, path links, and ground patterns, so that the separated pieces are reconnected into a whole.

▽保留原生大树，结合空间设计躺椅的设计手稿 ©致澜景观

▽改造后的林下树荫成为市民的首选放松空间 ©致澜景观

▽少量店铺内退，营造松弛的店前露营氛围的前期概念沟通手稿 ©致澜景观

▽改造后的开放空间给了商家运营的更多可能性 ©致澜景观

02 坡地场景：从谷地到山顶

设计用台阶集中消解高差，把陡坡切成参与性更高的平台和缓坡草坡，形成三级台地。沿街台地高差1到4米，形成立体画面，把人的参与感提起来；街角做成开放性互动，与对街商铺自然衔接；后场保留原生大乔，构造林下休闲空间。整体氛围从人多到人少，从城市界面逐步过渡到绿地深处。

Sloped Terrain Scenarios:From Valley Bottom to Hilltop

The design uses concentrated steps to resolve the level differences, cutting the steep slopes into more participatory platforms and gentle grassy slopes to form three terraces. The street-facing terraces have elevation differences of 1 to 4 meters, creating a layered visual scene and enhancing people’s sense of participation; the street corner is made into an open, interactive area that connects naturally with the shops across the street; the rear area retains the native large trees to create a leisure space beneath the canopy. Overall, the atmosphere transitions from crowded to quiet, gradually moving from the urban interface into the depths of the green space.

▽项目设计平面手稿 ©致澜景观

▽场地的初步构想手稿 ©致澜景观

谷底是日常，是城市与山野的快速转场，也是高频使用区域。

顺着街面走，儿童活动区与亲子场域最先出现。巨石喷泉广场落在其间，石头围合出水声，水声又把人留住，孩子在水边伸手，大人坐在石头上，看与被看，都成了场景的一部分。

Walking along the street front, the children’s activity area and the parent-child zone are the first to appear. The boulder fountain plaza sits among them: the stones enclose the sound of water, and the sound of water in turn keeps people there. Children reach out at the water’s edge, adults sit on the stones—seeing and being seen both become part of the scene.

▽家庭亲子场所，也是人群最多、烟火气最盛的地方 ©致澜景观

连接两个区域的旧停车场改造成开阔的外摆空间，没有被藏起来。停车场的挡墙被当作幕布，平整的墙面在夜晚投影电影与动物，光影落在墙上，也落在坐着的人身上，与往来的人群发生互动。原本被车占据的地方，如今被桌椅、灯光和停留的人重新填满。

The old parking lot linking the two areas has been transformed into an open outdoor seating space—not hidden away. The parking lot’s retaining wall is used as a screen: at night, films and animal imagery are projected onto its flat surface. Light and shadow fall on the wall and also on the people sitting there, interacting with passersby. The place once occupied by cars is now refilled with tables and chairs, lighting, and people who linger.

▽原始废弃的停车场，影响市政道路美观，没有利用价值 ©致澜景观

▽改造后的停车场作为商业外摆场地的延续 ©致澜景观

▽割裂的场地被和谐的串联起来 ©致澜景观

▽商家利用场地开展各种活动 ©VALLE崆空

▽夜晚利用墙面作为幕布播放与人群互动 ©VALLE崆空

顺着水声再往里，是伴着流水、叠石掩映的外摆。水从石间穿过，桌椅散在树荫与石滩之间，路过的人可以在这里闲坐，喝杯咖啡，歇息，聊天，不消费也不会觉得局促。

Following the sound of water further in, there is outdoor seating accompanied by flowing water and screened by layered rocks. Water runs between the stones, and tables and chairs are scattered among the tree shade and the rocky shallows. Passersby can sit and relax here, have a cup of coffee, rest, and chat—without feeling awkward even if they do not spend money.

转到街角，是一个剧场，也是街角的昭示面。石头围合出看台，人可以随意坐下，商家可以在这里开展一些复合型场地中型活动。白天它是街角的停顿，夜晚它是灯光与人群的聚点。

Turning to the street corner, there is a theater, which also serves as the corner’s signature frontage. Stones enclose an audience terrace where people can sit freely, and merchants can host medium-scale, multi-purpose events here. By day it is a pause at the street corner; by night it is a focal point of light and crowds.

