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RAD + AR:“隧道尽头的光明与真理”这一启发性项目旨在探索宗教建筑如何通过在空间设计中融入现代主义元素来演变的同时保留其精神内核。这里采取的干预措施摒弃或补充了传统上与神圣空间相关的复杂装饰和天然材料,转而展示其原始场地的质朴纯粹之美。

RAD + AR: The ‘Light and Truth at the End of the Tunnel’ inspired project aims to explore how religious architecture is evolving by incorporating modernist influences in spatial design while preserving its spiritual essence. These interventions replace or complement the intricate ornamentation and natural materials traditionally associated with sacred spaces by showcasing the raw beauty of its pristine site.

 

© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo

 

这座教堂位于印度尼西亚茂物市附近的一处乡村庄园内,被委托作为私人静修别墅和祈祷场所,同时建立建筑与周围广袤自然之间深刻而微妙的关系。于是设计师在静修别墅之间,呈现了一个倒置的、模糊的隧道空间,让访客沉浸在宁静、敬畏和永恒的虔诚之中,以此逃离城市喧嚣——其本身就是一种精神体验。

This chapel, commissioned as a private retreat villa and space for prayer on a rural estate near the city of Bogor, Indonesia, seeks to establish a profound yet subtle relationship between architecture and the surrounding extensive nature. It features an inverted, ambiguous tunnel space nestled in between, alongside a retreat villa that immerses visitors in silence, awe, and timeless devotion, allowing them to escape the hectic pace of city life—reflecting spirituality itself.

 

© Ernest Theofilus
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo

 

设计通过现代主义视角重新定义了神圣空间,借鉴山坡上古老建筑简洁的外骨骼结构,采用重复的简约手法重塑场地。这些结构以并置的坡道流线连接新的梯形建筑和空间,通向不规则的现有茂密树林。

其呈现的建筑形式独具特色,营造出超越物质世界的空间,开启一段精神之旅,构建出一条既具物质形态又具精神内涵且贯穿广袤自然的隧道。这种手法使这些元素(光、尺度、和谐与对比)既具有普遍吸引力,又能反映出其文化与精神根基。

The design redefines sacred spaces through a modernist lens by employing a repetition of the simplicity found in downslope archaic exoskeleton structures. These structures regularly bridge a new terraced building and spaces through juxtaposed ramping circulation, leading into the irregular existing and dense woods. The architecture possesses a unique character that crafts a space transcending the physical realm, bridging into a spiritual journey, and creating both a physical and a non-physical tunnel that penetrates vast, open nature. This approach enables these structures (light, scale, harmony, and contrast) to achieve a universal appeal while still reflecting their cultural and spiritual foundations.

 

© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus

 

建筑包含三个主要空间:半公共教堂、半公共圣母玛利亚精神花园以及私人静修主别墅和客别墅。隧道状的空间从整个单体中雕琢而出,笼罩在薄雾之中,与许多生长着巨大现有树木的倒置空间交错。

The building features a program consisting of three major spaces: a Semi-Public Chapel, a Semi-Public Mother Mary Spiritual Garden, and a Private Retreat Main Villa & Guest Villa. The tunnel-like spaces are carved from a single block and intersect with many inverted spaces filled with giant existing trees, shrouded in mist.

 

© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo

 

教堂内通过流畅的几何形状和戏剧性的灯光营造出不同私密度的区域。整座建筑占地面积不到场地的10%,设计与自然地形完美融合,隐匿其中,等待发现。

The chapel includes areas with varying levels of intimacy, created through flowing geometries and dramatic lighting. Covering less than 10% of the site’s footprint, the design integrates seamlessly into the natural terrain, hiding and waiting to be discovered.

 

© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Mario Wibowo

 

起伏的结构与全玻璃的墙壁和窗户相分离,创造出360度的开阔视野,从各个方向看都通透且易于到达,营造一种室内外交融的感官体验——如此姿态既世俗又神圣。

The undulating structure, separated from the all-glass walls and windows, creates an open 360-degree view that is transparent and approachable from all sides. This design fosters an indoor-outdoor experience—a gesture that is as profane as it is sacred.

 

© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus
© Ernest Theofilus

 

底层较小的神圣空间与两端的水体无缝连接,设有与人造瀑布相融合的自由形态自然露台。空间的尺度及其自然光线相辅相成,使其既是景观又是建筑,让人联想起过去户外聚会的情景。而在建筑深处,教堂的神圣空间连同耶稣的漂浮圣体,成为隧道尽头光明照亮的高潮精神空间。

The ground floor’s smaller sacred space is seamlessly connected to bodies of water on both ends, featuring free-form natural terraces that merge with a manmade waterfall. The scale of the space and its natural light render it both landscape and architecture, alluding to past gatherings outdoors. The sacred space of the chapel serves as the floating corpus of Jesus, acting as the climax spiritual space illuminated by the light at the end of the tunnel.

 

© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo
© Mario Wibowo

 

 


Drawings

场地总平面 © RAD+AR
底层平面 © RAD+AR
地面层平面 © RAD+AR
夹层-二楼平面 © RAD+AR
庇护所建筑演绎 © RAD+AR
剖面图-A © RAD+AR
剖面图-B © RAD+AR
剖面图-C © RAD+AR
© RAD+AR

 

 

 

 

项目名称:庇护所隧道花园
设计公司:RAD+AR
公司网址:radarchitecture.net
社交媒体:@radarchitects (instagram)
联系邮箱:visionary@radarchitecture.net
公司地点:巴厘岛和雅加达

完工时间:2025年
总建筑面积: 650 平方米
项目地点:印尼 Cigombong
项目/用途/建筑功能:教堂、灵修别墅、宗教空间

首席建筑师:Partogi Pandiangan, Antonius Richard Rusli
建筑师邮箱:visionary@radarchitecture.net

图片来源:

Ernest Theofilus
www.ernesttheofilus.com
ernest.theofilus@gmail.com
/
Mario Wibowo
www.mariowibowo.com
mario@mariowibowo.com

 

Project Name: Sanctuary Tunnel Garden
Office Name: RAD+AR
Office Website: radarchitecture.net
Social Media Accounts: @radarchitects (instagram)
Contact email: visionary@radarchitecture.net
Firm Location: Bali & Jakarta
Completion Year: 2025
Gross Built Area (m2/ ft2): 650 m2
Project Location: Cigombong, Indonesia
Program / Use / Building Function: Chapel, Spiritual Retreat Villa, Religious Space
Lead Architects: Partogi Pandiangan, Antonius Richard Rusli
Lead Architects e-mail: visionary@radarchitecture.net
Photographer
Ernest Theofilus
www.ernesttheofilus.com
ernest.theofilus@gmail.com
/
Mario Wibowo
www.mariowibowo.com
mario@mariowibowo.com

 

 

 


一座极具现代主义的宗教建筑,摒弃装饰后的建筑架构设计,仿佛穿过时光看见人类物质建筑与精神文明的不朽。

审稿编辑: Via

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