本文由 之间建筑事务所 授权mooool发表，欢迎转发，禁止以mooool编辑版本转载。
Thanks ArCONNECT Architects for authorizing the publication of the project on mooool, Text description provided by ArCONNECT Architects.
之间建筑事务所：1. 场地的两种气质和两种尺度
场地位于苍山下村庄外一片独立的老农庄。这是一片东西走向狭长的用地，南北进深较小。北侧是苍山十八溪之一的双鸳溪，场地内被密林簇拥，伴着湍湍的溪流声，颇有一些幽幽的山林气息；南侧则面向大片农田豁然开朗，苍山十九峰连绵起伏，尽收眼底，一派“采菊东篱下，悠然见南山”的开阔田园气象。这个场地兼具“山林”和“田园”两种气质。
ArCONNECT Architects: Two Distinct Charms and Scales of the Site
The site is situated outside a rural village beneath Cangshan Mountain, occupying an isolated, ancient farmstead. This parcel of land is elongated east to west, with limited depth from north to south. To the north lies Shuangyuan Creek, one of Cangshan’s Eighteen Streams, enveloped by dense forest. Amidst the babbling brook and verdant foliage, there is a subtle sense of serene woodland tranquility. To the south, expansive farmland stretches out, revealing the undulating silhouette of nineteen peaks of Cangshan Mountain, offering a breathtaking vista that evokes the poetic sentiment of “plucking chrysanthemums beneath the eastern hedge, leisurely gazing upon the southern mountains,” embodying a vast pastoral landscape. The terrain seamlessly blends the dual characters of “mountain forest” and “rural idyll.”
▽项目视频
▽从西水塘对岸回望主体建筑 @朱雨蒙
▽从水塘看1号楼“农场之家” @朱雨蒙
▽从小溪望向1号楼“农场之家” @朱雨蒙
在现场能同时感受到两种自然的尺度。第一种是“近身尺度”，场地内有非常丰富的自然元素，西侧是水塘和林荫道，主建筑区散布着杨树、大青树、柏树、桉树等诸多大树，南侧有一小片核桃林伸入农田，东侧和北侧溪边则是高大的桉树林。第二种是“山水尺度”，场地南侧苍山以经典的“平远”意境水平展开，有种天地之间的气魄；场地西侧苍山十九峰中的两三峰在大树和水塘的框景中，罕见地呈现出如北宋《溪山行旅图》般的“高远”意境。
Within this locale, one can simultaneously perceive two distinct natural scales. The first is the “intimate scale,” characterized by an abundance of natural elements: to the west, a pond and a shaded avenue; the main building area dotted with poplars, blue-leaved trees, cypresses, and eucalyptus; a small walnut grove extending into the farmland on the south; and towering eucalyptus trees lining the creek on the east and north. The second is the “mountain-water scale,” with Cangshan’s southern face unfolding in a classical “broad and distant” vista, evoking a grandeur that spans the heavens and earth. From the west, two or three peaks among Cangshan’s nineteen are framed by tall trees and the pond, remarkably reminiscent of the “Stream-Travelers” scroll of the Northern Song Dynasty, presenting a rare “lofty and distant” scene.
▽改造前场地大鸟瞰 @之间建筑
▽庄园鸟瞰 @朱雨蒙
▽建成后西北角建筑群落鸟瞰 @朱雨蒙
▽建筑群鸟瞰 @朱雨蒙
▽内院茶室 @朱雨蒙
▽内院水景与连廊 @朱雨蒙
▽从草坪回望餐厅 @刘国威
2. 大地石墙，借势重塑内外关系
场地内原有的红砖和简易轻钢建筑存在严重的安全隐患，新建筑只能在原有建筑占地范围内原址修复重建。设计的起点在于如何重新激活建筑与场地自然之间丰富的互动关系。在建筑平面轮廓不变的前提下，如何打破原有室内外边界、打破建筑与景观边界，把上述场地内外大小尺度、林林总总的自然元素尽可能吸纳入新的建筑空间体验中。
塑造新空间关系最重要的骨架是“大地石墙”。大地石墙贯穿建筑与景观，在室内外自由穿梭、高低变化。在新建筑平面轮廓不变的前提下，大地石墙拓展了人感知建筑空间的边界，营造出不同公共私密层级的院落，重塑了场地内外空间关系。在大地石墙的“空间骨架”之上，坡屋顶和平屋顶根据各自功能需求与室内空间营造，以不同的形态生长出来。
Earthy Stone Walls: Reshaping Internal-External Bonds Through the Site’s Context
The original red brick and rudimentary lightweight steel structures within the site pose significant safety hazards. Consequently, the new construction must be confined within the footprint of the existing buildings, allowing for restoration and reconstruction on the same site. The design begins with a focus on how to reawaken and enrich the dynamic relationship between the architecture and the natural landscape. Under the premise that the building’s overall outline remains unchanged, the challenge lies in transcending the traditional indoor-outdoor boundaries and blurring the lines between architecture and landscape, thereby integrating the myriad natural elements—large and small, within and beyond the site—into an immersive spatial experience.
