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JTL 加特林：风格从来不是审美问题，而是价值选择。
我们在东四环与朝阳公园的繁华之间，构思了一场关于“退隐”的叙事。不是退到山里，不是退到海边——而是退到城市心脏的一片寂静里。
以中轴礼序为精神骨架，以安缦隐奢与阿丽拉静谧为美学底色，用极简设计语言，为当代居所注入一种内敛、克制、与自然共生的气质。
“游廊界外，万象归简。”这是我们为这片土地写下的划时代答案。
JTL Gatlin：Style is never merely a matter of aesthetics, but a choice of values.
Nestled between the bustle of the East Fourth Ring Road and Chaoyang Park, we have conceived a narrative of “retreat”. Not a retreat to the mountains, nor to the seaside—but a retreat into a haven of tranquility at the very heart of the city.
With the ceremonial order of the central axis as its spiritual framework, and drawing on the understated luxury of Aman and the serenity of Alila as its aesthetic foundation, we use a minimalist design language to infuse this contemporary residence with a reserved, restrained spirit that coexists harmoniously with nature.
“Beyond the colonnade, all things return to simplicity.” This is the groundbreaking answer we have crafted for this land.
将东方秩序精神与现代隐奢美学融合，最终导向一种身心皆安的静谧栖居。那道对话始于你跨入游廊的第一步，也延续在你每一次凭栏小憩的凝视里。
By fusing the spirit of Eastern order with the aesthetics of modern understated luxury, we ultimately arrive at a serene dwelling that brings peace to both body and mind. That dialogue begins with your first step into the veranda and continues in every gaze as you pause to rest by the railing.
EXPANSE | 空，是最奢侈的尺度
同一片草坪之上，生活以最舒展的姿态自然生长，互不打扰。
浮翠之上是“转”，从幽闭水院骤然步入开阔草坪，视线与胸怀一同释放。这片不着一墨的空白，恰恰装下了最丰盈的精神世界，在拥挤的城市核心，这种“不被定义”的旷达，才是奢华最昂贵的表达。
EXPANSE | Space: The Most Luxurious Dimension
On the same lawn, life flourishes naturally in its most unhurried form, without disturbing one another.
Above the lush greenery lies “Transition”—as you step abruptly from the secluded water courtyard onto the open lawn, your gaze and your spirit are set free. This blank canvas, untouched by a single stroke of ink, holds the richest spiritual world. In the crowded heart of the city, undefined sense of expansiveness is the most precious expression of luxury.
PASSAGE | 穿行至此
最深邃的抵达，不是匆忙到达某个地方，而是优雅地穿过它。
游廊并非传统园林的装饰性回廊，我们将其定义为“结构性序廊”——它是贯穿全园的空间骨骼，也是情绪的引导者。它串联起多重归家场景，形成完整的叙事动线；线条上，采用极简的直线语言，与建筑斜切立面形成对话。
PASSAGE | Passing Through Here
Arrival is not a point, but a passage. The most profound arrival is not rushing to a destination, but gracefully passing through it.
The passage is not a decorative colonnade found in traditional gardens; we define it as a “structural corridor”—it serves as the spatial skeleton running through the entire garden and as a guide for the mood. It connects multiple scenes of returning home, forming a complete narrative flow; in terms of lines, it employs a minimalist, linear language that engages in a dialogue with the building’s beveled facade.
日光被筛滤成流动的碎金，随着时间在此温柔推移。你可以随意择一处休闲卡座坐下，在此静候清风穿堂而过，听细碎的树影在石材地面上沙沙作响，与自然进行一场无声的对话。在这里，游廊不只是通行之所，更是一处处可以放慢脚步的”微度假”聚场。
Sunlight is filtered into flowing shards of gold, gently shifting here with the passage of time. You can choose any of the leisure seating areas to sit down, quietly waiting for a breeze to sweep through the space, listening to the rustling of delicate tree shadows on the stone floor, and engaging in a silent dialogue with nature. Here, the colonnade is not merely a passageway, but a series of “micro-vacation” gathering spots where you can slow your pace.
转角处，视线忽而开阔，忽而收敛。石材的温润质感与金属线条的克制交织在一起，每一步的落脚都伴随着回声的递减。空间的进退之间，城市的喧嚣与浮躁被层层过滤，只把静谧留给归人。
At the corner, the view alternates between opening up and narrowing. The warm texture of the stone intertwines with the understated lines of metal, and with each step, the echo gradually fades. As the space expands and contracts, the city’s clamor and restlessness are filtered away layer by layer, leaving only tranquility for those returning home.