帐篷下的晚餐，户外桌椅就着灯光，邻街店铺的烟火气升起来，城市的热闹被留在街面，山野的安静被留在身后，谷底刚好站在两者之间。

Dinner under a tent, outdoor tables and chairs set against the lighting, the lively bustle of neighboring street-front shops rising up—the city’s excitement is left at street level, the quiet of the mountains and wilds is left behind, and the valley floor stands right between the two.

山腰是流动的路径。

沿街台地拉开立体画面，中部缓坡把人的参与感提起来，但这里不再承担社交的主角，而是把社交留给谷底，自己退成一条可以攀爬、可以散步、可以穿行的坡。

The street-facing terraces open up a layered, three-dimensional scene, and the central gentle slope heightens people’s sense of participation. But here it no longer takes on the leading role in social interaction; instead, it leaves social life to the valley floor and recedes into a slope that can be climbed, strolled along, and passed through.

▽以流动姿态为表达，从城市界面到森林感靠三级台地自然过渡的概念手稿表达 ©致澜景观

滑梯从台地高处滑向草坡，孩子在上面攀爬，大人沿着串联的小道慢慢走。路径不是笔直的，它顺着地形弯折，穿过树荫，绕过石头，时宽时窄，走起来有节奏。

The slide runs from the upper terrace down to the grassy slope, with children climbing on it while adults stroll slowly along the connecting paths. The path is not straight—it bends with the terrain, passes through tree shade, curves around rocks, and varies in width, giving the walk a sense of rhythm.

山顶是留白，是城市声音退去的地方。

后场保留原生大乔，构造林下休闲空间，野趣氛围自然发生。观景平台、开敞草坪让独处私享的场景在此发生。这里也是夜晚最适合放空的地方，安静，开阔，城市天际线在远处，天光从树叶间漏下来。

The rear area retains the native large trees to create a leisure space beneath the canopy, where a natural, rustic atmosphere arises on its own. The viewing platform and open lawn allow moments of solitude and private enjoyment to take place here. This is also the best place to empty out at night—quiet and open, with the city skyline in the distance and skylight filtering down through the leaves.

03 粗粝与拙:在材质和手搓中落地

拙感与粗粝，和放空概念是同一件事。放空意味着卸下防备，卸下精致，卸下必须表现得体面的压力。粗粝的石头、野生的植物、手工感的水磨石、临时感的帐篷，都在传达一个信息：这里不需要你精致，你可以放松。

放空从空间让出开始，在材质的拙朴中完成。

Coarseness and Clumsiness:Realized Through Material and Handwork

A sense of the unpolished and the rough is the same thing as the concept of emptying out. Emptying out means shedding one’s guard, shedding refinement, shedding the pressure to always appear proper. Rough stones, wild plants, handcrafted terrazzo, and tents with a temporary feel all convey one message: here you do not need to be refined; you can relax.
Emptying out begins when space is given over, and is completed in the honest simplicity of the materials.

▽从设计到施工过程中的手绘沟通稿 ©致澜景观

而这种拙感，不是设计图纸上画出来的风格，是从设计到施工一步步手搓出来的结果。

因为是坡地项目，图纸与现场常有对不上的情况。团队现场勘查、画线放样，把现有乔木标高重新梳理，在坡地上撒白粉放线。摆放石头时，初期根据图纸利用纸箱预估大致体量，并编号处理，辅助落地；再根据纸箱体量及模型中石块样式选择石块，在现场摆放布置。过程中，团队直接拿iPad或手机拍照，与现场沟通石头应该怎么摆。这不是标准化的施工流程，而是设计与甲方共创的手搓过程。

This sense of the unpolished is not a style drawn on design drawings; it is something handcrafted step by step, from design through construction.