The fundamental framework shaping this new spatial relationship is the “Great Earth Stone Wall.” This wall weaves through the architecture and landscape, facilitating seamless movement between indoor and outdoor spaces, with varying heights and depths. While maintaining the building’s perimeter, the Great Earth Stone Wall extends the perceptual boundaries of the architectural space, creating courtyards with distinct public and private layers, and redefining the spatial interplay between interior and exterior. On this “spatial skeleton,” the pitched and flat roofs are designed to grow organically according to their functional needs and the interior spatial requirements, forming an expressive topography.
▽“大地石墙”与新老建筑空间关系演化示意 @之间建筑
▽“大地石墙”与新的整体建筑关系示意 @之间建筑
▽大地石墙与建筑群落 @朱雨蒙
▽“大地石墙”与餐厅建筑 @刘国威
大地石墙塑造新空间关系需要借场地与大山水连接的两个“势”，即南侧面向开阔田野的苍山“平远之势”和西侧面向水塘草坪的苍山“高远之势”。借这两个主势，结合场地内部大树的分布、核桃林、水塘等近身尺度丰富的资源，逐渐发展出两个最重要的体验序列。
The creation of this new spatial order relies on two principal “forces” derived from the site’s connection with the surrounding mountains and water: the “broad and distant” perspective of Cangshan to the south facing open fields, and the “lofty and expansive” view of Cangshan’s western face toward the pond and grassland. Leveraging these dominant forces, along with the distribution of large trees, the walnut grove, and the pond—rich resources within close proximity—the design unfolds into two primary experiential sequences.
▽最终方案手工模型 @之间建筑
第一组体验序列借苍山的“平远之势”，从半围合的内院开始，从北向南依次展开。内院的原生大树、大叶灌木和流动水景延续了溪边的山林气息，庭院中心的茶室转角打开，与内院融为一体。轻盈的钢连廊串起庭院四周各空间，南侧中间是狭长透明的花园起居室，南北均是落地大推拉门，将体验从内院自然引向外部的核桃林。在核桃林的庇护下休息放松，视野和体验逐渐向开阔的农场和苍山打开。最终向前走到水塘边，水平延绵的苍山诸峰尽收眼底。
The first sequence draws upon Cangshan’s “broad and distant” perspective, beginning within a semi-enclosed courtyard and extending from north to south. The courtyard’s native trees, lush shrubs, and flowing water evoke the woodland atmosphere by the creek. The tea pavilion at the courtyard’s corner seamlessly integrates with the space, while a lightweight steel corridor links the surrounding areas. In the southern part of the courtyard, a slender, transparent garden living room is flanked by large sliding doors, inviting the experience from the interior to flow outward into the walnut grove. Under the shelter of the walnuts, visitors relax and enjoy views that gradually open onto the expansive farmland and the majestic Cangshan peaks, culminating in a panoramic vista of the water pond and the distant mountain range.
▽第一组“平远之势”体验序列示意 @之间建筑
▽内院与茶室 @朱雨蒙
▽从内院茶室望向花园起居室与苍山 @朱雨蒙
▽内花园、茶室、连廊与苍山 @朱雨蒙
▽两侧开敞的花园起居室 @朱雨蒙
▽从花园起居室望向苍山 @叶鑫淼
另一组体验序列借西侧苍山极具纵深感的“高远之势”，从东向西依次展开。从室内通高的餐厅开始，西侧是抵挡西晒而压低的檐口。再往西是半围合、半向苍山打开的活动草坪，远处苍山夹在石墙、大树和建筑之间，显露出一段立轴式的片段。继续向西，行至水塘边，建筑褪去，苍山完全被簇拥在大树之间，倒映在水面上，此时便是苍山在场地上另一种独特的“高远”意境。
The second sequence harnesses the “lofty and expansive” perspective of Cangshan’s western face, unfolding from east to west. It begins with an interior dining space featuring soaring ceilings and a lowered eaves to block the western sunlight. Moving westward, a semi-enclosed, open grassy lawn faces Cangshan, set amidst stone walls, large trees, and architectural elements, forming a segment of axial composition. Continuing westward to the water pond, the building recedes, revealing Cangshan fully embraced by clusters of trees reflected on the water’s surface, capturing another unique “lofty and expansive” realm of the mountain on the site.