阳光穿过廊架，在地面投下随时间缓缓移动的光斑。你不必急着赶路——择一处卡座歇脚，任穿堂风拂过，听树影在石材上窸窣低语，便已与自然完成了一次无声的交谈。
正如路易斯·康所言，静谧与光之间，存在着一种对话——游廊是这一对话的当代载体。
Sunlight filters through the pergola, casting patches of light on the ground that shift slowly with the passage of time. There’s no need to rush—simply choose a booth to rest, let the breeze sweep through, and listen to the rustling whispers of tree shadows on the stone, and you’ll have already engaged in a silent conversation with nature.
As Louis Kahn once said, there is a dialogue between stillness and light—and the colonnade serves as the contemporary vessel for this dialogue.
LIGHT | 一种不触碰地面的姿态
悬停的寂静，是最轻的抵达方式。
浮于草坪之上的茶室，以极轻的姿态嵌入这片绿意。这里有着如同安缦酒店般纯粹的度假哲学与隐奢质感——去除了所有繁复矫饰的符号，仅通过大面积无边界的玻璃、天然温润的材质与极致克制的线条，将建筑悄然隐匿于自然之中。
LIGHT | A Posture That Does Not Touch the Ground
Suspended stillness is the quietest form of arrival.
Floating above the lawn, the teahouse blends into the greenery with the lightest of touches. Here, one finds a resort philosophy and understated luxury reminiscent of Aman Hotels—stripped of all ornate embellishments, the architecture quietly blends into nature through expansive, frameless glass, warm natural materials, and exquisitely restrained lines.
顶部的发光体悬浮于视野之上——光线经层层折射后变得柔和温润，如日光被和纸筛过才肯落下。光从四周漫过来，不刺眼，不打扰，只是温和地存在着。你看着窗外的草坪，草坪也在看着你。
The light source at the top hovers above the field of vision—the light, after being refracted layer by layer, becomes soft and warm, as if sunlight were filtered through washi paper before falling. Light flows in from all sides, neither glaring nor intrusive, simply existing gently. As you gaze at the lawn outside the window, the lawn gazes back at you.
玻璃之内，时间以另一种速度流动。外面的世界好像还在那里，但你不再需要回应它。场所精神在此显形—古树与石头的叙事、时间在材质上的沉淀、极致的静谧与克制。这更像是你暂时退到一切事物的背面，坐在那里，光从头顶落下来，声音被放在远处。
这是一处可以独自待着的地方，也是一处即使有人在，也不觉得拥挤的地方。在这里，连呼吸都变得有了形状，轻柔地在茶室的四壁之间回荡。
Inside the glass, time flows at a different pace. The outside world seems to still be there, but you no longer need to respond to it. The spirit of the place takes shape here—the narrative of ancient trees and stones, the passage of time imprinted on the materials, and the ultimate tranquility and restraint. It feels more as though you have temporarily retreated to the other side of all things, sitting there while light falls from above and sounds are left far behind.
This is a place where you can be alone, and a place that never feels crowded, even when others are present. Here, even your breath takes on a form, gently echoing between the four walls of the tea room.
RADIANCE | 最安静的光，从内部渗出
不是照亮，而是浸染。
水院深处，一座以透光云石雕琢的亭子浮现出来。密斯·凡·德·罗说上帝存在于细节之中——而在这里，细节不只是被看见，更是被光线从内部唤醒。
RADIANCE | The quietest light came through the interior
The quietest light emanates from within.
Deep within the Water Courtyard, a pavilion carved from translucent marble emerges. Mies van der Rohe said that God is in the details—and here, the details are not merely seen, but awakened from within by the light.
入夜，它开始说话。以一种不需要声音的方式。光从石头内部渗出。不是照亮，是浸染。整座亭子被自身点亮，却不向外投射，光只够包裹它自己，像一个悬浮在水院高处的明亮容器。水面接住了它的倒影，实与虚在那一瞬间重叠，分不清哪里是现实，哪里是倒影。
As night falls, it begins to speak—in a way that requires no sound. Light seeps from within the stone. It does not illuminate; it permeates. The entire pavilion is lit from within, yet casts no outward glow; the light is just enough to envelop itself, like a luminous vessel suspended high above the water courtyard. The water’s surface catches its reflection, and in that instant, reality and illusion overlap, making it impossible to distinguish between reality and reflection.
夜风吹过水面，泛起层层细碎的涟漪，将云石亭温润的光芒揉碎在粼粼波光之中，如梦似幻。那种由内而外散发的微光，不急不躁，恰似成熟生命独有的内敛与温厚，散发着迷人的东方意境。
The night breeze sweeps across the water’s surface, creating layer upon layer of delicate ripples that scatter the Cloud Stone Pavilion’s soft glow among the shimmering waves, creating a dreamlike, ethereal scene. That gentle radiance, emanating from inside, is neither hurried nor restless; it embodies the unique reserve and warmth of a mature life, exuding a captivating Eastern aesthetic.
