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右见建筑：2019年，音乐人黄雅莉与我的一次交流中，雅莉说到了一个她的“艺术行为”–借光计划。向每一个有故事的人借一段回忆里的光，让我大受启发。
Youjian Architectural: In 2019, the musician Huang Yali and I shared a conversation in which Yali mentioned one of her “artistic acts” — the Borrowing Light Program. I was greatly enlightened by the idea of borrowing a slice of light from a memory to everyone who shares a story.
▽音乐制作人-黄雅莉（左）与主创设计师-汪拓（右）Music producer — Yali Huang (left) and Chief designer — Wang Tuo (right)
▽沿街立面 Street side elevation
作为一个设计师，特别是我们这种从业很久，历经各种“折磨”的资深受虐者来说，受限极多，作品的内容到底应该表现什么？各种甲方诉求各异：材质、形状、空间、色彩、温度还是情绪？其实设计中的所有的因素构成皆为借用。以自然守恒法则来说，所有物品只是从A到B的位置转换而已，或许形状有所变化，本量不变，甚至于包括历史、光。或许说法太过跳跃，但确实如此。所以周塘留白民宿的设计行为，我把它定名为借光计划。
As a designer, especially for us who have engaged in the field over a long period of time, while having suffered from various kinds of “torture” as a veteran, we are subjected to numerous limitations. What should be the content of the works? The demands of various first parties are always varied: material, shape, space, color, temperature or emotion? As a matter of fact, all factors involved in design are subject to borrowing. With regard to the law of conservation of nature, all the objects simply transform their position from A to B. Maybe the shape has varied, but the original quantity remains the identical, even including history and light. The statement is probably too radical, while it remains valid. For this reason, I have named the design behavior of Zhoutang Blank-leaving B&B as the Borrowing Light Program.
▽借历史之光 Borrowing the Light of History
▽借自然之光 Borrowing the Light of Nature
▽借艺术之光 Borrowing the Light of Art
▽借器物之光 Borrowing the Light of Artifacts
▽借文化之光 Borrow the light of Culture
▽借一切可借之光 Borrowing the light of everything that can be borrowed
梳理 Carding
几幢大大小小的建筑，高高低低，起起伏伏，因建筑非正南北朝向、因周边的其他建筑、因与广场之间的关系、因可持续发酵的可能性，对原建筑的改造与梳理。我把我当成一个影子，在虚拟地状态下进入空间，去感受高低起伏、视觉与互动，静与动之间的关系，光与吹过的风，或许这些都是设计中的主要元素，拭图用放空的情绪去做解释。
There are dozens of huge or tiny buildings, high or low, rising or setting, as a result of the non-north-south orientation of the building, the other buildings around, the relationship with the square, as well as the possibility of sustainable fermentation, the remodeling and grooming of the original buildings. I have treated myself as a shadow, accessing the space in a virtual state, to perceive the high and low, rise and set, the visual and interactive, the relationship between stillness and movement, the light and the wind blowing through, perhaps these are all the primary elements in the design, attempting to interpret with the released emotions.
▽建筑立面手稿 Manuscript of building elevation
▽错落有致的建筑 A patchwork of buildings
▽庭院景观 Garden landscape
▽建筑细节 Architectural Details
保留 Reserve
红石青砖加木结构的江西鹰潭地区传统建筑，此建筑为原国民党军官彭念祖的旧宅，建于民国三十五年，历时80余年的风雨变迁，时间的洗礼让外墙与室内变的残破不堪，或许这也正是岁月的痕迹吧。保留与尊重会让建筑的外立面焕发新生，小心翼翼是我们的设计方式。
With the red stone and green brick with wooden structure, this building is a traditional building in Yingtan of Jiangxi Province. This building is the former residence of Peng Nianzu, a former Kuomintang military officer, which was built in the 35th year of the Republic of China. Preservation and respect will bring the facade of the building to be renewed, while discretion remains our design approach.
▽记录岁月痕迹的红石青砖 The red stone and blue brick that recorded the traces of time
變化 Change
自由、温暖是公区的核心名词。自由穿行、听水的流动、闻花的香味，观光的影子，用镜面去作自然的画，用反射自然的变化去设定时间变化的画。
Freedom and warmth refer to the innermost terms of the public area. Walking in and out of the area in liberty, listening to the flow of water, smelling the scent of flowers, sightseeing the shadow of lights, taking a mirror to make a painting of nature, while setting a painting of time variations by reflecting the natural variations.