▽第二组“高远之势”体验序列示意 @之间建筑
▽“高远之势”相关片区鸟瞰 @朱雨蒙
▽餐厅外立面 @刘国威
▽从餐厅望向草坪和苍山 @朱雨蒙
▽从活动草坪望向苍山 @朱雨蒙
▽从水塘边草坪望向“高远”的苍山 @叶鑫淼
3. 坡屋顶下的家
1号楼“农场之家”原有轮廓是L型，我们将四坡屋顶与两级退台平屋顶相互穿插嵌套，来适应原边界。这里是AKA自己及家人的主要生活区。入口玄关、开放式楼梯、二层过厅、三层阁楼串起了坡屋顶下独特的空间体验，屋顶天窗和东侧老虎窗将天光和竹影引入室内。西侧山景最好的两级退台下是首层起居室，西侧转角打开的榻榻米围坐区，和二层主卧。
A Home Beneath the Sloping Roof
Building No. 1, designated as the “Farmhouse,” originally presents an L-shaped silhouette. We have interwoven the four-pitched roof with a two-tiered stepped flat roof, harmonizing with the existing boundary constraints. This structure serves as the primary living area for AKA and his family. The entrance hall, open staircase, upper corridor, and attic on the third floor are interconnected by the pitched roofs, creating a distinctive spatial experience. Skylights and traditional east-facing “tiger windows” usher in natural daylight and dappled bamboo shadows, enriching the interior ambiance.
▽农场之家与山叁夏庄园酒店位置分布示意 @之间建筑
2号楼“下沉式休闲吧”最初的意向就是一个开敞的小亭子。八根钢柱藏在四边中段的短墙内，借坡屋顶悬挑之力，四个转角完全打开，落地推拉门可完全藏于短墙之内。室内地面整体下沉0.7米，形成强烈的围合感；中心高耸，四周檐口低矮的天光坡屋顶给室内又增加了一层庇护感。东侧是内外双壁炉，人围炉落座，随着视线高度降低，苍山便从低矮的檐口下完整地浮现出来。
Building No. 2, known as the “Sunken Lounge Bar,” was initially conceived as an open pavilion. Eight steel columns are concealed within short walls at the midpoints of each side. Leveraging the cantilever of the pitched roof, the four corners are fully open, with floor-to-ceiling sliding doors that can be completely tucked into the short walls. The floor of this space is sunken by approximately 0.7 meters, producing a pronounced sense of enclosure. The central area rises loftily, while the low eaves surrounding the sloped skylight roof add an extra layer of shelter. On the east side, a double-layered fireplace creates an intimate gathering space, where seated visitors, lowering their gaze, can fully admire the distant Cangshan Mountain as it appears beneath the modest eaves.
▽从大杨树望向1号楼“农场之家” @朱雨蒙
▽1号楼“农场之家” 南立面 @朱雨蒙
▽1号楼“农场之家” 鸟瞰 @朱雨蒙
▽从1号楼“农场之家” 阁楼回望开放式楼梯与天窗 @朱雨蒙
▽从1号楼“农场之家” 楼梯回望一层餐厅与二层过厅 @朱雨蒙
4. 庄园酒店，游走在花园与山水之间
在庄园酒店里，建筑只是客人感知自然的媒介。酒店的真身是花园、大树、溪流水塘、草地、农田、苍山、云霞… 是人能在这个场地上感受到的一切自然，它们像交响乐的不同声部，随着人在其中行望居游，在一个个空间场景中共鸣出不同的度假体验，让人在自然的层层包裹中逐渐放松下来。整个庄园酒店体验的张力和松弛感就是在各种尺度自然的相互交织、共谋、反转、递进的关系中生发出来。
Manor Hotel，Wandering Between Gardens and Landscapes
Within the estate hotel, architecture merely serves as a conduit through which guests perceive the essence of nature. The true soul of the hotel resides in the gardens, towering trees, flowing streams and ponds, meadows, farmlands, Cangshan Mountain, and the hues of clouds and mist—every natural element that can be sensed within this landscape. These components resonate like distinct voices within a symphony, their harmonies shifting as visitors wander, observe, and dwell within various spatial scenes. Each moment evokes a unique vacation experience, allowing individuals to gradually unwind amidst layers of natural embrace. The tension and tranquility that define this estate hotel stem from the intricate interplay of diverse scales of natural elements—interwoven, collaborating, reversing, and progressing in a dynamic dance of relationship.
