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Thanks to Studioninedots for authorizing the publication of the project on mooool, Text description provided by Studioninedots.

 

Studioninedots:该住宅位于荷兰埃因霍温Strijp-R郊区,是一种介于开放与封闭之间亭状建筑,其内外一体的设计,提供了最大化视野和家庭互动的新型生活方式。

Studioninedots:Located on the green edge of Strijp-R in Eindhoven, Studioninedots designed family home Villa Fifty-Fifty as a 
pavilion where volumes alternate between open and closed, and where life happens just as much outdoors as 
indoors: a new typology for maximising visual and family interaction.

 

© Frans Parthesius

 

一半一半 Fifty-fifty

建筑师们通过这次的住宅设计,进一步推动了透明式住宅这一类型的发展。同时,业主委托Studioninedots重新设计这栋几年前同样由他们设计的房子,也是希望满足他们现在想要
的极简主义生活方式、与自然共处的愿景。因此本项目中,设计师旨在探索一个相当激进的
景观观点,即居住和户外功能同等重要。

建筑师在一处隐秘之地,
将所有的功能空间随机组织成两个水平面之间的连接体,由此构建了一座
在花园中延伸的亭状住宅,不仅加强了建筑与
景观之间的联系,也在开放与封闭、内外之间形成了独特的连接。
总结其特点:一半是房子,一半是花园。

With the design of Villa Fifty-Fifty the architects took the opportunity to push the typology of the transparent 
house. The clients, who commissioned Studioninedots some years back to design their first house, now desired a 
minimalist lifestyle and requested to live with nature. Studioninedots sought to investigate a rather radical 
translation of the view that living and outdoor functions are equally important.

Avoiding the obvious locations, 
all functions are randomly organized as connected volumes between two horizontal planes. This resulted in a 
pavilion-like house that unfolds across the garden, enhancing the relation between the building and the 
landscape, and in a unique patchwork of connections between open and enclosed, between inside and outside. 
Half house, half garden in one single volume.

 

© Frans Parthesius
© Frans Parthesius
© Frans Parthesius

 

亭与房的邂逅 Pavilion meets tiny house

该住宅由水平和垂直两个方向的功能空间组成。一楼是共享家庭空间和
父母使用空间;女孩们的房间则布置在高层的小房子里,它们从两块水平楼板中垂直穿出形成独立结构。
入口位于亭子和小房子的交汇处。
所有的结构相互联系又相互独立。通过各种相似尺寸的屋顶开口设计,让每个结构拥有
独立的氛围和光线,从而有助于空间的过渡。

Villa Fifty-Fifty is composed of functions organized both horizontally and vertically. The shared family spaces and 
the parents’ spaces are located on the ground floor; the girls have their own rooms in the tiny house in the 
tower which is designed to be self-contained. This tower protrudes vertically through the two horizontal slabs. 
The entrance is situated at the intersection of the pavilion and the tiny house.
 All volumes are interconnected and mutually independent. Within similar dimensions, the volumes have their 
own atmosphere and light through the various roof openings and thus contribute to the transition of space.

 

© Frans Parthesius

▽入口空间 The entrance

© Frans Parthesius
© Frans Parthesius

▽一楼生活区 The hared family spaces and 
the parents’ spaces

© Frans Parthesius
© Frans Parthesius

 

自然与工业 Naturally industrial

设计与工业材料相辅相成,以灰色调统一不同材料纹理。
玻璃在其中占据主导地位,顺理成章地模糊了室内和室外的界限,同时帮助打开视野。其他四个封闭的结构各自以不同的材料为特色。主浴室以石板为主;卧室和办公室的墙上装饰着浴室的釉面砖;圆形构筑
采用半透明的波纹聚碳酸酯;高架层用抛光铝包裹,巧妙反映周围景观,创造一个几乎全伪建筑立面来反映季节和天气的变化。
此外,定制设计也让住宅中的工业元素细节更为精致。总之,这个开放式花园住宅不仅
与邻近的林地很好地连接在一起,同时也巧妙地呼应了
设计中的工业遗产。

The design is complemented with industrial materials, united under a palette of greys and with varying textures. 
Glass dominates, naturally, to blur the boundaries between inside and outside and to allow for views and open 
sight lines. Four enclosed volumes feature an unusual application of materials. The master bathroom volume is 
clad with flagstones; glazed bathroom tiles adorn the walls in the bedroom and office. The round shed is 
fashioned from semi-transparent corrugated polycarbonate. Wrapped in polished aluminium, the tower subtly 
mirrors the landscape, creating an almost camouflaged surface that reflects the changing seasons and weather. 
Additionally, customised applications elevate industrial elements into refined details. This open garden home 
connects well to the adjacent woodlands and also the industrial heritage of Strijp-R is subtly echoed in the 
design.

 

© Frans Parthesius
© Frans Parthesius
© Frans Parthesius
© Frans Parthesius

 

“你既不在里面也不在外面,若从里面走到外面,然后又回到里面,最后依然身在
外面。”——尤尔真·范德霍斯特,Studioninedots

“You’re neither inside nor outside, you move from inside to outside to return inside and end up 
somewhere outside.” – Jurjen van der Horst, Studioninedots

 

▽设计概念 Concept

© Studioninedots

▽一层平面图 Ground Floor Plan 

© Studioninedots

▽二层平面图 1F Plan 

© Studioninedots

▽屋顶平面图 Roof Plan 

© Studioninedots

 

 

 

项目名称:Villa Fifty-Fifty
设计:Studioninedots
客户:私人
总建筑面积:240 平方米
地点:荷兰 埃因霍温 Strijp-R
设计周期:2018 – 2020年
设计团队:Albert Herder, Vincent van der Klei, Arie van der Neut, Metin van Zijl
主创建筑师:Metin van Zijl, Jurjen van der Horst
设计团队:Leire Baraja Rodriquez, Ruben Visser, Laura Berasaluce
承包商:Buytels Bouwbedrijf
施工:BreedID
图片:Frans Parthesius

Project: Villa Fifty-Fifty
Design: Studioninedots
Clients: Private
GFA: 240 m2
Location: Strijp-R, Eindhoven, NL
Design-completion: 2018 – 2020
Design team: Albert Herder, Vincent van der Klei, Arie van der Neut, Metin van Zijl
Lead architects: Metin van Zijl, Jurjen van der Horst
Design team: Leire Baraja Rodriquez, Ruben Visser, Laura Berasaluce
Contractor: Buytels Bouwbedrijf
Construction: BreedID
Images: Frans Parthesius

 


极简主义,与自然共处,住宅何须一定要有内外之分?

审稿编辑:Via Wang

更多 Read more about: Studioninedots

 


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