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DAOYUAN：While working on this project, the design team went back to the beginning many times: why does the exhibition area exist? What role should landscape play in it? The final results is the designer and the whole team on the above two questions one answer: exhibit is landscape designers rely on their own accumulated experience, aesthetic, and creative, achieve the living environment of vision with local characteristics, to participate in the experience of the customers, feeling the pleasure from the landscape environment, resonate with and is willing to inhabiting this decision.
The project is located in Kunming, where the natural climate conditions are superior and the plants are diverse and flourishing. Even though it is located on the busiest street in Kunming, the client team still hopes to provide users with a “natual-friendly” living environment and proposes the concept of “bringing nature home”. Therefore, the landscape, architecture, interior and other teams worked closely to refine the secret environment of the original forest and present it in a form more suitable for modern living, centering on its core pursuit and the user’s experience needs.
▼针对业主提出的“亲自然”居住理念意向 The “pro-nature” residential concept proposed by the client
▼设计团队通过提炼，以一种更适应现代人居的方式展现了出来 The design team refined it in a way that is more suitable for modern living
自然生长，模糊边界 Grow naturally, blur boundaries
Between the urban development plots, inlaid with a quiet green forest, green forest, clouds like irregular buildings in the rise. This is a consensus reached in the initial stage of multi-party cooperation. While fully displaying the value of each profession, rational and restrained design is maintained to make each element complement and achieve each other.
▼设计从一开始就奠定了“和谐相生”的密林基调 From the very beginning, the design laid the tone of “harmonious coexistence”
▼建成后的实景体现了“亲自然”的核心氛围 After the completion of the real scene also reflects the “pro-nature” core atmosphere
As a tolerant site environment, the landscape exists in the form of a background, without taking any sporadic “elements” as the protagonist. Through the natural growth of plants and vitality atmosphere, the boundary between the site and the building, the interior and the exterior, the city and the forest is blurred, so that it is harmonious and compatible with the building without any sense of disharmony.
有序和无序的空间 Ordered and disordered
This background state plays a great role in the value of the landscape, that is, the orderly layout of the space with natural disorder. Otherwise, if the landscape is pushed infinitely to the foreground state, it will be in contradiction with the essential properties of the media of the landscape itself, and it will appear both artificial and alienated.
▼景观保持克制，通过植物赋予项目尺度感和场所感 The landscape is restrained, giving the project a sense of scale and place through the plants
▼模拟无序的自然，呈现空间的艺术性和纯粹性 Simulating the disordered nature, presenting the artistry and purity of space
It is always the pursuit goal of the design team to create a pleasant place for users. Therefore, behind the seemingly disorderly “pro-nature”, there are actually many well-thought-out and orderly considerations, such as plant selection, pavement, tree pool and other designs, which fully consider the feelings on the human scale, so that people can better perceive the space and gain some sense of peace and satisfaction.
▼景观回归环境媒介本质，显其空间气质，而不矫揉造作 Landscape returns to the nature of environmental media, showing its spatial temperament without affectation
营建特色地域环境 Build characteristic regional environment
A tropical rain forest in the courtyard of the sales building fits kunming’s climate conditions and to some extent represents the desirable impression of Yunnan. The landscape here has been successfully presupposed as a “natural” object centering on the core starting point of the design, and its connotations and images are mainly derived from the cultural perception created by the plant design. That is to express regional ecological characteristics and convey site culture through plants.
▼通过材料及植物的运用，营造丰富的场地感知 Create rich site awareness through the use of materials and plants
注重参与体验感 Focus on the sense of participation experience
Due to the limited space area of the site, the design pays attention to the experience of being close to nature. As far as the eye can see, the landscape is everywhere, instead of the traditional nodal design. Only when people reach the frame, can there be some scenery to enjoy. Where the vision can reach, visitors will be able to reach, with a strong sense of participation experience.
It abandoned the sort of on the shelf “paintings” landscape form, is no longer confined to a box, layer upon layer wrapped for people from afar, but can be created by the path of the direct contact with nature, activate the visitor’s sensory pleasure, let a person as if the body is in a generous nature, also let a person think top in a luxury hotel.
▼为来访者提供直接的自然接触，感受景观的愉悦性 To provide visitors with direct contact with nature, feel the pleasure of the landscape
理性建造与感性审美的平衡 Rational construction and perceptual aesthetics
That is, the balance between characteristic atmosphere and landing. About plants, stone, etc., between the design team on the ground and effect, the considerations for many times, the initial selection of plant is more “wilderness” feeling, stone material is more overall, after actual at the water’s edge of survival environment and site construction and other reasons, to replace the ground more plants, also clever by cutting stone into buildings, cultivating local cover within the cutting clearance, Strive to achieve the present more satisfactory state.
▼庭院植物营造效果 Rendering of garden plants
▼综合考量实际水边生存环境后精选植物落地 Select suitable plants after considering the actual living environment by the water
▼用材细节 Material details
▼基于景观与建筑同步的施工顺序，将石材切割后吊入，用碎石、地被填充，完善落地效果 Based on the synchronous construction sequence of landscape and building, the stone was cut and hoisted in, and filled with gravel and ground to improve the actual construction effect
If “first nature” refers to wilderness landscapes, and “second nature” to agricultural and cultural landscapes, then “third nature” refers to landscapes that have been deeply designed. Such landscapes focus on ideas and experiences, but also promote reflection and feedback on the inner nature of the first and second nature. The starting point of our urban landscape is to artificially create a more refined nature suitable for urban people in dense cities, and this is exactly the effect of the landscape.
James Corner once said: Compared with the endless intellectual research in architecture and ecology, landscape is often Mired in the mire, one of the reasons is that designers are trapped in the dualistic and contradictory split state between environmentalists and artists. Perhaps this project makes a balanced attempt in the display area type, to create a beautiful natural environment like a work of art, serving the same vision of the home buyers.
景观设计：DAOYUAN | 道远设计·壹方部
软装单位：LSD Interior Design
Client: Midea Property southwest Region
Client team: Wang Zhihao | He Binyi | Ren Jibin | Zou Huayi | | zhao mandy cloud zhi-lin Yang
Landscape design: DAOYUAN
Design team: Chen Pugan | Tan Yang | ling-li liu | hui-qiong Chen | He Jincan | Ding Yijun | Gong Lvqin | Zhang Xiao Siye department – Zhou Xuemei | Bai Yi | Wu Yongpan
Photography: Holi Landscape Photography
Landscape construction: Guizhou Jiuhe Landscape Engineering Co., LTD
Architects: GAD Architectural Design
Exterior decoration: LSD Interior Design
Completion: June 2021
审稿编辑 Via Wang
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