▽2号楼望向苍山 @朱雨蒙
▽2号楼北立面（推拉门打开） @朱雨蒙
▽2号楼室内，推拉门关闭与打开 @朱雨蒙
▽2号楼室内望向苍山 @叶鑫淼
▽2号楼转角打开 @朱雨蒙
酒店客人的入口位于场地最东侧一片幽静的桉树林。前台是一个树林中一个爬满植物的花房，室内的老木板散发着农场的自然气息，在高高低低的植物间穿梭，身心开始放松。
The guest entrance is located at the most eastern part of the site, nestled within a tranquil grove of eucalyptus trees. The reception is housed within a vine-covered greenhouse amidst the trees, where aged wooden planks evoke a rustic, farm-like atmosphere. Navigating between the lush plants, visitors’ minds and bodies begin to relax, immersed in the natural serenity.
▽从庄园望向苍山 @朱雨蒙
▽从按树林花园望向花房前台 @朱雨蒙
▽花房前台室内 @朱雨蒙
酒店主体入口两侧高低起伏的弧形石墙逐渐收窄，门廊黑色格栅下光线幽暗，绕过转角的大叶植物，一片静谧的内花园伴随着流水声逐渐出现。花园的中心是坡屋顶下转角打开的茶室，向外探出悬浮在水面之上。步入茶室，在低矮的室内贴地而坐，茶室本身不大，但转角推拉门打开后，整个内庭都被纳入品茗的杯盏中。静心定神，植物和自然在身边逐层展开。
Flanking the main entrance are undulating curved stone walls that gradually narrow, leading into a shaded porch beneath a black lattice canopy. Circumnavigating a large-leafed plant around the corner reveals a quiet inner garden, accompanied by the gentle sound of flowing water. At the garden’s center, a pitched-roof tea pavilion opens at the corner, seemingly floating above the water surface. Entering the pavilion, one sits low and close to the ground, creating an intimate space. Though modest in size, when the corner sliding doors are opened, the entire courtyard becomes an extension of the tea experience, enveloped in the gentle unfolding of plants and natural elements layer by layer.
▽酒店区入口 @朱雨蒙
▽从酒店区入口门廊望向内院花园 @朱雨蒙
▽内花园与茶室 @朱雨蒙
▽转角打开的茶室 @朱雨蒙
内院半开半合，营造空间层次最关键的一笔便是连接内院和苍山，两侧通透的花园起居室。起居室东西狭长，两侧落地推拉门全部打开后，就变成了轻薄的灰空间。在花园起居室坐下，往北回望内院和茶室，往南透过核桃林远眺苍山。
The inner courtyard, semi-open and semi-enclosed, creates a layered spatial experience, crucially connecting it to Cangshan Mountain through the transparent garden living rooms on either side. These elongated spaces, with full-height sliding doors, transform into a luminous, delicate void when open, blurring the boundary between interior and exterior. Sitting in the garden living room, one can gaze northward back into the courtyard and teahouse, or look southward over the walnut grove, with distant Cangshan Mountain framing the horizon.
▽从茶室看花园起居室 @朱雨蒙
▽从花园起居室走向核桃林平台 @叶鑫淼
通高的餐厅开启了另一组体验自然的序列。8.7米高空间给用餐体验增添了仪式感，低矮的坡屋顶檐口又把这种仪式感调和到适宜的身体尺度。一天中不同的自然光从天窗和南侧老虎窗柔和地打亮室内，光影随着树影共同变幻。西侧落地推拉门外是一个压低的深檐口，檐下落座后，“高远”苍山纵深景观顺着近处的草坪、两侧的废墟石墙和大树往远处延伸，直至三千米之外的苍山兰峰。
The soaring dining hall introduces a different sequence of natural experience. Its 8.7-meter-high ceilings imbue the dining ritual with a sense of ceremony, tempered by the low eaves of the pitched roof, aligning the grandeur with human scale. Throughout the day, soft natural light filters in through skylights and south-facing “tiger windows,” casting shifting shadows that dance with the movement of the trees. Outside, a lowered deep eave extends over the sliding doors; seated beneath it, the “lofty” vista of Cangshan’s deep ridges unfolds along the nearby lawn, ruinate stone walls, and large trees, extending outward to the distant peak of Orchid Peak, three kilometers away.