FADE | 水声渐远之后
水声退去，寂静才真正开始。
对岸，日式茶亭隐于林木深处，只容两三人停坐。叠谷听音是“合”，于叠水声中抵达内心，完成精神的归宿。
FADE | After the Sound of Water Fades
Only after the water fades, does silence truly begin.
On the opposite bank, a Japanese-style tea pavilion is hidden deep within the woods, with room for only two or three people to sit. “Listening to the Sounds of the Cascading Valley” embodies “harmony”—reaching the inner self through the sound of cascading water and finding spiritual solace.
檐口压得很低，低到你需要微微垂首才能进入。像是某种默许——你必须先交出一些什么，才能真正坐进它的安静里。
The eaves are drawn very low—so low that you must bow your head slightly to enter. It feels like a kind of tacit consent: you must first surrender something before you can truly settle into its stillness.
坐下，视线被自然压低。那不是望向远方的观景姿态，而是停留的姿态——目光刚好落在水面上，刚好越过层层跌水，刚好够到对岸的光亭，刚好不再向前延伸。整个水院和你的呼吸一起，轻轻地起伏着。
Once seated, your gaze is naturally lowered. This is not the posture of gazing into the distance, but one of stillness—your eyes rest precisely on the water’s surface, just beyond the cascading tiers, just within reach of the luminous pavilion on the opposite bank, and no further. The entire water courtyard rises and falls gently in rhythm with your breath.
当听觉被水声驯服，视觉在绿意中安顿，人被这片空间以最温柔的方式接住。在这重重叠叠的影调与水雾中，内心的喧嚣终于洗净，只剩下回归本真的宁静与释然。
As your hearing is tamed by the sound of water and your vision settles into the greenery, you are cradled by this space in the gentlest of ways. Amid these layered shades and mists, the clamor within is finally washed away, leaving only the tranquility and release that come from returning to your true self.
低垂的檐口如同一道天然的结界，将外界的纷扰彻底屏蔽，只留一室的心如止水。木香与茶香在内敛而亲密的几何空间里静静发酵，让每一次吞吐都变成了一场深刻的自我对话。当夜幕完全合拢，万物归于寂静，真正有底气的居所，从不需要大声说话。
The low-hanging eaves act as a natural barrier, completely shielding the disturbances of the outside world and leaving only a mind as still as water within. The scents of wood and tea quietly mingle in this understated yet intimate geometric space, transforming every breath into a profound dialogue with oneself. When night falls completely and all things return to silence, a home with true substance never needs to speak loudly.
从概念到实景，我们用半年时间，完成了一场关于“退隐”的叙事。在纷繁的世界中，我们以克制的几何语言表达，让材质自己说话，让光影替时间留痕，让一切复杂归于简洁与宁静。我们做的是“设计的减法”——让技巧退后，让空间自己开口。
浮翠之上，安静下来的不只是草木，还有人的步伐。
From concept to reality, we spent half a year crafting a narrative of “retreat.” In this complex world, we express ourselves through restrained geometric language, letting the materials speak for themselves, allowing light and shadow to leave the traces of time, and reducing all complexity to simplicity and tranquility. We practice “minimized design”—letting technique take a back seat so the space can speak for itself.
Above the greenery, it is not only the plants that have grown still, but also the footsteps of people.
项目名称：融创壹号院
项目地点：北京市朝阳区
业主单位：北京融创
业主团队：刘冬 刘俊玮 王栋
景观方案-扩初设计：JTL景观设计
撰文排版：温晓雪
景观施工图：北京禾木创景景观规划设计有限公司
景观施工：北京致园景观工程有限公司
建成时间：2026年6月
景观面积：5800㎡（大区）
摄影：E-ar TARS
Project Name: One Sino Park
Project Location: Chaoyang District, Beijing
Client: Beijing Sunac
Client Team: Liu Dong, Liu Junwei, Wang Dong
Landscape Concept—Preliminary Design: JTL Landscape
Text and Layout: Wen Xiaoxue
Landscape Construction Drawings: Beijing Home Landscape Planning and Design Co., Ltd.
Landscape Construction: Beijing Zhiyuan Landscape Engineering Co., Ltd.
Completion Date: June 2026
Landscape Area: 5,800 ㎡ (Residential Area)
Photography: E-ar TARS
“在东四环与朝阳公园的繁华之间，构思了一场关于“退隐”的叙事。”
审稿编辑：Maggie
更多 Read more about: JTL Studio Singapore
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