Because this is a sloped site, drawings and the actual site often did not match. The team conducted on-site surveys, drew lines and set out the layout, reorganized the elevations of existing trees, and marked lines on the slope with white powder. When placing stones, the team first used cardboard boxes to estimate the approximate volumes according to the drawings and numbered them to help with implementation; then, based on the cardboard volumes and the stone forms in the model, they selected stones and arranged them on site. During the process, the team took photos directly with iPads or phones and communicated on site about how the stones should be placed. This was not a standardized construction process, but a hands-on process of co-creation between the design team and the client.

▽勘查现场、画线 ©致澜景观

设计不必依赖标准施工单位才能落地，它可以在现场生长出来。手搓不是劣势，而是一种态度，让项目带着感情落地。正是这些手搓的痕迹，最终变成了场地上的拙感，不完美，却让人放松。

Design does not have to rely on a standard construction contractor to be realized; it can grow on site. Handcrafting is not a disadvantage but an attitude—one that allows the project to be realized with feeling. It is precisely these handcrafted traces that ultimately become the site’s sense of the unpolished: imperfect, yet relaxing.

04 公共性先行: 边缘空间的24小时生活

崆空VALLE不是先把盒子造好，再等人来填。它反过来：先把环境造好，把氛围养出来，人愿意来、愿意停、愿意反复使用，商业自然跟着发生。

这是一片都市中心的边缘空间，过去被车行道和车库入口切碎，被高差挡在人的日常之外。现在，公共空间先让出来，草坪、树荫、水边、台阶、外摆、剧场，不消费也能坐、能躺、能发呆。周边上班的人中午来喘口气，傍晚有人散步，夜晚有人留下来吃饭、看投影。边缘空间不再只是路过的地方，而成为24小时都有生活发生的场所。

Publicness First: 24-Hour Life in Edge Spaces

VALLE does not build the boxes first and then wait for people to fill them. It works the other way around: it first builds the environment and cultivates the atmosphere, so that people are willing to come, willing to stay, and willing to use it again and again—and commerce follows naturally.
This is an edge space in the heart of the city. In the past, it was cut into pieces by vehicle roads and garage entrances, and separated from people’s daily lives by level differences. Now, public space is given over first: lawns, tree shade, waterside areas, steps, outdoor seating, and a theater—places where people can sit, lie down, and zone out without spending money. Office workers nearby come at noon to catch their breath; in the evening, people take walks; at night, people stay to eat and watch projections. The edge space is no longer just a place to pass by, but a place where life happens 24 hours a day.

我们持续记录了崆空正在发生的商运活动：市集、快闪、亲子互动、艺术节、外摆就餐。从清晨到夜晚，不同时段都有人流和使用场景，顺着生活的节奏自然发生，场地既能生活，也能支撑商业运营。

We have continuously documented the commercial activities taking place in Kongkong: markets, pop-ups, family-friendly interactions, art festivals, and outdoor dining. From early morning to late night, there are people and usage scenarios at different times of day, unfolding naturally along the rhythm of life. The space can support both daily life and commercial operations.

▽咖啡市集 ©VALLE崆空

▽艺术节 ©VALLE崆空

崆空VALLE不追逐流量，不热衷打卡，只是安静地把地方让出来，让人自在地待、自在地看、自在地慢。你可以坐、可以躺、可以走，不消费也没关系，让心放下来，自在随之发生，消费顺便发生。粗粝与拙，是放空在材质上的落地，也是它接纳任何人的方式。

在这里，生活本身大于消费行为。

VALLE does not chase traffic or seek out check-in crowds. It simply and quietly gives space over, letting people stay at ease, look at ease, and slow down at ease. You can sit, lie down, or walk—it does not matter if you do not spend money. Let your heart settle, and ease arises on its own; consumption happens only incidentally. Roughness and the unpolished are how emptying out takes form in materials, and also how it accepts anyone.

Here, life itself is greater than the act of consumption.

项目名称：崆空VALLE
项目地址：济南市奥体中心
业主单位：云泰资本
景观设计：致澜景观
项目面积：5000㎡
设计时间：2025.09
完工时间：2026.05
摄影：南西摄影

“ 崆空VALLE用一片粗粝的坡地退让出放空的自由，让公共性先于商业发生，让自在比消费先一步抵达。”

审稿编辑：Maggie

更多 Read more about: Zinialand Design 致澜景观