▽从草坪回望餐厅 @刘国威
▽餐厅室内 @朱雨蒙
沿着草坪穿过石墙间的矮门，再往西便是农场之家的领地。大草坪尽端是场地最大的水塘，沿着水塘边的林荫道走出去，身边便只有花园和远山了。这场在花园与山水之间的游走最终停留在农场深处无尽的自然之中。
Following the lawn through a low gate in the stone wall leads westward into the farmland’s domain. At the far end of the expansive lawn lies the largest pond on the site. Walking along the shaded path beside the water, the surroundings gradually transition to garden and distant mountains. This wandering between garden and mountain landscape ultimately culminates in an immersion into the boundless natural wilderness deep within the farm’s core.
▽从西水塘回望餐厅与1号楼 @朱雨蒙
5. 植物、花园、院落、农场，再现一种大理的自然生活方式
洱海边是游客短暂的诗意浪漫，真正让人安顿下来的却是苍山脚下的田园，院落、花园和植物才是大理在地原生生活的底色。庄园的客房最终把客人安放在宁静的院落和植物里。整个庄园只有六间客房，每间客房都带有独享的私密花园。客房的边界不止于室内的落地门窗，院子和花园才是每间客房真正的起居室。主理人AKA对植物和手工的热爱也为庄园里的自然生活方式定下了室内审美基调。
Plants, Gardens, Courtyards, Farms: Embodying a Natural Lifestyle in Dali
Along the shores of Erhai Lake, visitors indulge in fleeting poetic romance; yet, what truly anchors the soul is the pastoral tranquility at the foot of Cangshan Mountain. Here, courtyards, gardens, and lush vegetation form the fundamental fabric of Dali’s indigenous way of life. The estate’s guest accommodations ultimately place visitors amidst serene courtyards and verdant flora. The entire estate comprises only six rooms, each endowed with its own private garden sanctuary. The boundaries of these rooms extend beyond interior sliding doors; the courtyard and garden serve as the true living spaces for each guest, fostering an intimate connection with nature. The proprietor, AKA, with his passion for plants and handcrafted details, establishes the internal aesthetic tone—imbuing the natural lifestyle with refined elegance.
▽106客房与花园 @朱雨蒙
▽从106客房洗脸台望向花园 @朱雨蒙
▽101客房室内 @朱雨蒙
▽201客房室内 @朱雨蒙
植物、花园、院落、农场在这里构建出大理自然生活方式的一种新形态。在这里，度假和生活都是一种“慢”的丰盈。独享的宁静，无界的自然，久违的自在，这也许是人们在大理能够感受到的最本真的体验，或许也是当下都市人群趋之若鹜来到大理想要寻找的“疗愈”。
Plants, gardens, courtyards, and farmland collaboratively forge a novel expression of Dali’s natural way of living. Here, both leisure and daily life unfold in a deliberate, unhurried abundance. Secluded tranquility, boundless nature, and a long-lost sense of ease perhaps represent the most authentic experience one can encounter in Dali. It may also be the very “healing” sought by urban dwellers in their quest to reconnect with a primal serenity.
▽傍晚的农场之家 @朱雨蒙
▽总平面 @之间建筑
▽一层平面 @之间建筑
▽二层平面 @之间建筑
▽剖平面 @之间建筑
▽剖平面 @之间建筑
▽剖平面 @之间建筑
▽1号楼“农场之家” 剖透视 @之间建筑
▽2号楼剖透视 @之间建筑
▽餐厅与开放式厨房剖透视 @之间建筑
项目名称：山叁夏庄园酒店与农场之家
地点：大理白族自治州银桥镇五里桥庆安里自然村
建筑设计：ArCONNECT 之间建筑事务所
主创建筑师：武州
项目建筑师：白皓文、蔡煌毅、骆俊宝（室内）、莫镇宇（室内）
设计团队：陈子豪、唐知亭、周春香、石毅、叶鑫淼、刘靖靖、孙艺琦、梁凌境、张雨露、王艺霏、王佳豪、李易璠、薛帷灿
室内软装设计：AKA
室内施工图及技术配合：ArCONNECT 之间建筑事务所
景观设计：AKA、孙晶
结构设计：马智刚，江枣
机电设计：北京卡林建筑设计有限公司
施工单位：
钢结构：郭汉文团队
农场之家室内装修：大理思成装饰有限公司
整体屋面立面施工与酒店室内装修：大理市升达装饰建材经营部
业主施工管理团队：孙晶、方洪水
建筑摄影：朱雨蒙、刘国威、叶鑫淼
建筑面积：1604㎡
占地面积：7330㎡
设计时间：2022.11-2024.10
建设时间：2023.4-2025.5
“ 在这里，度假和生活都是一种“慢”的丰盈。”
审稿编辑：Maggie
更多 Read more about: ArCONNECT 之间建筑事务所
0 Comments