▽公区院落 The public courtyard
▽室内空间 Interior Space
▽内部空间 Interior space
陳設 Display
借艺术的光，去做室内的陈设：用孔子与美国大兵的并列去表达温和与暴力的反差；用石膏绘画去表达不看、不说、不听；用收集与购买的当地居民以前使用的陶瓷容器去装饰空间并放置大量的茶叶梗去改变气味，去定义空间的气味与轻松愉悦的心情属性；用周塘村的老建筑与风景摄影去表达对在地文化的尊重；当代水墨的绘画；用光透过格栅打到白色底画上的影子去寻求表达时间的流逝；用似是而非的抽象彩墨绘画去给人以更多的想象空间；用连绵的水对雕塑的冲刷去表达人的压力。或许，留白设计的核心是精神留白。
We have borrowed the light of art to furnish the interior. We have employed the juxtaposition of Confucius and American soldiers to articulate the contrast between gentleness and violence, while employing plaster paintings to articulate not viewing, not speaking, and not listening. We have decorated the space with collected and purchased ceramic containers used by local residents, while placing a significant amount of tea stalks to modify the odor and define the scent of the space and its attribute of relaxing mood. In the meantime, we have adopted the old architecture and landscape photography of Zhoutang Village to demonstrate our respect for the local culture. Regarding the contemporary ink painting, we seek to express the passage of time by employing the shadow of light hitting the white background painting through the grille. We have employed seemingly abstract colored ink paintings to allow for more imaginative space, as well as the successive washes of water on the sculptures to convey the pressure of people. Perhaps, the centerpiece of blank-leaving design lies in the spirit of blank-leaving.
▽内部空间 Interior space
留白 White space
借光计划的光不仅仅是＂光＂更多的是帮助，让书法，绘画，文学，戏剧，禅学，等等都为我借。于是就有了：对白，留白，飞白，空白，清白，等等命名的客房，空间是有情绪在的。古人有语：山不在高，有仙则名；水不在深、有龙则灵，斯是陋室的“陋”字并不是简陋二字，而是一种清减的状态与心态，或许我理解有偏，但至少我是这么认为的。我希望设计的清减也能让空间显得饱满，情绪饱满。
The light of the Borrowing Light Program is not merely “light”, but more of supports, allowing calligraphy, painting, literature, drama, Zen studies and so forth to borrow for me. As a result, there comes the room named Dui Bai, Liu Bai, Fei Bai, Kong Bai, Qing Bai and so forth, where the space carries the emotion. As the old saying goes: Any mountain can be famous with the presence of an immortal, any river can be holy with the presence of a dragon. The word “humble” does not refer to the word “humble”, but rather to a clear and reduced condition and state of mind. Perhaps there is a deviation in my understanding, but at least I do believe so. I expect that the clearness and reduction of design is also capable of bringing the space to fullness — fullness of emotion.
▽1F 总平面 1F Plan
▽2F 总平面 2F Plan
▽清白独栋套房平面 Plan
▽公区剖面1 Common section 1
▽公区剖面2 Common section 2
项目名称：周塘留白民宿
设计方：苏州右见建筑装饰设计工程有限公司
项目设计：2022年3月
完成年份：2022年10月
设计团队：汪拓/朱书君/金倩倩/纪鑫娟/尹凡/陈旗/李昕宇/王星明
项目地址：江西省鹰潭市周塘村
建筑面积：1100平方米
摄影版权：张坤（繁玺建筑摄影）
Project Name: Zhoutang Blank-leaving B&B
Designer: Suzhou Youjian Landscape Planning and Design Co., Ltd.
Project design: March 2022
Year completed: October 2022
Design Team: Wang Tuo/Zhu Shujun/Jin Qianqian/Ji Xinjuan/Yin Fan/Chen Qi/Li Xinyu/Wang Xingming
Project address: Zhoutang Village, Yingtan City, Jiangxi Province
Floor area: 1100 square meters
Copyright: Zhang Kun (FANCY IMAGES)
“设计师把自己当成一个影子，在虚拟地状态下进入空间，去感受高低起伏、视觉与互动，静与动之间的关系，放空自我。 ”
审稿编辑：Maggie
更多 Read more about：右见建筑
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