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The Urban Conga：由The Urban Conga工作室设计的pARC装置，为教堂山社区和位于北卡罗来纳大学教堂山分校的Ackland艺术博物馆提供一个开放式的互动空间。设计团队通过与社区利益相关者和博物馆代表参与的一系列设计研讨会进行空间干预，来自社区和博物馆代表的反馈和对未来公共空间规划的意见共同促成了最终的设计。Ackland艺术博物馆作为教堂山的一座免费博物馆，馆藏丰富，但它的存在和所提供的服务却鲜为人知。
The Urban Conga: pARC was designed by The Urban Conga to serve as an open-ended programmable space for the community of Chapel Hill and the Ackland Art Museum located at the University of North Carolina. The Urban Conga studio designed the spatial intervention through a series of participatory design workshops with community stakeholders and museum representatives. The feedback and input of the community and museum representatives lead to the final design of the space and input on future public programming. The Ackland Art Museum is a free museum in Chapel Hill that hosts a surplus of diverse programming within its doors, but it seemed many community members were unaware of the museum and what it had to offer.
pARC装置坐落在博物馆外的开放露台上，成为连接博物馆和街道的桥梁，并作为对话、事件、教学和馆内其他互动项目的延伸。该装置展示了如何利用游戏使艺术机构变得更加亲民，让艺术从“展台”上走下来，将工作和空间的所有权交给人们。它邀请人们从街道上走进博物馆，吸引那些以前不会驻足的人进入空间。该装置成为一个变革性的公共平台，以新的方式为人们提供了与博物馆、大学以及彼此间的互动。
pARC was designed to sit on the open terrace of the museum to serve as a bridge to connect the museum to the street. Serving as a programmable extension to the conversations, events, teachings, and programming that currently exists within the doors of the Ackland. The design shows how play can be utilized as a tool in the democratization of art institutions by taking art off the pedestal and allowing people to take ownership of the work and space. It invites people up off the street and into the museum that might have once never felt comfortable entering the space. The installation becomes a transformative communal platform for all users to engage with the museum, university, and each other in new ways.
pARC的设计既与博物馆的格鲁吉亚建筑风格相呼应，同时又形成了对比。设计采用对称的构图，并打破它成为一系列相互连接的弧线。一系列弧形的线条似乎从地面上生长出来，构建了各种社交空间，吸引使用者将自身融入到装置、博物馆和周围的空间中。pARC作为一个灵活的公共空间，为人们提供了尽情玩耍、聚集、表演、教学、交谈甚至小憩的方式。
The design of pARC both mimics and contrasts the Georgian-style architecture of the museum. The design takes this symmetrical colonial composition and breaks it into a series of interconnected arcs. These series of arcs appear to grow up from the ground to frame out various social spaces that allow the users to put their own identity onto the work, the museum, and the surrounding space. pARC becomes a flexible communal space evoking endless ways to play, gather, perform, teach, converse, or even take a nap.
空间形态与参观者的身份相呼应，并利用其可玩的设计来打破社交障碍并激发空间内的公共联系。装置的颜色与博物馆的形象重塑相协调，有助于吸引人们进入博物馆，并作为其新品牌和使命的连接。该作品采用通用设计标准，使其成为一个任何人都可使用的包容性空间。草丛下方设有可持续的网状系统，方便轮椅进入空间，同时不影响地被植物的生长。
The spatial gesture takes on its user’s identity and utilizes its playable design to break down social barriers and spark communal connection within the space. The color of the work was designed in coordination with the rebranding of the Ackland to help draw people into the museum and serve as a connector to their new brand and mission. The work utilizes universal design standards to make it an inclusive space that anyone can use. Underneath the grass sits a sustainable mesh that allows for wheelchair accessibility within the space while still allowing the grass to grow up through it.
每个拱道都同时作为周围环境的框架或映射，让人可以通过不同的“镜头”观察该区域。当人通过装置时，他们会发现自身的移动能够改变面板的颜色，从而引起周围环境的色彩变化。该装置不仅通过其二向色镜反射和折射周围环境，同时还将阴影投射到地面和面板本身，从而与使用者和环境产生互动。
Each archway serves as a framed or reflective view of the surrounding context that allows the user to look at the area through a different lens. As one passes the work, they begin to realize their movement changes the colors of the panels sparking different filtered views of the context around them. The installation not only responds to the user but also the environment by reflecting and refracting the surrounding context through its dichroic lenses while also casting shadows onto the ground and the panels themselves.
它利用白天和夜晚的光线作为媒介，为空间内带来不同的趣味和奇迹。白天，用户可以与太阳互动，将阴影投射到面板上，或者改变空间内反射的颜色。这种互动激发了人与太阳之间的联系，并展示了如何通过行为在空间内产生反应。到了夜晚，通过使用红色、绿色和蓝色的灯光，用户可以在面板上与他们的阴影混合颜色，从而创造出同样的效果。利用装置进行的阴影游戏成为吸引用户与该装置、空间和其他要素互动的另一种方式。
The work utilizes light both during the day and at night as a tool to evoke play and wonder into the space. During the day, the user can interact with the sun to cast shadows onto the panels or shift the colors reflected within the space. This interaction sparks a connection between the person and the sun and shows how their actions begin to create a reaction within the space. At night this same effect is created through the use of red, green, and blue lights that allow the user to color mix with their shadows on the panels. The shadow play on the work becomes another way that the user can begin to play with the work, space, and others.
pARC成为各类游戏的一次里程碑式变革，从物理游戏跨越到幻想游戏，突出了游戏设施如何被用作形成更具包容性和公平性的公共空间的关键工具。
pARC becomes a transformative landmark for all types of play, from physical to fantasy play, highlighting how play can be utilized as a critical tool in evoking more inclusive and equitable communal spaces.
▽平面设计图纸 Plan
▽立面图纸 Elevation
项目名称：pARC
地点：美国 北卡罗来纳州 教堂山
项目面积：864平方英尺
年份：2022
客户：Ackland Art Museum and University of North Carolina
设计师：The Urban Conga
网站：https://www.theurbanconga.com/
建造：The Urban Conga
Project Name: pARC
Location: Chapel Hill, NC – USA
Project Size: 864 sq ft
Year: 2022
Client: Ackland Art Museum and University of North Carolina
Designers: The Urban Conga
Website: https://www.theurbanconga.com/
Fabrication: The Urban Conga
“ 艺术博物馆的露台通过置入一个互动装置，变成了一个可供玩耍的公共空间。”
审稿编辑：SIM
更多 Read more about：The Urban Conga
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