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Thanks Gaeta-Springall Arquitectos for authorizing the publication of the project on mooool, Text description provided by Gaeta-Springall Arquitectos.
Gaeta-Springall Arquitectos：纪念园位于墨西哥城最重要的查普尔特佩克公园，场地内森林的一部分属于联邦政府，几十年来都由国防部监管，因此纪念园的建设意味着需要恢复15000平方米的公共空间。
Gaeta-Springall Arquitectos: The site is in Chapultepec, the most important park of Mexico City. This part of the forest belongs to the Federal Government and was under the custody of the Secretariat of National Defense for many decades, so, first of all, the memorial project means the recuperation of 15,000 square meters of public space.
本案中，Gaeta-Springall设计事务所为当代墨西哥社会最凸显的“暴力”问题赋予了实体形式，为此设计师将场地定义为一个开放的项目，向城市和公众开放：即成为对城市及其受众完全开放的一个空间。
In this project, we give material form to one of the most important issues of contemporary Mexican society: violence. In response to this, we propose an open project, open to the city and open to appropriation by its citizens: a space that exists in a state of complete openness to the city and its actors.
▼高大的钢墙采用耐腐蚀钢制成 The steel walls are made of corrosion resistant steel.
▼墙与树木之间的空隙提醒我们记住那些因暴力而逝去的人们 These voids between the steel walls and the trees evoke the non-presence and the absence of the victims.
这使得场地有了双重身份：公共空间和纪念园。“暴力”隐喻在两个层面内：非物质层面（空隙）和构筑层面。一方面，非物质体现在钢墙和树木之间的空隙中，这些空隙提醒着我们记住那些暴力受害者们的逝去；另一方面则体现在钢墙的墙面，无论是生锈的表面或光洁的镜面，展现出我们可能会被接纳，可能会迷失，可能会看到自己增加或重叠的影像。如果我们把暴力理解为毁灭，那么建造这七十道耐腐蚀钢制金属墙便是对抗暴力的最好方法，矗立在树林间的七十面墙引发了自然和构筑之间的对话：也就是“树木森林”和“墙壁森林”的交流。
In this manner, the project plays the double role of public space and memorial. Violence is suggested in the proposal in two dimensions: the immaterial and the built. On one hand, the immaterial takes place in the the voids created between the steel walls and the trees. These voids evoke the non-presence and the absence of the victims. On the other hand, the surfaces of the steel walls, rusty or mirroring, show that we can be contained or lost, and that we can add or multiply ourselves. Thus, if we understand violence as destruction, building these seventy walls play as the great antidote to violence. The seventy walls that appear among the trees, set off a dialogue between nature and architecture: forest of trees and forest of walls.
▼夜晚的纪念园在灯光的衬托下显得更加肃穆 The sense of solemn of Memorial even more impressed when the night falls.
中央场地是纪念园的主空间，那里有一个1200平方米的自由形状倒影池，它和项目其他部分一样是开放而自由的。纪念园中的墙壁醒目而又拨人心弦，水中倒映着它们的轮廓，将人们的视线引向天空，又转向水面，这些元素是自然而无尽的。七十面钢墙变成了镜子或画板，市民可以从中看到自己的倒影和周围的森林，也可以通过在墙上书写、绘画来表达自己的感受。
In the central space, which is the main space of the memorial, there is a 1,200-square-meter reflecting pool with an undetermined form and open geometry. It is open and undetermined like the rest of the project: an unfinished form that fuses materials. It is here that the walls emerge arresting and dramatic, shapes appear in the reflecting pools, drawing the eye to the sky and the water, elements that are natural and infinite. The seventy steel walls become mirrors or canvasses. In them, the citizen may see his reflection as well as the forests’ and will also be able to write, draw and express his feelings.
▼人们通过在墙上书写、绘画来表达自己的感受，水中还倒映着纪念钢墙的轮廓 People can express his feelings through writing and drawing, shape of walls appear in the reflecting pools as well.
▼场地鸟瞰 Aerial
Architects: Gaeta Springall Arquitectos
Location: Mexico
Area: 15000.0 m2
Project Year: 2013
Architect in Charge: Julio Gaeta, Luby Springall, Ricardo López
Manufacturers: Lighteam
Read more about: Gaeta-Springall Arquitectos
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